The Prophetic Future Concealed In Israel’s Festivals Order Printed Copy
- Author: Perry Stone
- Size: 1.24MB | 233 pages
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About the Book
"The Prophetic Future Concealed in Israel's Festivals" by Perry Stone explores how ancient Jewish festivals hold key insights into future events and the second coming of Christ. Stone delves into the symbolism and spiritual significance of these festivals, shedding light on their prophetic implications and offering readers a deeper understanding of God's plan for humanity. Through detailed analysis and biblical references, Stone reveals how these ancient celebrations foreshadow significant events in the Christian faith, making a compelling case for the relevance and importance of understanding Israel's festivals in a modern context.
Rich Mullins
Born Richard Wayne Mullins on October 21, 1955, in Richmond, IN; died on September 19, 1997, in La Salle County, IL; son of John and Neva Mullins. Education: Attended Friends University, Wichita, KS, late 1980s.
The talents of Contemporary Christian singer/songwriter Rich Mullins and his work with the group Zion were first noticed by Christian music superstar Amy Grant. The inclusion of his song "Sing Your Praise to the Lord" on Grant's Age to Age album in 1982 soon lead to deals with Reunion Records and the start of a successful career as a songwriter and singer. With nearly ten albums and numerous Contemporary Christian hit songs to his credit, Mullins's career was cut short by an automobile accident that took his life on September 19, 1997, in Illinois.
Raised near Richmond, Indiana, Mullins began writing songs in his head as he drove a tractor over the fields of his family's farm. He taught himself to play the piano at age four and soon mastered a number of other instruments as well, including the guitar and hammered dulcimer. Long before his birth, however, factors over which he had no control were beginning to shape the world in which he would grow up. In Rich Mullins: An Arrow Pointing to Heaven by James Bryan Smith, the singer tells of some family history and how it came to affect his life: "My dad grew up back and forth between Kentucky and Virginia because his father was a coal miner. And when my dad was 14 my grandpa came home and told my grandma to load up the truck 'cause they were gonna move.... And my grandpa said, 'Well, Rose, we're going to Detroit.' And she said, 'Why in the world are we going to Detroit?' And he said, 'Because I don't want my boys to grow up to be coal miners.' And so they got as far as Indiana and ran out of gas--and that's how I got here."
As a boy, Mullins was known as Wayne, his middle name. Although he went by Richard when he went off to college and shortened that to Rich when he launched his music career, he preferred to be known as Wayne by his family. Mullins was particularly close to his mother, Neva, who was raised a Quaker. He admits, however, to having been somewhat embarrassed by his father, who was raised in the heart of Appalachia, "which is a very polite way to say that he was a hillbilly," Mullins told Smith. Mullins said that it was not until he was nearing the end of high school that he began to understand the true meaning of the biblical injunction to "honor thy father and mother." In Smith's book Mullins is quoted: "[I]f you cannot honor your father and mother, then you can't honor anybody. Until you come to terms with your heritage, you'll never be at peace with yourself. That was a real breakthrough moment for me. So, what I needed to do was come to understand the Appalachian life, so that I could know more about my father, who had been a stranger to me all my life."
In 1974, after finishing high school, Mullins attended Cincinnati Bible College in Ohio, working as a youth minister in a local church. A couple of years into college, he formed a band of his own. The band only stayed together for about a year, and during that time it performed Christian music at schools and colleges throughout the Cincinnati area. In the late 1970s Mullins left college to work with Zion Ministries and perform with their band, aptly named Zion. In the summer of 1981 a copy of an album recorded by Zion--made up mostly of songs written by Mullins--found its way to Christian singer Amy Grant. The up-and-coming Grant and her managers were impressed by Mullins's "Sing Your Praise to the Lord" and decided to include it on Grant's next album, Age to Age, released in 1982. Mike Blanton, an adviser to Grant and founder of Reunion Records, signed Mullins to his first publishing deal as well as his first artist deal.
Mullins's first album for Reunion, self-titled, was released in 1986 and includes such songs as "Place to Stand," "Elijah," and "Few Good Men." He followed that in 1987 with Pictures in the Sky, which includes "When You Love," "Be with You," and "Verge of a Miracle." Winds of Heaven, Stuff of Earth, Mullins's third album for Reunion, was released in 1989 and features "Awesome God," "Other Side of the World," and "If I Stand." Also hitting music stores in 1989 was Never Picture Perfect, which includes the singles "I Will Sing," "While the Nations Rage," and "First Family."
In 1988 Mullins moved to Wichita, Kansas, to study music education at Friends University, a nondenominational Christian institution. While studying at Friends, he continued to record and perform whenever he could. In 1991 and 1992, he released two volumes of a compilation entitled World As Best As I Remember It. After completing his studies at Friends, Mullins joined a Compassion International mission to the vast Navajo Reservation in Arizona to teach music to the local children and spread the Christian gospel to whomever he could reach. As part of his work in the Navajo Nation, he formed a music club for some of the younger residents. In May of 1995, he moved to the Navajo Nation, settling into a trailer adjacent to the reservation. He lived there with fellow musician Mitch McVicker, and the two were involved in a project to collect musical instruments for the children of the reservation.
Throughout his career, Mullins has been nominated a total of 12 times for Dove Awards, presented each year to the best in Contemporary Christian music. He never received the award, but close friend Doris Howard told Release magazine that he probably didn't mind. "Nashville didn't own Rich, but then, he cared nothing for the things of this world."
On September 19, 1997, the Jeep in which Mullins and McVicker were traveling from Chicago to Wichita overturned on Interstate 39 in La Salle County, Illinois. Both men were thrown onto the road from their vehicle. A tractor trailer following close behind swerved to miss the Jeep but instead hit Rich, killing him instantly. McVicker, though injured critically, recovered.
Rich Mullins's Career
Joined Christian group Zion, late 1970s; released self-titled album for Reunion Records, 1986; recorded total of nine albums of Christian music for Reunion, 1986-96; wrote several Contemporary Christian hits, including "Awesome God" and "Sing Your Praise to the Lord"; studied music education, devoted time to relief efforts among Navajo Indians of the Southwest, mid-1990s.
The Very First Prayer
From the opening chapters of the Bible, God makes it clear that humanity was created to enjoy life with God, and God in life — to experience the radiance of his presence and listen to him speak “close up.” Adam and Eve walked with God in the garden, which God himself has provided for this very purpose. And they are charged to turn the whole of creation into a place where God can be known and enjoyed (see Genesis 1:28 and 2:15–16). Relating to God, for them, was natural and unhindered. After the events of Genesis 3, of course, everything gets so much harder. “From the opening chapters of the Bible, God makes it clear that humanity was created to enjoy life with God.” God’s grand plan for his people and his world remains the same, but suddenly the way to God is littered with obstacles, as the ease of relating to God is replaced with struggle. In fact, it’s not altogether clear how our first parents are supposed to relate to God as they leave the now inaccessible garden behind (Genesis 3:24). The task they were commissioned to do in Genesis 1:28 remains, but it now will be tackled against the grain of a broken creation and without the immediate presence of the Creator. Which brings us to Genesis 4. First Recorded Prayer After the exclusion of the original couple from Eden, the narrative immediately jumps to the birth of Cain and then Abel. The intriguing note of Genesis 3:15 has set us up to expect an individual who is able to undo the recently created chaos of sin. Both brothers are pictured bringing offerings to God (the awareness of our obligation to the one who made us remains intact), but the violent events which follow do little beyond showing that the hope of humanity must be found elsewhere — and yet, remarkably, God has continued to speak to his people. Cain’s evil quickly spirals further out of control, as he settles down in a city (Genesis 4:17), rather than continuing to “fill the earth and subdue it,” and then fathers a dynasty of self-reliant men, culminating in the brutality of Lamech, who boasts to his wives that if anyone messes with him, he will exact disproportionate revenge (Genesis 4:24). At this point in the tragic narrative, we find these words: And Adam knew his wife again, and she bore a son and called his name Seth, for she said, “God has appointed for me another offspring instead of Abel, for Cain killed him.” To Seth also a son was born, and he called his name Enosh. At that time people began to call upon the name of the Lord. (Genesis 4:25–26) Initially, Genesis 4:25 raises our hopes. Cain and Abel are not to be the sole heirs of Adam — there is another son, Seth. Eve’s own words, highlighting that he is another “offspring” (same word in Genesis 3:15), lead us to expect more detail, and hopefully a bright counterpoint to the darkness of Cain and his line. However, we get no details whatsoever about Seth. He is born, and then his sole contribution to the unfolding plan of God is to sire a son, Enosh. Like his father, Enosh makes no contribution to the narrative beyond providing a descendant. All this makes it doubly puzzling when the birth of Enosh leads people to begin calling on the name of the Lord, apparently for the first time. Why Pray Now? The phrase “at that time” in the first five books of the Bible tends to introduce significant incidents (for example, Genesis 12:6; 38:1; Deuteronomy 1:9). In this case, the striking nature of the action (calling on the name of the Lord) is a further signal that something important is going on. But it is puzzling — what could possibly have occasioned this “new start” in humanity’s relationship with God? Seth is born, but does nothing else. Now Enosh is born, and similarly, there appears to be nothing remarkable about his birth. So what are we to make of this? What prompted them to seek God in this way now? It’s theoretically possible that this is simply a chronological note. Given the fact, however, that not one word is wasted in the opening chapters of the Bible, and every phrase seems loaded with significance for the unfolding narrative, this seems highly unlikely. Rather, it seems that starting to “call on the name of the Lord” is the right response to the fact that Cain and Abel, Seth and Enosh have all shown up, but there is, as yet, no sign of the promised Serpent-Crusher of Genesis 3:15. The waiting — and the appealing to God to act — has begun. We Ask for What He Promised This is the first address to God after the fall — and it is a cry to God to act by fulfilling his promises. In the Institutes, John Calvin says, “Just as faith is born from the gospel, so through it our hearts are trained to call upon God’s name” (III XX.21). I think that’s what’s going on here in Genesis 4. The announcement of Genesis 3:15 has brought gospel hope to life, which in turn leads God’s people to ask God to act. The gospel gives birth to gospel-shaped prayer. “Prayer is a means of communion with God, but far more often it is simply asking God to do what he has promised to do.” As we look at prayers throughout the Bible, it becomes increasingly apparent that they are dominated by this single concern: to see God act to fulfill his promises as he advances his plan of redemption in our world. That’s not to say, of course, that our relationship with God can be reduced to this one thing. There are lots of activities that we are invited or commanded to engage in as part of our relationship with God (like praise, or repentance, or intercession, or lament, or thanks). When it comes to prayer, however, the Bible seems to have a much narrower focus than we would normally allow. Prayer is a means of communion with God, but far more often it is simply asking God to do what he has promised to do. Until Prayer Is Unnecessary This simple observation, which flows naturally from Genesis 4:25–26, does cut through much of the guilt and confusion we often feel about prayer. Prayer begins with asking God to do his gospel work. This is presumably why Jesus can encourage us to pray unhypocritical, to-the-point kingdom prayers (Matthew 5:5–14). Prayer isn’t primarily communing with God, let alone twisting his arm, but asking God to do what he is already committed to doing (see Luke 11:5–13). It is easy to miss the significance of Genesis 4:25–26, but that doesn’t mean that it isn’t a beautifully gospel-shaped clue to how people like you and me are to relate to the God who loves us this side of the fall. We are to pray — asking God to do what he has promised — until that day when prayer is no longer needed, because all things have already been made new and all his promises have been brought to perfect fruition. But until then? We keep praying like people of the day of Seth and Enosh, asking God to act for our good and his glory. Article by Gary Millar
