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About the Book


"The Conquest of the Mind" by Ashish Raichur is a practical guide that offers insights and techniques to help readers overcome negative thought patterns, develop mental discipline, and cultivate a positive mindset. The book emphasizes the importance of self-awareness, mindfulness, and spiritual growth in achieving mental mastery and finding inner peace. It provides practical strategies for transforming thoughts, emotions, and behaviors to live a more fulfilling and meaningful life.

Rich Mullins

Rich Mullins Born Richard Wayne Mullins on October 21, 1955, in Richmond, IN; died on September 19, 1997, in La Salle County, IL; son of John and Neva Mullins. Education: Attended Friends University, Wichita, KS, late 1980s. The talents of Contemporary Christian singer/songwriter Rich Mullins and his work with the group Zion were first noticed by Christian music superstar Amy Grant. The inclusion of his song "Sing Your Praise to the Lord" on Grant's Age to Age album in 1982 soon lead to deals with Reunion Records and the start of a successful career as a songwriter and singer. With nearly ten albums and numerous Contemporary Christian hit songs to his credit, Mullins's career was cut short by an automobile accident that took his life on September 19, 1997, in Illinois. Raised near Richmond, Indiana, Mullins began writing songs in his head as he drove a tractor over the fields of his family's farm. He taught himself to play the piano at age four and soon mastered a number of other instruments as well, including the guitar and hammered dulcimer. Long before his birth, however, factors over which he had no control were beginning to shape the world in which he would grow up. In Rich Mullins: An Arrow Pointing to Heaven by James Bryan Smith, the singer tells of some family history and how it came to affect his life: "My dad grew up back and forth between Kentucky and Virginia because his father was a coal miner. And when my dad was 14 my grandpa came home and told my grandma to load up the truck 'cause they were gonna move.... And my grandpa said, 'Well, Rose, we're going to Detroit.' And she said, 'Why in the world are we going to Detroit?' And he said, 'Because I don't want my boys to grow up to be coal miners.' And so they got as far as Indiana and ran out of gas--and that's how I got here." As a boy, Mullins was known as Wayne, his middle name. Although he went by Richard when he went off to college and shortened that to Rich when he launched his music career, he preferred to be known as Wayne by his family. Mullins was particularly close to his mother, Neva, who was raised a Quaker. He admits, however, to having been somewhat embarrassed by his father, who was raised in the heart of Appalachia, "which is a very polite way to say that he was a hillbilly," Mullins told Smith. Mullins said that it was not until he was nearing the end of high school that he began to understand the true meaning of the biblical injunction to "honor thy father and mother." In Smith's book Mullins is quoted: "[I]f you cannot honor your father and mother, then you can't honor anybody. Until you come to terms with your heritage, you'll never be at peace with yourself. That was a real breakthrough moment for me. So, what I needed to do was come to understand the Appalachian life, so that I could know more about my father, who had been a stranger to me all my life." In 1974, after finishing high school, Mullins attended Cincinnati Bible College in Ohio, working as a youth minister in a local church. A couple of years into college, he formed a band of his own. The band only stayed together for about a year, and during that time it performed Christian music at schools and colleges throughout the Cincinnati area. In the late 1970s Mullins left college to work with Zion Ministries and perform with their band, aptly named Zion. In the summer of 1981 a copy of an album recorded by Zion--made up mostly of songs written by Mullins--found its way to Christian singer Amy Grant. The up-and-coming Grant and her managers were impressed by Mullins's "Sing Your Praise to the Lord" and decided to include it on Grant's next album, Age to Age, released in 1982. Mike Blanton, an adviser to Grant and founder of Reunion Records, signed Mullins to his first publishing deal as well as his first artist deal. Mullins's first album for Reunion, self-titled, was released in 1986 and includes such songs as "Place to Stand," "Elijah," and "Few Good Men." He followed that in 1987 with Pictures in the Sky, which includes "When You Love," "Be with You," and "Verge of a Miracle." Winds of Heaven, Stuff of Earth, Mullins's third album for Reunion, was released in 1989 and features "Awesome God," "Other Side of the World," and "If I Stand." Also hitting music stores in 1989 was Never Picture Perfect, which includes the singles "I Will Sing," "While the Nations Rage," and "First Family." In 1988 Mullins moved to Wichita, Kansas, to study music education at Friends University, a nondenominational Christian institution. While studying at Friends, he continued to record and perform whenever he could. In 1991 and 1992, he released two volumes of a compilation entitled World As Best As I Remember It. After completing his studies at Friends, Mullins joined a Compassion International mission to the vast Navajo Reservation in Arizona to teach music to the local children and spread the Christian gospel to whomever he could reach. As part of his work in the Navajo Nation, he formed a music club for some of the younger residents. In May of 1995, he moved to the Navajo Nation, settling into a trailer adjacent to the reservation. He lived there with fellow musician Mitch McVicker, and the two were involved in a project to collect musical instruments for the children of the reservation. Throughout his career, Mullins has been nominated a total of 12 times for Dove Awards, presented each year to the best in Contemporary Christian music. He never received the award, but close friend Doris Howard told Release magazine that he probably didn't mind. "Nashville didn't own Rich, but then, he cared nothing for the things of this world." On September 19, 1997, the Jeep in which Mullins and McVicker were traveling from Chicago to Wichita overturned on Interstate 39 in La Salle County, Illinois. Both men were thrown onto the road from their vehicle. A tractor trailer following close behind swerved to miss the Jeep but instead hit Rich, killing him instantly. McVicker, though injured critically, recovered. Rich Mullins's Career Joined Christian group Zion, late 1970s; released self-titled album for Reunion Records, 1986; recorded total of nine albums of Christian music for Reunion, 1986-96; wrote several Contemporary Christian hits, including "Awesome God" and "Sing Your Praise to the Lord"; studied music education, devoted time to relief efforts among Navajo Indians of the Southwest, mid-1990s.

if you could see the end - the story god writes in suffering

A strange grief crept upon me as the final  Lord of the Rings  movie came to an end. An unliterary man at the time, I watched the doors to Middle Earth close. The story would not continue. A sense of silliness accompanied the sadness. Why should a boy, let alone a young man, lament saying goodbye to an imaginary friend whom he knew all along to be imaginary? This is exactly what great stories do to us. Whether captured on screen or between covers of a book, to finally arrive at the end can seem as though palace doors were closing to us. The adventure concludes — with all its dangers, losses, courage, companionship, thrill, and great loves worth living and dying for. They leave us again, to our world. As credits roll, we are made to feel like we are leaving the momentous, the beautiful, the good, and returning to, well, the ordinary. But what if the ache one feels at the conclusion of these tales, the bitter loss in the happily ever after, is not unreality mocking, but Reality inviting? Keep Your Hobbitry What if epic stories cast a spell, not because they are fictional, but because they stir suppressed longings that we just might, in fact, live in such a Story? Perhaps we all hunger to be characters in a grand Story, a heroic tale, a high Romance, a story without end. “He has,” after all, “put eternity into man’s heart” (Ecclesiastes 3:11). The lines between our favorite stories and our own story in this life may be thinner than we have yet dreamed. J.R.R. Tolkien himself captures this in a letter to his son, Christopher, who was serving in the Air Force during World War II: Well, there you are: a hobbit amongst the Urukhai [a deadly enemy]. Keep your hobbitry in heart, and think that all  stories  feel like that when you are  in  them. You are inside a very great story! (183) Do you know yourself to be in a very great story? Do the elves and kings, the lovers and heroes, the characters of your favorite tales have a right to envy you? Until we smile at and embrace the story we find ourselves in, we will not have the hope, the joy, the strength to live to the fullest in this life — and then everlastingly in the next. Designed for Story We are a people of story — delighted by them, taught by them, shaped by them. We starve for meaning. We long for dots to connect. For a golden Thread to run through. Otherwise, we are left in bitter realms of nothingness. “We are a people of story — delighted by them, taught by them, shaped by them.” To reckon with life among us, we search for the Story beyond us. From the beginning, many claimed to do just that. Different prophets from different peoples brought down different explanations from tall mountains to interpret the joys and horrors, hills and valleys, sunrays and shadows of this life. Ancient myths rode to meet ancient desires not so easily filled in hearts hungering for forever. Shared stories made up culture. Shared stories made up religion. Men lived from story and died for story — stories designed to provide answers to life’s biggest questions. And hope needs answers that Story provides. The marketplace is full of stories, of worldviews trying to answer those great questions for us. Andrew Delbanco, in his meditation on hope, identifies that the general narrative that united Americans has shifted from a story about God, to that of nation, to that of self. We have moved from the cross, to the flag, and now landed on the narrow and perilous path of  me . Of all people at all times, none has been more driven by story than followers of Christ. Even if an angel came down from heaven with a new story, we would refuse it with disdain (Galatians 1:8). And yet, while we often remain orthodox, despair still emerges when we focus solely on the real sadness in our single sentence called life, and our hearts forget the tale beyond. Hope, however, considers that sentence in the whole Story, a Story written by one who did not spare his own Son. Hope reaches past the groans, for that part of the Story with no more sin, no more suffering, no more separation. Joseph: A Case Study Hope stays attuned to God’s Story, because it withers with forgetting. Take as a test case of someone who didn’t sink in the swamp of self, an Old Testament man of God, Joseph. His life is full of many valleys. Betrayed, assaulted, and sold into slavery, Joseph found himself in Potiphar’s house. After being exalted to Potiphar’s right hand, Joseph is sexually harassed, falsely accused, and sent to prison. After correctly interpreting one of Pharaoh’s servant’s dreams, he is betrayed and forgotten. And then after two more long years in prison, he is exalted to become “a father to Pharaoh” (Genesis 45:8). His human story — full of abuse, betrayal, accusation, and lies — fell purposefully within God’s bigger story,  and he knew it . When he reveals his identity to his brothers who sold him, he says to his brothers, “Come near to me, please.” And they came near. And he said, “I am your brother, Joseph, whom you sold into Egypt. And now do not be distressed or angry with yourselves because you sold me here, for  God sent me  before you to preserve life. For the famine has been in the land these two years, and there are yet five years in which there will be neither plowing nor harvest. And  God sent me  before you to preserve for you a remnant on earth, and to keep alive for you many survivors. So it was not you who sent me here,  but God . He has made me a father to Pharaoh, and lord of all his house and ruler over all the land of Egypt.” (Genesis 45:4–8) He and his brothers knew his story. Twice he acknowledges what was obvious to them all: “ You  sold me here.” Joseph had not forgotten the nights — the years — in prison away from friends and family, the horror of their closing ears to his pleading as they cast him in the pit, their cruelty to sell him to those who would mistreat and perhaps murder him. The darkness, though past, was still dark. Memories remained. But when he calls them near, he remembers more than just his story as seen from ground level — and this gives power to forgive and love his guilty brothers. He tells them not to be distressed or angry with themselves. Why? “ For God sent me  before you to preserve life.” In their selling, God was sending. In their evil, God intended good. In the darkest scene of the play, God was still writing. That Story smothered bitterness and revenge. That Story and its Author allowed him to forgive, bless, and love where a different story would have had him calculate the wrongs, grip firmly the treachery, and use his power to exact revenge. And the Story gave him hope for the future promises of his God, recorded as the radiant triumph of his life in Hebrews 11: “By faith Joseph, at the end of his life, made mention of the exodus of the Israelites and gave directions concerning his bones” (Hebrews 11:22). He knew, as those of us who fall asleep in the Lord do as well, that we shall wake in the Promised Land. When Elves Envy Men Although it may not  feel  like it, we live in a very great story. Have we forgotten? “We, in America, have moved from the cross, to the flag, and now landed on the narrow and perilous path of me.” Our hearts grow accustomed to the extraordinary as it becomes familiar. We lose a sense of where we live when we can drive home without a map. Life no longer invigorates. God’s epic plays out all around us, and he draws us in to play our part, and yet we halfheartedly read our lines or escape into other people’s lives. We are bored. But awake,  we  live in a great Story. Wild and throbbing with adventure, trying and terrible at parts. Eternity hanging in the balance. A fierce Dragon threatens. Demons surround. Hell gapes. The Light still shines in the darkness. Angels assemble. The Spirit animates. Christians stand clad in armor. The church marches on hades. Judgment hastens. Salvation is ready to be revealed. The True King — whose sandals no other character is worthy to unlatch — has died for sinners and lives forevermore.  He is coming. This tale plays out on earth in what we blaspheme and call “ordinary.” With all its details and drudgery, its paying bills and crying babies, its baseball games and rush-hour traffic, an eternal drama plays. One that draws heaven’s attention.  Angels  ache to leave the theater. You are on the inside of a very great Story — a story to be remembered, cherished, and clung to during the most difficult scenes. Is there any other tale you would rather find was true?

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