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About the Book
"You Can, You Will" by Joel Osteen is a motivational book that encourages readers to have faith in themselves and in God's plan for their lives. Osteen shares personal anecdotes and practical advice on how to overcome obstacles, stay positive, and achieve success. The book emphasizes the power of positive thinking and believing in one's abilities to overcome challenges and achieve dreams.
Johnny Cash
Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences.
Who Was Johnny Cash?
Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin.
Early Life
Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops.
Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields.
From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice.
Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career.
Military Service and Musical Aspirations
In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic.
It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started."
After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel.
Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice."
Johnny Cash and the Tennessee Two
In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song.
The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts.
Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town."
Drugs and Divorce
By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs.
But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce.
Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death."
Remarriage and Revival
Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968.
With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans.
The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash.
The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame.
Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa.
Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery.
But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography.
Final Years, Death and Legacy
Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998.
Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation.
Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track.
"Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'"
That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter.
In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty.
Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down.
"I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore."
In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.
Blessed Are the Unoffendable
I remember the flush of embarrassment that came to my face as I realized that my friend was letting me know I hadn’t been invited to be a part of the group of women she was meeting with regularly — and not by accident. I tried to navigate the moment, relieving the tension by telling her not to worry about it. I let her know that my plate was full with doctors’ appointments and kids’ activities. “I couldn’t join the group even if I were asked!” I laughed, doing all I could to keep her from feeling sorry for me. And my words were true. I really did have a plate too full to add anything else. I really didn’t want her to worry about it. Yet my hot cheeks and thumping heart told the secret I was trying to conceal — I was fighting the impulse to take offense. Shutting the Gates I knew well enough how destructive becoming offended can be. Proverbs 18:19 says, “A brother offended is more unyielding than a strong city.” What horrible strength there is in taking up an offense! Offended people can become unassailable. Recalcitrant. Too hard-hearted to hear an appeal. When we are offended, we believe ourselves to have the moral high ground; therefore, we feel justified in making the one who has offended us a villain. I thought I was on the inside of this particular group of friends, only to discover I was not. My sense of where I fit in with others was challenged in a painful way. I could choose to accept it with goodwill toward these sisters and lean on my Savior who has called me his friend, or I could get tough — hard as nails — like an unyielding strong city whose gates have been shut and whose pride has locked out the offending parties. “Offended people become unassailable. Recalcitrant. Too hard-hearted to hear an appeal.” The Scriptures show us many instances of Jesus causing offense. He offends his hometown crowd. He offends Pharisees and scribes. He is the stone of stumbling and rock of offense. This is no big surprise to Christians. We aren’t shocked that the Pharisees or the hometown crowd are resentful and outraged by his superior understanding and his mighty deeds. From our vantage point, it isn’t too hard to see that when Jesus challenges their view of reality, he’s always right. We can see their blind spots and pride and how that pride makes them easily offended. But it’s much harder to spot the pride when we’re the one being offended, and when the offender is someone other than the perfect Jesus. The Drug of Offendedness What do we do when we’re offended by one another? What do we do if the offense given or taken is a result of carelessness, or thin skin, or personality differences, or unintentionally missing the mark, or sinfulness in ourselves or others? First, remember that when others are offensive in a truly sinful way, their offense is against God first and foremost. Sin against us feels personal, because it often is personal. But it’s significantly more personal to God, who doesn’t just relate to us, but who created us. God is patient with those who have offended his holiness. But he will not wait forever. And for those who are united to his Son through faith, their offenses against him have been extinguished at the cross. Second, it is good to remember that God has made a way for us to deal with a legitimate offense. We can follow the instructions of our Lord and go to that person directly in the hopes of gaining our brother (Matthew 18:15). We don’t ever need to stay offended. Even when we don’t gain our brother by going to him, we don’t have to live in our offended state; we can lay that down at the cross. And laying our offense there, we can take a posture that is eager for reconciliation, should God grant it. But what about when there is no intentional or discernible sin? What about the kind of situation that I found myself in — the one where I had not been sinned against, yet my hurt feelings were poised to harden into offendedness? It helps to acknowledge that taking offense is a powerful drug. It’s a powerful drug precisely because it gives us power. Remember the proverb — the offended brother is more unyielding than a strong city! “Taking offense is a powerful drug. It’s a powerful drug precisely because it gives us power.” When we turn hurt feelings into offendedness, we go from vulnerable to impenetrable. When we’re hurt by someone else’s words or actions, it’s tempting to try to protect ourselves with anger or self-righteousness that masquerades as having been offended. It’s easier to imagine the ones who have hurt us as villains rather than own that our hurt often has to do with our insecurities and fragility more than with the objective sinfulness of others. Good Sense and Glory Proverbs 19:11 says, “Good sense makes one slow to anger, and it is his glory to overlook an offense.” Good sense and glory are in short supply these days. Rather than slow down and give our rational minds a chance to inform our wildly thumping hearts, we let our feelings inform our response. Rather than overlook an offense, we go conjuring them up from every possible infraction, mounting chips on our shoulders. Everything another person says that we disagree with is a devilish opportunity for taking up an offense. Anything another person does that is different than how we would do it strengthens the resolve of the unyielding, hardened heart. Too often, we can’t merely disagree with people; we are personally offended by the words, opinions, and actions of others, even when they have no bearing on our personal lives. And if we can’t find a way to be personally offended ourselves, too many have begun taking up an offense on behalf of another. Rather than cover an offense in the interest of love and refusing to repeat a matter (Proverbs 17:9), the society around us urges us to lend and borrow offenses as a currency of backward virtue. Blessed Are the Unoffendable There is more than insecurity and fragility underneath our proclivity to take up an offense, although those problems are constantly feeding it. At root, our easily offended hearts are full of pride and idolatry. We have set ourselves as the standard of what is right and good and what must be honored — any perceived challenge to that assumption results in anger, resentment, and the taking up of an offense. But we’re not the standard; God is — which is wonderful news for sinners. Because he is the standard, because only he can see into hearts and discern the motives of each of us, we can be free to assume the best of others, trusting that he will judge perfectly in the end. We can have the good sense to be slow to anger. We can become gloriously unoffendable. Won’t you lay down the offendedness you’ve nursed against others, and rest in the salvation of the God who is slow to anger and abounding in steadfast love? He is patient in delaying judgment, but judgment will come. Today is the day to crucify the counterfeit power of offendedness and take hold of the gospel — which is the power of God for salvation to all who believe (Romans 1:16).