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Exceptional piece. Highly recommended!

- jacqueline user (9 days ago)

About the Book


"A Handbook of Piano Playing" by Eric Hope is a comprehensive guide for pianists of all levels, covering essential techniques and skills necessary for successful piano performance. The book covers topics such as posture, hand positioning, fingering, rhythm, dynamics, and interpretation, providing valuable insights and practical exercises to help improve playing ability and overall musicianship. Hope's clear and accessible writing style makes this book an essential resource for pianists looking to develop their skills and master the art of piano playing.

Keith Green

Keith Green Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org. Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001. From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers." Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others. Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential. As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations. Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...." Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis. Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers. Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint. Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents. On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on." Keith Green's Career Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980. Keith Green's Awards Induction (posthumous), Gospel Music Hall of Fame, 2001. Famous Works For Him Who Has Ears To Hear , Sparrow, 1977. No Compromise , Sparrow, 1978. So You Wanna Go Back to Egypt , Pretty Good, 1980. The Keith Green Collection , Sparrow, 1981. Songs for the Shepherd , Pretty Good, 1982. The Prodigal Son , Pretty Good, 1983. Jesus Commands Us to Go , Pretty Good, 1984. Because of You--Songs of Testimony , Sparrow, 1998. Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998. Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998. Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.

God Can Meet Us in the Ashes

Strict practitioners would not have approved of my methods, but on one long ago mid-winter Wednesday, I smeared ashes on the foreheads of my two preschoolers and myself. An offering of the hardwood that had heated our home the day before, these ashes were not “ceremonially correct” in any way. At the time, I did not know that traditional Ash Wednesday ashes come from the remains of Palm Sunday palms. I did not even know about the forty days of Lent to follow. However, I did know about sin — my own and my children’s. We were in “time out” season with one of our sons. At our wits’ end, we had exhausted Dr. Dobson, Elisabeth Elliot, and every parenting resource available in the nineties. “Why is it so hard to be good?” our little Dobson-buster would ask. His younger brother’s eyes would fill with tears whenever they were caught in collaborative naughtiness. In this parenting pressure cooker, maternal apologies had become a daily occurrence. I was hoping to model repentance — while at the same time atoning for sharp words and a short fuse. “I was wrong; please forgive me” were the words through which my sons were learning that their mother had not outgrown the struggle against sin. Ash Wednesday gives Christians an opportunity to grow in our understanding of where to take that struggle. Reclaiming Lent for Christ Historically, our earliest Protestant ancestors revolted against the idea of Lenten practices, and with good reason. In the pre-Reformation mind, penitence, ashes, and self-denial had become ends in themselves. Gradually, however, a biblical understanding of lament has re-entered Christian orthodoxy, anchored in an embrace of our fallen-ness. Ashes on the forehead rightly represent our need to “repent in dust and ashes” (Job 42:5–6), and our identity as “a people of unclean lips [who] dwell in the midst of a people of unclean lips” (Isaiah 6:5). Jesus pronounced a blessing upon those who recognize their poverty of spirit and mourn the effects of sin on their life and in the world (Matthew 5:3–4). Grounded in gospel truth that prompts genuine penitence without crippling guilt and deep conviction without devastating shame, Ash Wednesday invites the believer to a renewed awe of our great salvation. While there is no merit in the wearing of ashes, a season of mourning leading up to Easter may actually enhance our celebration of Resurrection Sunday. A Wednesday to Teach In my challenging season of parenting, Ash Wednesday became a visual aid, a teaching tool to reassure my young sons that our sin does not signal the end of God’s love for us. In our home, hymns around the breakfast table always matched the season, and one year, we learned all four verses of a “cross hymn” in the weeks leading up to Easter. Rich hymns of the faith offer deep gospel truth that requires explanation (but not dilution) for little singers: When I survey the wondrous cross On which the Prince of Glory died, All the vain things that charm me most I sacrifice them to His blood. The vain-ness of the “vain things” Isaac Watts wrote about becomes abundantly clear when we remember that nothing lasts forever. “Remember that you are dust” is the lyric of Ash Wednesday. God made us from dust, and our bodies do not live forever. This is a dying world we inhabit: everything from goldfish to grandfathers eventually stops living. And we mourn the loss. Without becoming morbid or frightening, we can prepare our children for the inevitability of death by putting it in the context of the gospel. Thomas á Kempis prescribed a regular pondering of and preparation for death as a route to happiness. Author Gary Thomas suggests that we present-day believers ought to join á Kempis in allowing the reality of death to act “like a filter, helping us to hold on to the essential and let go of the trivial.” For believers, the “essential” is the eternal, and the eternal comes to us through the cross. The paradox of death leading to rebirth only appears to be a contradiction. All of Christ’s gifts are given to us through death — his death. And it will only be through a different death — our death — that we will finally receive the fullness of life that Jesus died to impart. A Wednesday to Remember My sons and I stood before a mirror together, the three of us with our smudged foreheads. We talked about our struggle to obey God and our sadness over sin — the sin that causes mayhem in our home, hurt feelings between brothers, and, worst of all, separation from a God who loves us. When a little boy is struggling with disobedience, even as a preschooler, he already feels the grit and grind of life on a fallen planet. He may not be able to comprehend sin’s cosmic scale: “For the creation was subjected to futility, not willingly, but because of him who subjected it, in hope. . .” (Romans 8:20). But he is already well-acquainted with the collective groaning, and can love the truth about the hope of our future deliverance from the struggle: “. . . that the creation itself will be set free from its bondage to corruption and obtain the freedom of the glory of the children of God” (Romans 8:21). Reading selected, age-appropriate portions of the crucifixion story from Luke 22 and thinking about Jesus’s willingness to endure the weight of all the sins of the entire world on his body provides a focus for the wearing of our ashes as a symbol of our grief — mourning that we have sinned and caused division from God and sadness over the suffering Jesus endured when he died in our place. A Wednesday to Rejoice If good behavior is all I have to bring to Jesus, he cannot help me. The warm welcome of the gospel on a frigid day in early spring takes into account a little boy’s hopelessness in the face of temptation. Our sin does not signal the end of our relationship with God. It’s a beginning, for it turns out that weakness is a powerful claim upon divine mercy. Learning to hate sin at a young age, to war against it, and to receive God’s forgiveness is a celebratory milestone. There is a reason to rejoice because of Christ’s obedience to all that God commanded. Then, his love in paying the penalty for our failure to obey gives us a reason for hope, even against the backdrop of my own parenting fiascos and my sons’ serial naughtiness. God knows well the stuff we are made of. “He remembers that we are dust” (Psalm 103:14). As a loving heavenly Father, he longs to supply every need for righteous living — in fact it is only his righteousness that will suffice. This orientation provides a solid foundation for a lifelong relationship built on the assurance that God’s purposes will not be thwarted by my sin. He delights to meet me and my children in the ashes. Article by Michele Morin

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