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"What if It Does Work" by Susie Moore is a motivational guide that encourages readers to take risks, overcome fears, and pursue their dreams with confidence. Moore shares personal anecdotes, practical advice, and exercises to help readers change their mindset and embrace the possibility of success. The book empowers readers to challenge their limiting beliefs and step outside of their comfort zones to achieve their goals.

Keith Green

Keith Green Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org. Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001. From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers." Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others. Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential. As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations. Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...." Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis. Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers. Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint. Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents. On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on." Keith Green's Career Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980. Keith Green's Awards Induction (posthumous), Gospel Music Hall of Fame, 2001. Famous Works For Him Who Has Ears To Hear , Sparrow, 1977. No Compromise , Sparrow, 1978. So You Wanna Go Back to Egypt , Pretty Good, 1980. The Keith Green Collection , Sparrow, 1981. Songs for the Shepherd , Pretty Good, 1982. The Prodigal Son , Pretty Good, 1983. Jesus Commands Us to Go , Pretty Good, 1984. Because of You--Songs of Testimony , Sparrow, 1998. Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998. Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998. Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.

Blessed Are the Unoffendable

I remember the flush of embarrassment that came to my face as I realized that my friend was letting me know I hadn’t been invited to be a part of the group of women she was meeting with regularly — and not by accident. I tried to navigate the moment, relieving the tension by telling her not to worry about it. I let her know that my plate was full with doctors’ appointments and kids’ activities. “I couldn’t join the group even if I were asked!” I laughed, doing all I could to keep her from feeling sorry for me. And my words were true. I really did have a plate too full to add anything else. I really didn’t want her to worry about it. Yet my hot cheeks and thumping heart told the secret I was trying to conceal — I was fighting the impulse to take offense. Shutting the Gates I knew well enough how destructive becoming offended can be. Proverbs 18:19 says, “A brother offended is more unyielding than a strong city.” What horrible strength there is in taking up an offense! Offended people can become unassailable. Recalcitrant. Too hard-hearted to hear an appeal. When we are offended, we believe ourselves to have the moral high ground; therefore, we feel justified in making the one who has offended us a villain. I thought I was on the inside of this particular group of friends, only to discover I was not. My sense of where I fit in with others was challenged in a painful way. I could choose to accept it with goodwill toward these sisters and lean on my Savior who has called me his friend, or I could get tough — hard as nails — like an unyielding strong city whose gates have been shut and whose pride has locked out the offending parties. “Offended people become unassailable. Recalcitrant. Too hard-hearted to hear an appeal.” The Scriptures show us many instances of Jesus causing offense. He offends his hometown crowd. He offends Pharisees and scribes. He is the stone of stumbling and rock of offense. This is no big surprise to Christians. We aren’t shocked that the Pharisees or the hometown crowd are resentful and outraged by his superior understanding and his mighty deeds. From our vantage point, it isn’t too hard to see that when Jesus challenges their view of reality, he’s always right. We can see their blind spots and pride and how that pride makes them easily offended. But it’s much harder to spot the pride when we’re the one being offended, and when the offender is someone other than the perfect Jesus. The Drug of Offendedness What do we do when we’re offended by one another? What do we do if the offense given or taken is a result of carelessness, or thin skin, or personality differences, or unintentionally missing the mark, or sinfulness in ourselves or others? First, remember that when others are offensive in a truly sinful way, their offense is against God first and foremost. Sin against us feels personal, because it often is personal. But it’s significantly more personal to God, who doesn’t just relate to us, but who created us. God is patient with those who have offended his holiness. But he will not wait forever. And for those who are united to his Son through faith, their offenses against him have been extinguished at the cross. Second, it is good to remember that God has made a way for us to deal with a legitimate offense. We can follow the instructions of our Lord and go to that person directly in the hopes of gaining our brother (Matthew 18:15). We don’t ever need to stay offended. Even when we don’t gain our brother by going to him, we don’t have to live in our offended state; we can lay that down at the cross. And laying our offense there, we can take a posture that is eager for reconciliation, should God grant it. But what about when there is no intentional or discernible sin? What about the kind of situation that I found myself in — the one where I had not been sinned against, yet my hurt feelings were poised to harden into offendedness? It helps to acknowledge that taking offense is a powerful drug. It’s a powerful drug precisely because it gives us power. Remember the proverb — the offended brother is more unyielding than a strong city! “Taking offense is a powerful drug. It’s a powerful drug precisely because it gives us power.” When we turn hurt feelings into offendedness, we go from vulnerable to impenetrable. When we’re hurt by someone else’s words or actions, it’s tempting to try to protect ourselves with anger or self-righteousness that masquerades as having been offended. It’s easier to imagine the ones who have hurt us as villains rather than own that our hurt often has to do with our insecurities and fragility more than with the objective sinfulness of others. Good Sense and Glory Proverbs 19:11 says, “Good sense makes one slow to anger, and it is his glory to overlook an offense.” Good sense and glory are in short supply these days. Rather than slow down and give our rational minds a chance to inform our wildly thumping hearts, we let our feelings inform our response. Rather than overlook an offense, we go conjuring them up from every possible infraction, mounting chips on our shoulders. Everything another person says that we disagree with is a devilish opportunity for taking up an offense. Anything another person does that is different than how we would do it strengthens the resolve of the unyielding, hardened heart. Too often, we can’t merely disagree with people; we are personally offended by the words, opinions, and actions of others, even when they have no bearing on our personal lives. And if we can’t find a way to be personally offended ourselves, too many have begun taking up an offense on behalf of another. Rather than cover an offense in the interest of love and refusing to repeat a matter (Proverbs 17:9), the society around us urges us to lend and borrow offenses as a currency of backward virtue. Blessed Are the Unoffendable There is more than insecurity and fragility underneath our proclivity to take up an offense, although those problems are constantly feeding it. At root, our easily offended hearts are full of pride and idolatry. We have set ourselves as the standard of what is right and good and what must be honored — any perceived challenge to that assumption results in anger, resentment, and the taking up of an offense. But we’re not the standard; God is — which is wonderful news for sinners. Because he is the standard, because only he can see into hearts and discern the motives of each of us, we can be free to assume the best of others, trusting that he will judge perfectly in the end. We can have the good sense to be slow to anger. We can become gloriously unoffendable. Won’t you lay down the offendedness you’ve nursed against others, and rest in the salvation of the God who is slow to anger and abounding in steadfast love? He is patient in delaying judgment, but judgment will come. Today is the day to crucify the counterfeit power of offendedness and take hold of the gospel — which is the power of God for salvation to all who believe (Romans 1:16). Article by Abigail Dodds

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