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Finishing Well In Life And Ministry Finishing Well In Life And Ministry

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  • Author: Bill Mills
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About the Book


"Finishing Well In Life And Ministry" by Bill Mills provides insights and practical advice on how to finish strong in both personal and ministry endeavors. The book emphasizes the importance of seeking God's guidance, relying on His strength, and staying faithful to the calling until the end. It encourages readers to prioritize their relationship with God, maintain a servant heart, and persevere through challenges in order to finish well.

Keith Green

Keith Green Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org. Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001. From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers." Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others. Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential. As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations. Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...." Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis. Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers. Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint. Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents. On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on." Keith Green's Career Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980. Keith Green's Awards Induction (posthumous), Gospel Music Hall of Fame, 2001. Famous Works For Him Who Has Ears To Hear , Sparrow, 1977. No Compromise , Sparrow, 1978. So You Wanna Go Back to Egypt , Pretty Good, 1980. The Keith Green Collection , Sparrow, 1981. Songs for the Shepherd , Pretty Good, 1982. The Prodigal Son , Pretty Good, 1983. Jesus Commands Us to Go , Pretty Good, 1984. Because of You--Songs of Testimony , Sparrow, 1998. Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998. Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998. Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.

The Martyred Lover - The Story Behind Saint Valentine’s Day

Of the multitude of feasts celebrated in the popular culture of medieval Europe — wherein lie some of the key roots of the modern West — only two remain in popular North American culture today: Saint Patrick’s Day (March 17) and Saint Valentine’s Day (February 14). With Saint Patrick, we have two important texts by Patrick himself that reveal the true man. But who was Saint Valentine? The name was a popular one in the Roman world, for the adjective valens expressed the idea of being vigorous and robust. In fact, we know of about a dozen early Christians who bore this name. Our Saint Valentine was an Italian bishop who was martyred on February 14, 269, after a trial before the Roman emperor Claudius Gothicus (reign 268–270). According to the meager accounts that we have, Valentine’s body was hastily buried, but a few nights later some of his associates retrieved it and returned it to his home town of Terni in central Italy. Other accounts list him as an elder in Rome. One embellishment has him writing a letter before his death and signing it, “your Valentine.” “Saint Valentine was a martyr — yes, a lover, but one who loved the Lord Jesus to the point of giving his life.” What seems clear, though, from all that we can determine, is that Saint Valentine was a martyr — yes, a lover, but one who loved the Lord Jesus to the point of giving his life for his commitment to Christ. For Christians to adequately remember Saint Valentine, then, we would do well to consider what it meant to be a martyr in the early church. Witnesses and Martyrs Our word martyr is derived from the Greek martys, originally a juridical term that was used of a witness in a court of law. Such a person was one “who has direct knowledge or experience of certain persons, events or circumstances and is therefore in a position to speak out and does so.”1 In the New Testament, the term and its cognates are frequently applied to Christians, who bear witness to Christ, often in real courts of law, when his claims are disputed and their fidelity is tested by persecution. The transition of this word within the early Christian communities from witness to what the English term martyr” entails serves as an excellent gauge of what was happening to Christians as they bore witness to Christ. In Acts 1:8, Jesus tells the apostles that they are to be his “witnesses” (martyres) in Jerusalem, Judea, Samaria, and to the end of the earth. At this point, the word does not have the association of death, although in Acts 22:20 we do read of the “blood of Stephen,” the Lord’s “witness” (Greek martyros), being shed. But it is really not until the end of the writing of the New Testament canon that the term martys acquires the association with death.2 At the very close of the apostolic era, the risen Christ in Revelation 2 commends his servant Antipas, his “faithful witness,” who was slain for his faith at Pergamum, “where Satan dwells” (Revelation 2:12–13). Pergamum, it should be noted, was a key center of emperor worship in Asia Minor, and the first town in that area to build a temple to a Roman emperor, Augustus Caesar. It may well have been Antipas’s refusal to confess Caesar as Lord and worship him that led to his martyrdom.3 It has been estimated that by the mid-first century, eighty or so cities in Asia Minor had erected temples devoted to the cult of the emperor.4 The word martys seems thus to have acquired its future meaning first in the Christian communities in Asia Minor, where the violent encounter between church and empire was particularly intense.5 In this regard, it was certainly not fortuitous that Asia Minor was “unusually fond” of the violent entertainment of the gladiatorial shows. There was, in fact, a training school for gladiators at Pergamum. Along with fascination with such violence, there would have been a demand for victims over and above the requisite gladiators. Thus, recourse was had to Christians, among others.6 And so, the word martys became restricted in its usage to a single signification: bearing witness to the person and work of Christ to the point of death. Stephen and Antipas were the first of many such martyrs in the Roman Empire. Neronian Persecution One of the most memorable clashes between church and empire was what has come to be called the Neronian persecution. In mid-July 64, a fire began in the heart of Rome that raged out of control for nearly a week and gutted most of the city. After it had been extinguished, it was rumored that the emperor Nero (reign 54–68) himself had started it, for it was common knowledge that Nero wanted to level the capital of the empire in order to rebuild the city in a style in keeping with his conception of his own greatness. Conscious that he had to allay suspicions against him, Nero fixed the blame on the Christians. The fullest description that we have of this violence against the church is from the Roman historian Tacitus (about 55–117), who describes the execution of these Christians as follows: To scotch the rumour [that he had started the fire], Nero substituted as culprits, and punished with the utmost refinements of cruelty, a class of men, loathed for their vices, whom the crowd styled Christians. Christus, from whom they got their name, had been executed by sentence of the procurator Pontius Pilate when Tiberius was emperor; and the pernicious superstition was checked for a short time, only to break out afresh, not only in Judaea, the home of the plague, but in Rome itself, where all the horrible and shameful things in the world collect and find a home. First of all, those who confessed were arrested; then, on their information, a huge multitude was convicted, not so much on the ground of incendiarism as for hatred of the human race. Their execution was made a matter of sport: some were sewn up in the skins of wild beasts and savaged to death by dogs; others were fastened to crosses as living torches, to serve as lights when daylight failed. Nero made his gardens available for the show and held games in the Circus, mingling with the crowd or standing in his chariot in charioteer’s uniform. Hence, although the victims were criminals deserving the severest punishment, pity began to be felt for them because it seemed that they were being sacrificed to gratify one man’s lust for cruelty rather than for the public weal.7 A number of Christians — including the apostle Peter, according to an early Christian tradition that seems to be genuine8 — were arrested and executed. Their crime was ostensibly arson. Tacitus seems to doubt the reality of this accusation, though he does believe that Christians are rightly “loathed for their vices.” Tacitus’s text mentions only one vice explicitly: “hatred of the human race.” Why would Christians, who preached a message of divine love and who were commanded to love even their enemies, be accused of such a vice? Well, if one looks at it through the eyes of Roman paganism, the logic seems irrefutable. It was, after all, the Roman gods who kept the empire secure. But the Christians refused to worship these gods — thus the charge of “atheism” that was sometimes leveled at them.9 Therefore, many of their pagan neighbors reasoned, they cannot love the emperor or the empire’s inhabitants. Christians thus were viewed as fundamentally anti-Roman and so a positive danger to the empire.10 ‘Blood of Christians Is Seed’ This attack on the church was a turning-point in the relationship between the church and the Roman state in these early years. It set an important precedent. Christianity was now considered illegal, and over the next 140 years the Roman state had recourse to sporadic persecution of the church. It is noteworthy, though, that no emperor initiated an empire-wide persecution until the beginning of the third century, and that with Septimius Severus (reign 193–211).11 Nonetheless, martyrdom was a reality that believers had to constantly bear in mind during this period of the ancient church. “Instead of stamping out Christianity, persecution often caused it to flourish.” But persecution did not always have the effect the Romans hoped for. Instead of stamping out Christianity, persecution often caused it to flourish. As Tertullian (born about 155), the first Christian theologian to write in Latin, put it, “The more you mow us down, the more we grow: the blood of Christians is seed.”12 And as he said on another occasion: “whoever beholds such noble endurance [of the martyrs] will first, as though struck by some kind of uneasiness, be driven to enquire what is the matter in question, and, then, when he knows the truth, immediately follow the same way.”13 Surpassing All Earthly Loves It was during the Middle Ages that the various stories of Saint Valentine circulated and were embellished, solidifying the remembrance of him as a martyr. But it was a medieval writer, Geoffrey Chaucer (1340s–1400), who explicitly linked romantic love to Saint Valentine in a poem entitled “Parliament of Fowls” that described the gathering of a group of birds on “seynt valentynes day” to choose their mates. To what degree Chaucer influenced the later link between Saint Valentine’s Day and lovers is not exactly clear, but as early as the fifteenth century lovers were sending each other love notes on Saint Valentine’s Day. Of course, with the rise of the commercial cultures of the West in the eighteenth and nineteenth centuries, this practice was commodified and became an important part of the commercial world we see today. There is nothing inherently wrong with modern commercial traditions, but Saint Valentine’s Day is a good day to also remember that there is a love that surpasses all earthly loves: our love for our great God and our Savior, his dear divine Son, Jesus. Allison A. Trites, The New Testament Concept of Witness (Cambridge: Cambridge University Press, 1977), 9. ↩ G.W. Bowersock, Martyrdom and Rome (Cambridge: Cambridge University Press, 1995), 1–21. ↩ Paul Keresztes, “The Imperial Roman Government and the Christian Church. I. From Nero to the Severi” in Aufstieg und Niedergang der römischen Welt, ed. Hildegard Temporini and Wolfgang Haase (Berlin: Walter de Gruyter, 1979), II.23.1, 272; G.K. Beale, The Book of Revelation (Grand Rapids: Eerdmans, 1999), 246. ↩ Christopher A. Frilingos, Spectacles of Empire: Monsters, Martyrs, and the Book of Revelation (Philadelphia: University of Pennsylvania Press, 2004), 22–23. ↩ Theofried Baumeister, “Martyrdom and Persecution in Early Christianity,” trans. Robert Nowell, in Martyrdom Today, ed. Johannes-Baptist Metz and Edward Schillebeeckx (Edinburgh: T&T Clark, 1983), 4. ↩ Bowersock, Martyrdom and Rome, 17–18; Keresztes, “Imperial Roman Government and the Christian Church,” 272. ↩ Tacitus, Annals 15.44.3–8, trans. F.F. Bruce, Paul: Apostle of the Heart Set Free (Grand Rapids: Eerdmans, 1977), 442. ↩ See Tertullian, Scorpiace 15.3. ↩ See Justin Martyr, 2 Apology 3. ↩ W.H.C. Frend, “Persecutions,” in Encyclopedia of the Early Church, ed. Angelo Di Berardino, trans. Adrian Walford (New York: Oxford University Press, 1992), II, 673. Christians were also charged with incest, seemingly a misunderstanding of the common Christian statement about loving their brothers and sisters in Christ, and with cannibalism, a misunderstanding of the Lord’s Table. See, in this regard, Justin Martyr, 2 Apology 12; Theophilus, To Autolycus 3.4, 15; Minucius Felix, Octavius 9.2, 5; 28.2; 30–31. ↩ Some scholars see the first empire-wide persecution initiated by an emperor to be that of Decius (reign 249–251) in the late 240s. ↩ Tertullian, Apology 50.13. ↩ Tertullian, To Scapula 5, in Tertullian: Apologetical Works and Minucius Felix: Octavius, trans. Rudolph Arbesmann, Emily Joseph Daly, and Edwin A. Quain (New York: Fathers of the Church, Inc., 1950), 161. ↩ Article by Michael A.G. Haykin

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