7 Days Behind The Veil: Throne Room Meditations Order Printed Copy
- Author: John Paul Jackson
- Size: 543KB | 55 pages
- |
Others like 7 days behind the veil: throne room meditations Features >>
About the Book
"7 Days Behind the Veil: Throne Room Meditations" by John Paul Jackson is a book that offers readers a guide to developing a deeper, more intimate relationship with God through meditation and prayer. The book provides a seven-day plan for practicing these meditations and experiencing the presence of God in a more profound way. Through these meditations, readers can cultivate a closer connection to the divine and gain spiritual insight and understanding.
Rich Mullins
Born Richard Wayne Mullins on October 21, 1955, in Richmond, IN; died on September 19, 1997, in La Salle County, IL; son of John and Neva Mullins. Education: Attended Friends University, Wichita, KS, late 1980s.
The talents of Contemporary Christian singer/songwriter Rich Mullins and his work with the group Zion were first noticed by Christian music superstar Amy Grant. The inclusion of his song "Sing Your Praise to the Lord" on Grant's Age to Age album in 1982 soon lead to deals with Reunion Records and the start of a successful career as a songwriter and singer. With nearly ten albums and numerous Contemporary Christian hit songs to his credit, Mullins's career was cut short by an automobile accident that took his life on September 19, 1997, in Illinois.
Raised near Richmond, Indiana, Mullins began writing songs in his head as he drove a tractor over the fields of his family's farm. He taught himself to play the piano at age four and soon mastered a number of other instruments as well, including the guitar and hammered dulcimer. Long before his birth, however, factors over which he had no control were beginning to shape the world in which he would grow up. In Rich Mullins: An Arrow Pointing to Heaven by James Bryan Smith, the singer tells of some family history and how it came to affect his life: "My dad grew up back and forth between Kentucky and Virginia because his father was a coal miner. And when my dad was 14 my grandpa came home and told my grandma to load up the truck 'cause they were gonna move.... And my grandpa said, 'Well, Rose, we're going to Detroit.' And she said, 'Why in the world are we going to Detroit?' And he said, 'Because I don't want my boys to grow up to be coal miners.' And so they got as far as Indiana and ran out of gas--and that's how I got here."
As a boy, Mullins was known as Wayne, his middle name. Although he went by Richard when he went off to college and shortened that to Rich when he launched his music career, he preferred to be known as Wayne by his family. Mullins was particularly close to his mother, Neva, who was raised a Quaker. He admits, however, to having been somewhat embarrassed by his father, who was raised in the heart of Appalachia, "which is a very polite way to say that he was a hillbilly," Mullins told Smith. Mullins said that it was not until he was nearing the end of high school that he began to understand the true meaning of the biblical injunction to "honor thy father and mother." In Smith's book Mullins is quoted: "[I]f you cannot honor your father and mother, then you can't honor anybody. Until you come to terms with your heritage, you'll never be at peace with yourself. That was a real breakthrough moment for me. So, what I needed to do was come to understand the Appalachian life, so that I could know more about my father, who had been a stranger to me all my life."
In 1974, after finishing high school, Mullins attended Cincinnati Bible College in Ohio, working as a youth minister in a local church. A couple of years into college, he formed a band of his own. The band only stayed together for about a year, and during that time it performed Christian music at schools and colleges throughout the Cincinnati area. In the late 1970s Mullins left college to work with Zion Ministries and perform with their band, aptly named Zion. In the summer of 1981 a copy of an album recorded by Zion--made up mostly of songs written by Mullins--found its way to Christian singer Amy Grant. The up-and-coming Grant and her managers were impressed by Mullins's "Sing Your Praise to the Lord" and decided to include it on Grant's next album, Age to Age, released in 1982. Mike Blanton, an adviser to Grant and founder of Reunion Records, signed Mullins to his first publishing deal as well as his first artist deal.
Mullins's first album for Reunion, self-titled, was released in 1986 and includes such songs as "Place to Stand," "Elijah," and "Few Good Men." He followed that in 1987 with Pictures in the Sky, which includes "When You Love," "Be with You," and "Verge of a Miracle." Winds of Heaven, Stuff of Earth, Mullins's third album for Reunion, was released in 1989 and features "Awesome God," "Other Side of the World," and "If I Stand." Also hitting music stores in 1989 was Never Picture Perfect, which includes the singles "I Will Sing," "While the Nations Rage," and "First Family."
In 1988 Mullins moved to Wichita, Kansas, to study music education at Friends University, a nondenominational Christian institution. While studying at Friends, he continued to record and perform whenever he could. In 1991 and 1992, he released two volumes of a compilation entitled World As Best As I Remember It. After completing his studies at Friends, Mullins joined a Compassion International mission to the vast Navajo Reservation in Arizona to teach music to the local children and spread the Christian gospel to whomever he could reach. As part of his work in the Navajo Nation, he formed a music club for some of the younger residents. In May of 1995, he moved to the Navajo Nation, settling into a trailer adjacent to the reservation. He lived there with fellow musician Mitch McVicker, and the two were involved in a project to collect musical instruments for the children of the reservation.
Throughout his career, Mullins has been nominated a total of 12 times for Dove Awards, presented each year to the best in Contemporary Christian music. He never received the award, but close friend Doris Howard told Release magazine that he probably didn't mind. "Nashville didn't own Rich, but then, he cared nothing for the things of this world."
On September 19, 1997, the Jeep in which Mullins and McVicker were traveling from Chicago to Wichita overturned on Interstate 39 in La Salle County, Illinois. Both men were thrown onto the road from their vehicle. A tractor trailer following close behind swerved to miss the Jeep but instead hit Rich, killing him instantly. McVicker, though injured critically, recovered.
Rich Mullins's Career
Joined Christian group Zion, late 1970s; released self-titled album for Reunion Records, 1986; recorded total of nine albums of Christian music for Reunion, 1986-96; wrote several Contemporary Christian hits, including "Awesome God" and "Sing Your Praise to the Lord"; studied music education, devoted time to relief efforts among Navajo Indians of the Southwest, mid-1990s.
the progressive pilgrim: allegory for an easy age
Jesus said, “The gate is narrow and the way is hard that leads to life, and those who find it are few” (Matthew 7:13–14). In the twenty-first century, does his statement seem true to you? Have you found an easier way? Abraham may have wandered in tents, Paul may have been hunted like a deer, the disciples may have met brutal ends to their earthly careers, and many in the early church may have been slandered, reviled, plundered, fed to lions, burned to light the streets of Rome — “killed all the day long . . . regarded as sheep to be slaughtered” (Romans 8:36) — but that was then . We have smartphones now. Modernity seems to have done wonders to smooth the way. The narrow path lying between the City of Destruction and the Celestial City seems paved. Nathaniel Hawthorne (1804–1864) made a similar observation in his day. Though no friend of the Puritans, his short story “The Celestial Railroad” imitates and engages with John Bunyan’s The Pilgrim’s Progress . In it, he critiques the pillow-soft spirituality of his day (including Unitarianism and Transcendentalism), firing a critique that could have been written yesterday to describe the rampant easy-believism of today. Celestial Railroad Wandering through the gate of dreams, Mr. Hawthorne arrives at the famous City of Destruction. Having read Mr. Bunyan on the place, he is rather taken aback, and pleasantly surprised, to find that hostilities between this city and the Celestial City have all but vanished. Former foes shake hands. A pact built on “mutual compromise” has made allies from enemies. Enmity between the two lands is water under the bridge — or rather, a shining railroad over it. The Wicket Gate, that narrow and impossibly awkward entryway, as Bunyan’s readers will recall, has been replaced by the railroad station itself. Mr. Smooth-it-away — a distinguished gentleman in the enterprise who guides Mr. Hawthorne on his journey — ensures us all that this large building is much better suited to include the broadminded travelers of modernity. And the effect cannot be overstated, as Mr. Hawthorne relays: It would have done Bunyan’s heart good to see it. Instead of a lonely and ragged man, with a huge burden on his back, plodding along sorrowfully on foot, while the whole city hooted after him, here were parties of the first gentry and most respectable people in the neighborhood, setting forth towards the Celestial City, as cheerfully as if the pilgrimage were merely a summer tour. (199) The Celestial Railroad now transports would-be travelers — comfortably and safely — to the renowned City of Light. Individuals from Christian’s birthplace saw to it that no good-hearted pilgrim would ever again leave the city in derision or vulnerable to unsavory conditions and smiling foes. Nor would any carry that dreadful burden upon his back for miles on end — no, as Hawthorne gladly reports, One great convenience of the new method of going on pilgrimage, I must not forget to mention. Our enormous burdens, instead of being carried on our shoulders, as had been the custom of old, were all snugly deposited in the baggage-car, and, as I was assured, would be delivered to their respective owners at the journey’s end. (200) The travelers are sent off with their backpacks snugly tucked away, “to be delivered to their respective owners at the journey’s end.” Genius. But this, dear reader, is but the start to the innovations of the Celestial Railroad. Let me relay but a few more to you. Old Sites, New Conveniences Lengthy scrolls and books are not needed as tiresome maps along this journey; only a ticket is required. Such is very reasonable and expedient. To begin the journey, the dreadful Slough of Despond — that bog full of past sins and lusts and fears and temptations and doubts, in which Christian sank and at which Pliable flustered, only to return home — has a new sparkling bridge erected overhead. While wholesome teaching could not fill Bunyan’s slough, Hawthorne tells us, books of morality, German rationalism, modern sermons, and extracts of Plato, combined with a few innovative commentaries on Scripture, sufficed to lay the sturdy foundations to erect the bridge upon (198). Traveling farther, one discovers that the Interpreter’s House, while still receiving the occasional pilgrim of the old method, was no stop of the Celestial Railroad. Regretfully, Mr. Smooth-it-away remarks, that grand Interpreter grew rather sour, prudish, and prejudiced in his old age (a similar theme for the likes of Evangelist and Great-heart, the latter even “perpetually at blows” with his new collaborators). He could not keep with the times and got left behind. Hurried Cross Yes, dear reader, I can hear your question: What has become of the cross  where the burden fell from Christian’s back? Let me cite the firsthand account: We were rushing by the place where Christian’s burden fell from his shoulders, [the] sight of the Cross. This served as a theme for Mr. Smooth-it-away, Mr. Live-for-the-world, Mr. Hide-sin-in-the-heart, Mr. Scaly-conscience, and a knot of gentlemen from the town of Shun-repentance, to descant upon the inestimable advantages resulting from the safety of our baggage. (203) “Crosses must be carried in every age, and the costs must be considered.” Rushing past the cross, the passengers revel in their good fortune at finding a way to travel to the Celestial City without leaving behind their precious habits and secret delights. It would be a shame, after all, to lose such desirable pastimes if they could help it. Yet there are still more improvements upon the old way to display. A tunnel now conveniently travels through Hill Difficult — the excavated ground then used to fill in the Valley of Humiliation. That dreary and gloomy Valley of the Shadow of Death now glows with gas lamps. And should you, with Mr. Hawthorne, regret missing the chance to visit Palace Beautiful — where live the young and fair Piety, Prudence, and Charity — ease your disappointed mind by overhearing, “Young ladies!” cried Mr. Smooth-it-away, as soon as he could speak for laughing. “And charming young ladies! Why, my dear fellow, they are old maids, every soul of them — prim, starched, dry, and angular — and not one of them, I will venture to say, has altered so much as the fashion of her gown, since the days of Christian’s pilgrimage.” (203–204) These fair maidens of yesterday, again, resisted the hard-won improvements, cherishing ancient, rough, and inefficient paths. Vanity Fair What can be said of Vanity Fair? Hear it from Mr. Hawthorne: this wonder of a place has the power to make anyone feel at home. The “great capital of human business and pleasure” stands as the epitome of everything “fascinating beneath the sun.” The people, Hawthorne finds, are most interesting and agreeable. Concerning the hostility that once led to the unfortunate execution of Faithful, Christian’s beloved companion, they’ve come to see the misstep. These noble and charming and wise people now enter into great camaraderie and trade with the passengers of the Celestial Railroad; indeed, many of them have taken to the railway themselves. But of all the wonders of the metropolis, Hawthorne relates one that might outshine them all: The Christian reader, if he had no accounts of the city later than Bunyan’s time, will be surprised to hear that almost every street has its church, and that the reverend clergy are nowhere held in higher respect than at Vanity Fair. (209) Indeed, few places could boast so much religiosity. Hawthorne continues, In justification of this high praise, I need only mention the names of the Rev. Mr. Shallow-deep; the Rev. Mr. Stumble-at-Truth; that fine old clerical character, the Rev. Mr. This-to-day, who expects shortly to resign his pulpit to the Rev. Mr. That-to-morrow; together with the Rev. Mr. Bewilderment; the Rev. Mr. Clog-the-spirit; and, last and greatest, the Rev. Dr. Wind-of-doctrine. (209) Filled with fine-dressing, stimulating people, and endless pleasures to buy, sell, and enjoy — mind you, in such a fine Christian place  — the only curiosity was that people would just disappear. So common was the occurrence, Hawthorne relates, that the citizens learned to continue on as if nothing had happened. Today’s Celestial Railroad Now, Nathaniel Hawthorne was no Christian, and he wrote antagonistically about the Puritans in other stories (in part due to an infamous family history). But here, he casts stones — almost in sympathy with Bunyan — against the modern religiosity he viewed as shallow, smooth, and deceptive. Any reader of the story sees parallels today. They had Mr. Smooth-it-away; so have we. They had trains leaving every day to what is thought the Celestial City; so have we. They had people tucking their sins under the caboose, deploring the hard way, wanting merely a ticket to heaven; so have we. They hurried past the cross of Christ; so do many who claim to be his followers today. How many sermons, small groups, Christian ministries escape this description? There was much pleasant conversation about the news of the day, topics of business, politics, or the lighter matters of amusement while religion, though indubitably the main thing at heart, was thrown tastefully into the background. Even an infidel would have heard little or nothing to shock his sensibility. (200) “False paths, sliding downward, are smoothest.” Teachers and preachers, once found in the Interpreter’s house, wooing pilgrims with golden crowns and warning them against smooth paths, now create them. Done with the cautions and commands, they converse among friends. His name is not Pastor; it is Jake — just Jake. He does not tell you what God has said; he is there to listen, just another broken sheep like everyone else. He gives comforting homilies and entertaining stories, but the utterance “Thus says the Lord” is far from his lips. And I fear that, just as in the end of Hawthorne’s dream before he awakes, so in our world, Mr. Smooth-it-away leaves many on steam ferryboats traveling to Tophet (hell). False paths, sliding downward, are smoothest. The true path is not easy or broad — even for societies without much physical intimidation. Our Christ, who carried his own cross, leaves his church crosses to be carried in every age, and costs to be considered. This earth will pass away, but Jesus’s word shall not: “The gate is narrow and the way is hard that leads to life, and those who find it are few” (Matthew 7:13–14).