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About the Book
"Finishing Our Course with Joy" by J. I. Packer is a practical and insightful guide to aging and preparing for the end of life as a Christian. Packer provides wisdom and guidance on how to navigate the challenges that come with aging, addressing topics such as physical decline, loss of independence, and the fear of death. Through biblical insights and personal anecdotes, Packer encourages readers to embrace their senior years with gratitude, purpose, and joy, ultimately finding peace and hope in God's promises for eternity.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
Weighing the Beauty and Brevity of Life
It’s been ten years since my father died. A decade. Already? Nearly 20 percent of my lifetime has passed since I last saw him. Where did the time go? My oldest child recently turned 24. To me it seems that almost yesterday I was holding that precious newborn, singing softly to him while slowly pacing in the hospital room. But in reality, I’ve since lived 44 percent of my lifetime. Where did the time go? Thirty-six years ago, I began dating a beautiful 16-year-old girl whom I had the extraordinary privilege of marrying four years later. Scenes from that hot, sunny, summer day when it all began are still vivid to me, and have a hue of new  about them. Yet 65 percent of my life has managed to slip by since that monumental moment became a memory. Where did the time go? Where did the time go?  Why do we all ask some form of that question — and ask it over and over as the years pass? It’s not like we don’t know. Each of the approximately 3,700 days since my father died, the 8,800 days since my son was born, and the 13,200 days since my wife and I began dating passed just like the ones before it. The days accumulated over time. It’s simple math. But of course, it’s not the math that bewilders us. We’re bewildered by something far more profound — that this life we’ve been given, this significant existence with all its sweet and bitter dimensions, passes so quickly and then is gone. We Are Marvels We all intuitively discern that our lives have profound significance. Even when we’re told they don’t, we don’t really believe it — or if we really do, we no longer want to live. We also intuitively discern that there is profound significance to the great human story-arc, with all of its collective triumphs and tragedies. This isn’t mere human hubris, because most of us, including the greatest among us, have always been cognizant of our smallness in the cosmos. Truly did David pray, When I look at your heavens, the work of your fingers,      the moon and the stars, which you have set in place, what is man that you are mindful of him,      and the son of man that you care for him? (Psalm 8:3–4) “We are marvels of creation, who long for eternity, yet whose lifespans here are like a mist.” But even in view of our smallness, it’s undeniable that there is something awesome about humanity. Just a brief glance around us shouts this. From where I’m writing (on a laptop computer wirelessly connected to the world!), I see automobiles driving by, a commercial jet flying overhead, an educational institution devoted to helping underprivileged children succeed in school, and a talented gardener carefully cultivating her organic artwork. These phenomena are just part of “normal” daily life for me, yet each represents staggering layers of human ingenuity. And to top it off, my (also wirelessly world-connected) mobile phone has just informed me that NASA has successfully launched its latest rover mission to the planet Mars. Without denying our great and grievous capacities for evil, every single one of us is simply a marvel in our various ranges of intellect, capacities for language and communication, aptitudes for innovation, abilities to impose order upon chaos, and contributions to collective human achievements. Truly did David pray, You have made [man] a little lower than the heavenly beings      and crowned him with glory and honor. You have given him dominion over the works of your hands;      you have put all things under his feet. (Psalm 8:5–6) God has endowed human beings with the glory and honor of being made in his image (Genesis 1:26–27). This is the profound significance we all intuit, even those who deny it. Our lives are imbued with tremendous meaning. We Are Mists Yet each of our profoundly significant earthly lives, no matter how short or long it lasts, is so brief. We look up to find 10, 24, 36 years have suddenly passed. Repeatedly we’re hit with the realization that our lives “are soon gone, and we fly away” (Psalm 90:10). Truly did David pray, Behold, you have made my days a few handbreadths,      and my lifetime is as nothing before you. Surely all mankind stands as a mere breath! (Psalm 39:5) And truly did James say, “What is your life? For you are a mist that appears for a little time and then vanishes” (James 4:14). It’s this existential experience of being marvels and mists that we find bewildering. We find it a strange phenomenon to watch our lives move relentlessly along a continuum, leaving experiences that are massively important to us in an increasingly distant past, while our earthly end — the end of the only reality we’ve ever known — approaches with unnerving speed. It recurrently catches us by surprise. With Eternity in Our Hearts But why  do we find this experience strange and surprising? Many experts from various branches of the cognitive and biological sciences venture answers. But just as recounting the math of passing days doesn’t address the strangeness and surprise we feel when we ask, “Where did the time go?” neither do the chemical mechanics of consciousness. And there’s more to the deep longings this whole experience awakens than just the awareness and anticipation of our mortality. Truly did the writer of Ecclesiastes say, [God] has put eternity into man’s heart, yet so that he cannot find out what God has done from the beginning to the end. (Ecclesiastes 3:11) God has given us the ability to conceive of eternity, yet in spite of conferring upon us many marvelous capacities, he has not granted us to peer into eternity past or eternity future, no matter how hard we try. And due to our efforts to seize forbidden knowledge, God has withdrawn our once-free access to simply eat of the tree of life and live forever (Genesis 3:22–24). We are marvels of creation, whose lives are imbued with great meaning, who long for eternity, yet whose lifespans here are like a mist. No wonder we find time mystifying. Teach Us to Number Our Days Our strange experience of the passing of time is more than a by-product of consciousness, more than mere existential angst over mortality. It is a reminder and a pointer. “God has reopened for us the way to the tree of life, to eternal life, and that way is through his Son, Jesus.” It is a reminder  that we are contingent creatures and that the profound significance we intuitively know our lives possess is derived  significance, not self-conferred  significance. Though created in the likeness of God and given marvelous capacities, we are not self-existent or self-determining like God. Rather, “in him we live and move and have our being” (Acts 17:28), receiving from him our “allotted periods” of life and “the boundaries of [our] dwelling place” (Acts 17:26). And the brevity of those allotted periods of life are meant to make us cry out, “O Lord, make me know my end and what is the measure of my days; let me know how fleeting I am!” (Psalm 39:4). And our experience of deep heart longing for eternity in the face of such brevity is a pointer  that we are actually designed for such a thing as eternal life. For those who have eyes to see, this is a gospel pointer. For God has reopened for us the way to the tree of life, to eternal life, and that way is through his Son, Jesus (John 3:16; 14:6; Romans 6:23; Revelation 2:7). Those moments when we ask, “Where did the time go?” are reminders that “all flesh is grass, and all its beauty is like the flower of the field. The grass withers, the flower fades when the breath of the Lord blows on it” (Isaiah 40:6–7). And they are pointers to the reality that though our “days are like grass,” yet “the steadfast love of the Lord is from everlasting to everlasting on those who fear him” (Psalm 103:15–17). Those moments come to us in order to “teach us to number our days that we may get a heart of wisdom” (Psalm 90:12).