Deciphering End Time Prophetic Codes Order Printed Copy
- Author: Perry Stone
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About the Book
"Deciphering End Time Prophetic Codes" by Perry Stone explores various prophecies from the Bible and how they relate to current events. Stone provides insights and interpretations of these prophecies, highlighting their significance for understanding the end times. The book aims to help readers gain a deeper understanding of biblical prophecy and how it can be applied to their lives today.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
Reformation Day: Jesus Came Knocking
Sometime around A.D. 95, Jesus, through the apostle John, came metaphorically knocking on the door of the church in Laodicea with an unsurpassed invitation: âBehold, I stand at the door and knock. If anyone hears my voice and opens the door, I will come in to him and eat with him, and he with me.â (Revelation 3:20) Pulled out of its context, this verse can sound like Jesus was calling softly and tenderly. Paintings inspired by this verse tend to portray a gentle Jesus mildly knocking. In reality, he was anything but soft and tender, gentle and mild. This invitation came on the heels of a bracing rebuke and serious warning. Jesus was pounding on the Laodiceanâs door with the urgency of emergency: âI know your works: you are neither cold nor hot. Would that you were either cold or hot! So, because you are lukewarm, and neither hot nor cold, I will spit you out of my mouth. For you say, I am rich, I have prospered, and I need nothing, not realizing that you are wretched, pitiable, poor, blind, and naked. I counsel you to buy from me gold refined by fire, so that you may be rich, and white garments so that you may clothe yourself and the shame of your nakedness may not be seen, and salve to anoint your eyes, so that you may see. Those whom I love, I reprove and discipline, so be zealous and repent.â (Revelation 3:15â19) Jesus was pounding on the door of a church whose trust in an idol put them in grave spiritual danger. Their prosperous tepidness made him want to gag. But because he loved these lukewarm Christians, he lovingly disciplined them with hard words and called them to zealous repentance and reformation. When Jesus Came Knocking in Wittenberg On October 31, 1517, Jesus, through a little-known German priest/professor named Martin Luther, came quite literally knocking on the Wittenberg door of the Roman Catholic Church. Unrestrained corruption of power and wealth was a sin-cancer that had metastasized in the Roman Catholic Church and spread to many of her leaders and, through them, into her doctrines and practices. This cancer was killing the church. She too had grown very prosperous and yet did not realize how wretched, pitiable, poor, blind, and naked she had become. She had not listened sufficiently to Jesusâs authoritative voice in the Scriptures, or to the prophetic voices of warning that he had repeatedly sent to her. The Lord was at the end of his patience. But because he loved his sin-diseased church whose idolatry put her in grave spiritual danger, he sent an unlikely messenger from an unlikely town â so very like the Lord â with a hard word of loving discipline. Professor Luther walked up to the door of the Castle Church in Wittenberg with a hammer, a few nails, and a parchment listing 95 stinging indictments against the Roman Catholic Church. Unlike what the Laodiceans received, Lutherâs theses were not inerrant Scripture. In fact, later Luther knew a number of them did not go far enough. But still, they were a largely biblical call to zealous repentance, as the first thesis so clearly captures: When our Lord and Master Jesus Christ said, âRepentâ (Matthew 4:17), he willed the entire life of believers to be one of repentance. In the pounding of Martinâs hammer, Jesus came knocking. And his knocking set off a chain-reaction that exploded into the Protestant Reformation, a gospel detonation that is still shaking the world nearly 500 years later. A Reformation Detonation As a result of October 31, 1517, hundreds of millions of Christians all over the world have submitted to Godâs word as their highest authority (Sola Scriptura) and his teaching that salvation is a gift given by Godâs grace alone (Sola Gratia) through the instrument of faith alone (Sola Fide) in the death and resurrection of their one savior and mediator, Jesus Christ (Sola Christus), so that all glory would always redound to the Triune God alone (Sola Deo Gloria). Wherever the church opened the door to Jesus, repentance and reformation was like chemotherapy to the cancer of spiritual corruption and recovered belief in the gospel of Christ spread spiritual health through much of Europe, then on to the New World, Asia, and Africa. It spawned massive evangelism, church planting, Bible translation, and frontier missions efforts. And in its wake it brought about all manner of social good: stronger families, honest commerce, economic empowerment for the poor, hospitals and clinics for the sick, education for the masses, encouragement for the scientific enterprise, democratic forms of civic government, and on and on. When we really comprehend the massive floodgate of mercy that was opened to us because Jesus came knocking in Wittenberg, Reformation Day (October 31st) becomes a thanksgiving day â a day for feasting or perhaps for fasting and prayer for another reformation detonation in our lives and churches and nations. Is Jesus Knocking on Your Door? In fact, given the prosperity that most of us in the West are experiencing and the arid spiritual climate most of us live in, it may be that the best way we can observe Reformation Day is to do some serious, prayerful soul-searching. Have we allowed a Laodicean type of acedia to settle in? We know that significant portions of the Western church are diseased with various heresies. Do they provoke us to earnest prayer? And we should ask ourselves, is Jesus knocking â or pounding â on our door? Are we hearing him? Are we ignoring or even resisting him? Are we tolerating and justifying any idols? One clear symptom of idolatry is spiritual lukewarmness. Tepidness typically does not feel like a grave danger. It can feel like a tolerable and even nearly pleasant malaise. But it is deadly. In this state we do not realize how wretched, pitiable, poor, blind, and naked we are. And because Jesus loves sinful people like us, when we fall into such a state he comes knocking â hard. We often do not recognize it as him at first because he can come in the form of a messenger, sometimes an unlikely one. And the pounding of their hard words can make us defensive and mad. But let us listen carefully and drop our guard. The hard words are painful, especially to our pride. But Jesus (or his imperfect messenger) is not being mean or condemning us. It is the loving discipline of our Savior to warn us. Lukewarmness means spiritual life-threatening idolatry. The cure is for us to âbe zealous and repentâ (Revelation 3:19). If Jesus is knocking on our door, let us welcome him in fully that we may eat with him and he with us (Revelation 3:20). Accepting his unsurpassed invitation to joy through repentance and reformation may be the greatest way to celebrate Reformation Day. Article by Jon Bloom