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About the Book
"The Oil and the Mantle" is a spiritual guidebook written by Chris Oyakhilome that delves into the power of the Holy Spirit in the lives of believers. It discusses how to tap into the anointing and receive divine guidance, protection, and blessings. The book emphasizes the importance of maintaining a strong spiritual connection and living a purposeful life guided by the Holy Spirit.
Johnny Cash
Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences.
Who Was Johnny Cash?
Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin.
Early Life
Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops.
Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields.
From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice.
Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career.
Military Service and Musical Aspirations
In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic.
It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started."
After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel.
Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice."
Johnny Cash and the Tennessee Two
In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song.
The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts.
Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town."
Drugs and Divorce
By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs.
But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce.
Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death."
Remarriage and Revival
Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968.
With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans.
The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash.
The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame.
Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa.
Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery.
But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography.
Final Years, Death and Legacy
Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998.
Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation.
Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track.
"Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'"
That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter.
In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty.
Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down.
"I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore."
In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.
Heaven Will Be Better Than Eden
When we read about the garden of Eden in Genesis 1 and 2, we can’t help but feel drawn to its beauty and abundance and innocence. It must have been wonderful to live in such a pristine environment, with every need met, to experience an intimate marriage full of delight in each other, and to have a satisfying sense of purpose in ruling over God’s creation together. In fact, we often hear people talk about the future in terms of a return to, or restoration of, Eden. But to speak of the new creation in terms of a restoration of Eden is actually a reduction of what God has planned for his people and for his world. Eden was never intended to be the end. It was always headed somewhere — somewhere even more glorious: new heavens and a new earth (2 Peter 3:13; Revelation 21:1–2). Rather than thinking of Eden in terms of perfection, we should think of it in terms of potential. Eden was unspoiled, but it was also unfinished; it was unsullied, but it was also incomplete. As Adam and Eve were fruitful and multiplied, more offspring in the image of God would come to glorify God by enjoying him forever. As they worked and kept the garden, the boundaries of Eden would expand, and the glory of their royal rule would increase. Just as Eden was not yet all that God intended the home he shared with his people to be, so Adam and Eve were not yet all that God intended his people to be. They were sinless, but they were vulnerable to temptation. They were alive, but they were vulnerable to death. They were made in God’s image, and crowned with a measure of his glory, but they weren’t yet as glorious as God intended them to be. If they obeyed God regarding the forbidden tree, they would be able to eat of the tree of life and enter into the unending, glorious life promised by the tree of life. But, of course, that’s not what happened. Garden Gone Wrong “Rather than thinking of Eden in terms of perfection, we should think of it in terms of potential.” When Satan slithered into Eden in the form of a serpent, Adam did not crush his head then and there but listened to and obeyed him. So rather than extending the boundaries of Eden, Adam and Eve were expelled from Eden. Rather than more fully sharing the glory of the image of God, the image of God in them became marred. Rather than entering into the endless Sabbath rest, they were plunged into the restlessness of the wilderness of this world. But God’s plan for his people and the place he intends to share with them could not be hindered by human sin. God’s plan for his creation was then, and remains now, to establish his kingdom in a new creation, ruled by his Son and his Son’s bride who will share his glory and enjoy his presence in an eternal Sabbath rest. So why does this plan matter? Why does it matter that we understand that God’s original and still-in-place plan always has been headed toward an escalation of the excellencies of the original Eden? Understanding Eden orients us toward a better home. Sometimes we get sick of this world, and we find ourselves very homesick for the next. But what we long for is not merely a return to Eden. Eden was beautiful, but it wasn’t secure. Evil made its way into Eden and brought ruin with it. The new creation, where we will make our home forever, will be completely secure. “Nothing unclean will ever enter it, nor anyone who does what is detestable or false” (Revelation 21:27). It will be a vast garden city, filled with a “ransomed people for God from every tribe and language and people and nation” (Revelation 5:9). As the bride of Christ, we will share this home with our perfect Bridegroom. We won’t just hear his sound in the garden (Genesis 3:10); we “will see his face” (Revelation 22:4). Understanding Eden compels us to be joined to the true Adam. The first Adam failed in the work God gave him to do. Jesus, the second Adam, accomplished the work he was given to do, declaring from the cross, “It is finished!” (John 19:30). The first Adam failed to obey regarding a tree. Jesus obeyed regarding the tree of Calvary. The first Adam failed to love and protect his bride. But Jesus loved his bride by giving himself up for her. Understanding the failure of Adam in Eden compels us to take hold of the true Adam, Jesus. We all are born connected by our shared humanity to the first Adam, physically alive but spiritually dead. Unless something supernatural happens, we remain spiritually dead. It is when our eyes are opened to the beauty of Christ, and we respond in repentance and faith, that something supernatural does happen. We become joined to Christ by faith so that we are made spiritually alive with his life. Understanding Eden fills us with anticipation for future glory. To be joined to the risen Christ is to have the newness and glory and life of the greater Eden breaking into our lives in the here and now. “If anyone is in Christ, he is a new creation. The old has passed away; behold, the new has come” (2 Corinthians 5:17). We find that the glory of the future transforms our sense of shame now. A settled sense of the security of the future soothes our fear of death now. A growing sense of our identity as citizens of heaven changes how we see ourselves now. Truly taking in the love relationship we’re going to enjoy forever warms our hearts toward Christ now. “We’re looking forward to the consummation of all that Eden was intended to be.” But the glory we experience now is nothing compared with the glory to come. One day Christ is going to come and call us to rise from our graves. He’s going to give us resurrected, glorified bodies that are fit for living forever with him. We’ll experience all that God has planned, and been preparing, to share with his people from the very beginning. We’re not merely looking forward to a restoration of what Eden once was. Instead, we’re looking forward to the consummation of all that Eden was intended to be. Jesus, the true Adam, our glorious Bridegroom, the Seed who crushed the serpent’s head (Genesis 3:15), will not fail to lead us into all that God is preparing for us — a home even better than Eden. Article by Nancy Guthrie