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"The Birth of Satan" by T.J. Wray and Gregory Mobley explores the origins and evolution of the figure of Satan in religious and cultural histories. The book discusses how Satan has been portrayed and interpreted throughout different time periods, including in the Bible and in contemporary popular culture. Wray and Mobley examine the ways in which the concept of Satan has influenced society's understanding of evil and moral responsibility.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

walk in his providence - how god opens doors for you

When the master in Jesus’s parable gave talents to his servants and went away, two got busy multiplying their master’s money, and one hid his talent in the dirt. Something similar can happen when people like us hear about the providence of God. On the one hand, few doctrines have inflamed more holy ambition in the hearts of God’s people. When some hear that God rules over galaxies and governments, over winds and waves, and over every detail in our little lives (Ephesians 1:11), they get busy doing good. Christians gripped by providence have built hospitals, ended slave trades, founded orphanages, launched reformations, and pierced the darkness of unreached peoples. On the other hand, few doctrines have been used more often to excuse passivity, sloth, and the sovereignty of the status quo. When some hear that God reigns over all, they reach for the remote, kick up their feet, take sin a little less seriously, bury their talents six feet under. They may do good when the opportunity arises, when the schedule allows, but they will rarely  search  for good to do. How could the all-pervasive providence of God energize some and paralyze others? How could it cause some to blaze boldly into the unknown, and others to putter on the same tired paths, rarely dreaming, never risking? Waiting for an Open Door When William Carey, the pioneering missionary to India, first proposed the idea of sending Christians to unreached places, an older pastor reportedly protested, “Sit down, young man, sit down and be still. When God wants to convert the heathen, he will do it without consulting either you or me.” Such an application of God’s providence is simplistic, unbiblical, irresponsible — and yet also understandable. Though many of us would never make such a statement, we have our own ways of allowing providence to lull us into passivity. Consider the common language of waiting or praying for “an open door.” The phrase “open door” comes from the apostle Paul (Colossians 4:3–4), yet many of us use the phrase in ways the apostle didn’t. Paul prayed for open doors, yes, but then he vigorously turned handles (compare 1 Corinthians 16:8–9 with Acts 19:1–10). Many of us, on the other hand, sit in the hallway of life, waiting until a divine hand should swing a door open and push us through it. Too often, by saying, “There was no open door,” we mean that there was no obvious, divine orchestration of events that made our path unmistakable. “I didn’t share the gospel because no one seemed interested.” “I didn’t have that hard conversation because we just never ran into each other.” “I didn’t confess that sin because there didn’t seem to be a good time.” Providence, if distorted, can excuse us from all manner of uncomfortable duties. When William Carey gazed toward India, he did not see what we might call an open door: fifty million Muslims and Hindus living half a world and two oceans away. Hence the pastor’s response. Yet Carey went anyway, believing that God, in his providence, could make a way where there seemed to be no way. And India is still bearing fruit from his faith. For Such a Time as This Carey found his inspiration, of course, from dozens of men and women in Scripture who ventured forth into discomfort and danger by the power of God’s providence. Where did Jonathan find the courage to attack an army with only his armor-bearer at his side? Providence: “Come, . . . it may be that the Lord will work for us, for nothing can hinder the Lord from saving by many or by few” (1 Samuel 14:6). How did Esther muster the courage to risk the king’s fury? Providence: “Who knows whether you have not come to the kingdom for such a time as this?” (Esther 4:14). Why did David step toward Goliath with only a sling and five stones? Providence: “The Lord who delivered me from the paw of the lion and from the paw of the bear will deliver me from the hand of this Philistine” (1 Samuel 17:37). “God has planned for some doors to open only as we push them.” Some hear, “God reigns over all,” and think, “Then what difference could my effort make?” Others, like Jonathan, Esther, and David, heard, “God reigns over all,” and thought, “Then God can use even my effort, small though it is.” And so, after thinking, weighing, and praying, they went forth — not always sure that God would prosper their plans, but deeply confident that, if he wanted to, no force in heaven or on earth could stop him. In other words, they knew their God ruled in heaven. They saw a need on the earth. And with “Your kingdom come” burning through the chambers of their hearts (Matthew 6:10), they dreamed up something new for the sake of his name. Act the Providence of God Perhaps, for some of us, the difficulty lies here: we expect to  react to  the providence of God, but not to  act  the providence of God. Some of us live as though providence were something only to  react to . We wait for a clear, providential open door, and then we react to that providence by walking through the doorway. But as we’ve seen, God has planned for some doors to open only as we push them. He has planned for us to  act  his providence. Paul gives us the clearest biblical expression of this dynamic in Philippians 2:12–13: “Work out your own salvation with fear and trembling, for it is God who works in you, both to will and to work for his good pleasure.” Notice: Our work does not  follow  God’s work. Rather, our work is the  simultaneous effect  of God’s work. Or as John Piper writes, “What Paul makes plain here is how fully our own effort is called into action. We do not wait for the miracle; we act the miracle” ( Providence , 652). Sometimes, to be sure, God is pleased to place some good work right in our lap. Perhaps someone really does ask about the hope that is in us, or the hard conversation we need to have opens easily and naturally. In moments like these, we do indeed react to God’s providence. But God can be just as active in us when our effort is fully involved: when we invite a neighbor over to study the Bible together, or when we arrange a time and place for the difficult talk. We need not wait for something unmistakably divine, something unquestionably providential, before we work out our salvation in all kinds of obedience. Instead, we need only see some good work to do, entrust ourselves to God through earnest prayer, work hard in conscious dependence on him, and then, once finished, turn around and say with Paul, “It was not I, but the grace of God that is with me” (1 Corinthians 15:10). And thus we  act  the providence of God. Imagine Good In his providence, God has prepared good works for us to walk in (Ephesians 2:10). But many of them will not come as we passively drift beneath God’s providence. They will come to us, instead, as we strain our renewed minds, bend our born-again imaginations, and fashion possibilities in the factory of our new hearts — knowing that every good resolve is a spark of his providence. “You are who you are, what you are, where you are, because of the all-pervasive providence of God.” So look around you. Nothing about your life is an accident. You are who you are, what you are, where you are, because of the all-pervasive providence of God. He has given you whatever talents you have, in his wisdom, for such a time as this — so that you would add a stroke to the canvas in front of you, chisel away at the statue you see, speak and act in the drama you’re in, so that this world looks a little more like the work of art God is redeeming it to be. There are neighbors to befriend, children to disciple, churches to plant, crisis-pregnancy centers to serve, and a thousand tasks at our jobs to do with excellence and love. And how will we know if God, in his providence, has opened a door for any of these opportunities? We will pray and turn the handle.

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