Reclaim Your Soul (Your Journey To Personal Empowerment) Order Printed Copy
- Author: Cindy Trimm
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About the Book
"Reclaim Your Soul: Your Journey to Personal Empowerment" by Cindy Trimm is a guide to breaking free from negative patterns and past trauma in order to live a more fulfilling and empowered life. The book offers practical strategies and exercises to help readers heal, grow, and step into their true potential. Through spiritual guidance and self-reflection, Trimm encourages readers to take control of their own destinies and reclaim their souls.
Johnny Cash
Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences.
Who Was Johnny Cash?
Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin.
Early Life
Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops.
Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields.
From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice.
Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career.
Military Service and Musical Aspirations
In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic.
It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started."
After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel.
Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice."
Johnny Cash and the Tennessee Two
In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song.
The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts.
Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town."
Drugs and Divorce
By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs.
But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce.
Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death."
Remarriage and Revival
Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968.
With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans.
The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash.
The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame.
Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa.
Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery.
But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography.
Final Years, Death and Legacy
Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998.
Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation.
Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track.
"Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'"
That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter.
In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty.
Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down.
"I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore."
In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.
God Wrote a Book
We actually have the words of God. This is almost too good to be true. And yet how often are we so accustomed to this reality — one of the greatest wonders in all the universe — that it barely moves us to handle the Bible with care (and awe), or at least to access his words with the frequency they deserve? Familiarity can breed contempt, or at least neglect. While scarcity drives demand, abundance can lead to apathy. For many of us, we have multiple Bibles on our shelves, in multiple translations. We have copies on our computers and phones. We have access to the very words of God like never before — yet how often do we appreciate, and marvel at, the wonder of what we have? Wonder of Having One of the greatest facts in all of history is that God gave us a Book. He gave us a Book! He has spoken. He has revealed himself to us through prophets and apostles, and appointed that they write down his words and that they be preserved. We have his words! We can hear in our souls the very voice of God himself by his Spirit through his Book. “No word of God is a dead word.” Think of all God went to, and what patience, to make his self-revelation accessible to us here in the twenty-first century. Long ago, at many times, and in many ways, God spoke through the prophets (Hebrews 1:1). Then, in the fullness of time, he sent his own Son, his own self, in full humanity, as his revealed Word par excellence, in the person of Christ, represented to us by his authoritative, apostolic spokesmen in the new covenant. For centuries, God’s word was copied by hand, and preserved with the utmost diligence and care. Then, for the last 500 years of the printing press, God’s word has gone far and wide like never before. Men and women gave their lives, upsetting the apple carts of man-made religion, to translate the words of God into the heart language of their people. And now, in the digital revolution, access to God’s own words has exploded exponentially again, and yet — and yet — in such abundance, do we marvel at what we have? And do we, as individuals and as churches, make the most of what infinite riches we have in such access to the Scriptures? His Words, Our Great Reward The psalmists were in awe of what they had. In particular, Psalms 19 and 119 pay tribute to the wonder of having God’s words. For instance: The law of the Lord is perfect, reviving the soul; the testimony of the Lord is sure, making wise the simple; the precepts of the Lord are right, rejoicing the heart; the commandment of the Lord is pure, enlightening the eyes; the fear of the Lord is clean, enduring forever; the rules of the Lord are true, and righteous altogether. More to be desired are they than gold, even much fine gold; sweeter also than honey and drippings of the honeycomb. Moreover, by them is your servant warned; in keeping them there is great reward. (Psalm 19:7–11) “We come to his word, like holy hedonists, stalking joy.” God is honored when we approach his words as those that revive the soul and rejoice the heart, as those that are more to be desired than gold and sweeter than honey. The summary and culmination of Psalm 19’s unashamed tribute to God’s words is this: great reward. He means for us to experience his words as “my delight” (Psalm 1:2; 119:16, 24), as “the joy of my heart” (Psalm 119:111), as “the delight of my heart” (Jeremiah 15:16), as kindling for the fires of our joy. Not only has God spoken in this Book we call the Bible, but he is speaking. Writing about Psalm 95 in particular (and applicable to all the Scriptures), Hebrews says “the word of God is living and active, sharper than any two-edged sword, piercing to the division of soul and of spirit, of joints and of marrow, and discerning the thoughts and intentions of the heart” (Hebrews 4:12). No word of God is a dead word. Even Hebrews — the New Testament letter plainest on the old covenant being “obsolete” in its demands upon new-covenant Christians (Hebrews 8:13) — professes that old-covenant revelation, while no longer binding, is indeed “living and active.” “Is not my word like fire,” God declares through Jeremiah, “and like a hammer that breaks the rock in pieces?” (Jeremiah 23:29). From cover to cover, Genesis to Revelation, God has captured for his church his objective, “external word” (as Luther called it) which he speaks (present tense) to his people through the subjective, internal power of his Spirit dwelling in us. We hear God’s voice in his word by his Spirit. And so, Hebrews exhorts us, “See that you do not refuse him who is speaking” (Hebrews 12:25). Wonder of Handling So then, how will we who marvel at having God’s living and active words not also fall to the floor in amazement that he invites us — even more, he insists — that we handle his word. It is no private message to Timothy, but to the whole church reading over his shoulder, when Paul writes, Do your best to present yourself to God as one approved, a worker who has no need to be ashamed, rightly handling the word of truth. (2 Timothy 2:15) The charge lands first on Timothy, as Paul’s delegate in Ephesus, and then on pastors (both then and today) who formally and publicly “handle the word” for the feeding and forming of the church. But the summons to rightly handle the word of truth (both in the gospel word and in the written Scriptures) is a mantle for the whole church to gladly bear. In the midst of a world of destructive words, God calls his church to first receive (have) and then respond to (handle) his words. As human words of death fly around us from all sides — in the air, on the page, on our screens — he gives us his own life-giving words to steady our souls and the souls of others. As the world quarrels about words, “which does no good, but only ruins the hearers” (2 Timothy 2:14) and coughs up “irreverent babble” that leads “people into more and more ungodliness” and spreads like gangrene (2 Timothy 2:16–17), God gives us an oasis in the gift of his words (2 Timothy 2:15). We receive them for free, but that doesn’t mean we take them lightly or expend little energy to handle them well. Make Every Effort God, through Paul, says “do your best” — literally, be zealous, be eager, make every effort — “to present yourself to God as one approved.” We orient Godward first and foremost in our handling of his word, then only secondarily to others. Which will make us “a worker who has no need to be ashamed.” Being a worker requires work, labor, the exertion of effort, the expending of energy, the investment of time, the patience of lifelong learning. To do so without cutting corners (“unashamed”) or mishandling the task. And in particular, for building others up, not tearing others down. For showing others the feast, not showing ourselves to have been right. “God gives us his own life-giving words to steady our souls and the souls of others.” “Rightly handling” — guiding along a straight path — harkens to the vision Paul casts in 2 Corinthians of his own straightforwardness with God’s word. Paul was not coy about hard truths. He was not evasive. He was not a verbal gymnast, gyrating around humanly offensive divine oracles. Rather, he was frank, honest, candid, sincere. “We are not, like so many, peddlers of God’s word,” he declares, “but as men of sincerity, as commissioned by God, in the sight of God we speak in Christ” (2 Corinthians 2:17). He has more to say about such sincerity: We have renounced disgraceful, underhanded ways. We refuse to practice cunning or to tamper with God’s word, but by the open statement of the truth we would commend ourselves to everyone’s conscience in the sight of God. (2 Corinthians 4:2) Listening Like Hedonists But rightly handling God’s word doesn’t just mean we’re convinced of its truthfulness and handle it as such. Rightly handling doesn’t only include rigorous careful analysis and forthright unapologetic candor. Rightly handling includes the psalmists’ intense spiritual sensibilities. To see in and through God’s words his “great reward,” and knowing him to be a rewarder of those who seek him (Hebrews 11:6). In other words, we come to his word like holy hedonists, stalking joy. Worldly hedonists pursue the pleasures of sin; they don’t wait on them to arrive. And so do Christian Hedonists. We don’t wait around for holy pleasures. We don’t passively engage God himself through his own words. We stalk. We pursue. We read actively, and study, and meditate. When we are persuaded that God himself is indeed the greatest reward, is there any better avenue to pursue than his own words? At Desiring God, we don’t aim or pretend to be unique. However flippantly or earnestly others handle God’s words, we mean to receive them with the utter seriousness and joyful awe they deserve — he deserves. God wrote a Book. And gave it to us. Let’s give ourselves to this wonder, and marvel that we get to handle his words. Article by David Mathis