The Lamb In The Midst Of The Throne Order Printed Copy
- Author: T. Austin-Sparks
- Size: 530KB | 76 pages
- |
Others like the lamb in the midst of the throne Features >>
The Messenger Of The Cross
The Release Of The Spirit
The Conquest Of The Mind
The Two Kinds Of Faith
The Assignment Vol 3: The Trials And The Triumphs
The School Of The Seers
Dark Nights Of The Soul
The Assignment Vol 4: The Pain And The Passion
Holding To The Word Of The Lord
How Can I Be Filled With The Holy Spirit
About the Book
"The Lamb in the Midst of the Throne" by T. Austin-Sparks is a book that delves into the importance of Jesus Christ as the center of God's purposes and plans. It explores the significance of Jesus being portrayed as a Lamb in the book of Revelation and how this symbolism points to His sacrificial death and ultimate victory over sin and death. The book emphasizes the centrality of Jesus in the believer's life and the powerful impact of His redemptive work.
Johnny Cash
Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences.
Who Was Johnny Cash?
Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin.
Early Life
Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops.
Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields.
From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice.
Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career.
Military Service and Musical Aspirations
In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic.
It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started."
After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel.
Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice."
Johnny Cash and the Tennessee Two
In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song.
The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts.
Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town."
Drugs and Divorce
By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs.
But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce.
Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death."
Remarriage and Revival
Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968.
With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans.
The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash.
The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame.
Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa.
Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery.
But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography.
Final Years, Death and Legacy
Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998.
Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation.
Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track.
"Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'"
That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter.
In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty.
Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down.
"I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore."
In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.
Time Alone for God
“All of humanity’s problems stem from man’s inability to sit quietly in a room alone.” —Blaise Pascal (1623–1662) It’s a sweeping claim, but it might just be the kind of overstatement we need today to be awakened from our relentless stream of distractions and diversions. How hauntingly true might it be, that we are unable to sit quietly? Four hundred years after Pascal, life may be as hurried and anxious as it has ever been. The competition for our attention is ruthless. We not only hear one distracting Siren call after another, but an endless cacophony of voices barrages us all at once. And yet, long before Pascal, Jesus himself modeled for us the very kind of habits and rhythms of life we need in any age. Even as God in human flesh, he prioritized time alone with his Father. Imagine what “good” he might otherwise have done with all those hours. But he chose again and again, in perfect wisdom and love, to give his first and best moments to seeking his Father’s face. And if Jesus, even Jesus, carved out such space in the demands of his human life, shouldn’t we all the more? “How many of us have the presence of mind, and heart, to discern and prioritize prayer as Jesus did?” We may have but glimpses of Jesus’s habits and personal spiritual practices in the Gospels, but what we do have is by no accident, and it is not scant. We know exactly what God means for us to know, in just the right detail — and we have far more about Jesus’s personal spiritual rhythms than we do about anyone else in Scripture. And the picture we have of Christ’s habits is not one that is foreign to our world and lives and experience. Rather, we find timeless and transcultural postures that can be replicated, and easily applied, by any follower of Jesus, anywhere in the world, at any time in history. Retreat and Reenter For two thousand years, the teachings of Christ have called his people into rhythms of retreating from the world and entering into it. The healthy Christian life is neither wholly solitary nor wholly communal. We withdraw, like Jesus, to “a desolate place” to commune with God (Mark 1:35), and then return to the bustle of daily tasks and the needs of others. We carve out a season for spiritual respite, in some momentarily sacred space, to feed our souls, enjoying God there in the stillness. Then we enter back in, as light and bread, to a hungry, harassed, and helpless world (Matthew 9:36). Quiet Times Without a Bible Before rehearsing Jesus’s patterns in retreating for prayer and then reentering for ministry, we should observe the place of Scripture in his life. Jesus did not have his own personal material copy of the Bible, like almost all of us do today. He heard what was read aloud in the synagogue, and what his mother sang, and he rehearsed what he had put to memory. And yet throughout his recorded ministry, we see evidence of a man utterly captivated by what is written in the text of Scripture. And like Christ, we will do well to make God’s own words, in the Bible, to be the leading edge of our own seeking to draw near to him. At the very outset of his public ministry, Jesus retreated to the wilderness, and there, in the culminating temptations before the devil himself, he leaned on what is written (Matthew 4:4, 6–7, 10; Luke 4:4, 8, 10). Then returning from the wilderness, to his hometown of Nazareth, he stood up to read, took the scroll of Isaiah (61:1–2), and announced, “Today this Scripture has been fulfilled in your hearing” (Luke 4:21). Jesus identified John the Baptist as “he of whom it is written” (Matthew 11:10; Luke 7:27), and he cleared the temple of moneychangers on the grounds of what is written in Isaiah 56:7 (Matthew 21:13; Mark 11:17; Luke 19:46). He rebuked the proud by quoting Scripture (Mark 7:6; Luke 20:17). At every step of the way to Calvary, over and over again, he knew everything would happen “as it is written” (see especially the Gospel of John, 6:31, 45; 8:17; 10:34; 12:14, 16; 15:25). “The Son of Man goes as it is written of him” (Mark 14:21), he said. “See, we are going up to Jerusalem, and everything that is written about the Son of Man by the prophets will be accomplished” (Luke 18:31). “Solitude is an opportunity to open up our lives and souls to him for whom we were made.” Even though Jesus didn’t have his own Bible to page through in his quiet times, let there be no confusion about the central place of God’s written word in his life. He lived by what was written. What an amazing opportunity we now have today, with Old and New Testaments in paper and ink (and with us, everywhere we go, on our phones), to daily give ourselves to the word of God. How Often He Withdrew For Christ, “the wilderness” or “desolate place” often became his momentarily sacred space. He regularly escaped the noise and frenzy of society to be alone with his Father, where he could give him his full attention. After “his fame spread everywhere” (Mark 1:28), and “the whole city was gathered together at the door” (Mark 1:33), Jesus took a remarkable step. He slipped away the following morning to restore his soul in “secret converse” with his Father: Rising very early in the morning, while it was still dark, he departed and went out to a desolate place, and there he prayed. (Mark 1:35) What a ministry opportunity he left behind, some might say. Surely some of us would have skipped or shortened our private disciplines to rush and bless the swelling masses. To be sure, other times would come (as we’ll see) when Jesus would delay his personal habits to meet immediate needs. But how many of us, in such a situation, would have the presence of mind, and heart, to discern and prioritize prayer as Jesus did? Luke also makes it unmistakable that this pattern of retreat and reentry was part of the ongoing dynamic of Christ’s human life. Jesus “departed and went into a desolate place” (Luke 4:42) — not just once but regularly. “He would withdraw to desolate places and pray” (Luke 5:16). So also Matthew. After the death of John the Baptist, Jesus “withdrew from there in a boat to a desolate place by himself” (Matthew 14:13). But even then, the crowds pursued him. He didn’t despise them (here he puts his desire to retreat on hold) but had compassion on them and healed their sick (Matthew 14:14). Then after feeding them, five thousand strong, he withdrew again to a quiet place. “After he had dismissed the crowds, he went up on the mountain by himself to pray” (Matthew 14:23). Praying, Fasting, Teaching What was written animated his life, and when he withdrew, he went to speak to his Father in prayer. At times, he went away by himself, to be alone (Matthew 14:23; Mark 6:46–47; John 6:15). “He went out to the mountain to pray, and all night he continued in prayer to God” (Luke 6:12). His disciples saw him leave to pray, and later return. He also prayed with others. The disciples saw him model prayer at his baptism (Luke 3:21), and as he laid his hands on the children (Matthew 19:13), and when he drove out demons (Mark 9:29). He prayed with his men, and even when he prayed alone, his men might be nearby: “Now it happened that as he was praying alone, the disciples were with him” (Luke 9:18; also 11:1). He took Peter, John, and James “and went up on the mountain to pray” (Luke 9:28). On the night before he died, he said to Peter, “I have prayed for you that your faith may not fail” (Luke 22:32). All of John 17 is his prayer for his disciples, in their hearing. Then they went out from that upper room and saw him pray over and over in the garden (Matthew 26:36, 39, 42, 44). He not only modeled prayer, but instructed them in how to pray. “Pray then like this . . .” (Matthew 6:9–13). “Christ himself modeled for us the very kind of habits and rhythms of life we need in any age.” And he not only assumed they would pray (Matthew 21:22; Mark 11:24–25; Luke 11:2) but commanded it (Matthew 24:20; 26:41; Mark 13:18; 14:38; Luke 21:36; 22:40, 46). “Pray for those who persecute you” (Matthew 5:44). “Pray for those who abuse you” (Luke 6:28). “Pray earnestly to the Lord of the harvest” (Matthew 9:38; Luke 10:2). Pray without show and without posturing (Matthew 6:5–7). He warned against those who “for a pretense make long prayers” (Mark 12:40; Luke 20:47). “He told them a parable to the effect that they ought always to pray and not lose heart” (Luke 18:1). And to accompany prayer, he not only modeled fasting (Matthew 4:2), but assumed his men would fast as well (“when you fast,” not if, Matthew 6:16–18), and even promised they would (“then they will fast,” Matthew 9:15; Mark 2:20; Luke 5:35). Come Away with Me Jesus didn’t only retreat to be alone with God. He also taught his disciples to do the same (Mark 3:7; Luke 9:10). In Mark 6:31–32, he invites his men to join him, saying, “Come away by yourselves to a desolate place and rest a while.” Mark explains, “For many were coming and going, and they had no leisure even to eat. And they went away in the boat to a desolate place by themselves.” So also, in the Gospel of John, Jesus, as his fame spread, retreated from more populated settings to invest in his men in more desolate, less distracting places (John 11:54). In his timeless Sermon on the Mount, Jesus taught all his hearers, including us today, not only to give without show (Matthew 6:3–4), and fast without publicity (Matthew 6:17–18), but also to find our private place to seek our Father’s face: “When you pray, go into your room and shut the door and pray to your Father who is in secret. And your Father who sees in secret will reward you” (Matthew 6:6). And how today might our Father reward us any better than with more of himself through his Son? Converse with God in the Quiet In it all — in receiving his Father’s voice in Scripture, and praying alone (and with company), and at times, when faced with particularly pressing concerns, adding the tool of fasting — Jesus sought communion with his Father. His habits were not demonstrations of will and sheer discipline. His acts of receiving the word, and responding in prayer, were not ends in themselves. In these blessed means, he pursued the end of knowing and enjoying his Father. And so do we today. We don’t retreat from life’s busyness and bustle as an end in itself. “To sit quietly in a room alone,” in Pascal’s words, is not an achievement but an instrument — an opportunity to open up our lives and souls to him for whom we were made. To know him and enjoy him. Article by David Mathis