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About the Book
"Put Your Dream To The Test" by John C. Maxwell is a practical guide that helps individuals identify, clarify, and achieve their dreams. Maxwell outlines a step-by-step process for assessing the feasibility of a dream, developing a plan to make it a reality, and overcoming challenges along the way. Through inspirational anecdotes and actionable advice, the book encourages readers to pursue their passions with confidence and determination.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
What Does Hell Say About God
As children, we love stories. We lie in bed, or curl up on our parent’s knee, as the voice of our mother or father takes us into fictional worlds. We explore Where the Wild Things Are. We join the inquiry, Are You My Mother? We doff our hats with Babar, learn life lessons from Charlotte’s Web, stand with outstretched arms towards The Giving Tree. We wonder what Green Eggs and Ham actually taste like. Then we grow older. But hopefully not too old to pass through wardrobes into Narnia, or dig our five-by-five Holes with Stanley Yelnats, or live in them with The Hobbit. We might imagine seeing color the first time with The Giver or soaring on a Nimbus 2000 with the boy bearing the thunderbolt scar. We humans are creatures of story. As such, we are born with a unique skill: the ability to detect off-notes in narrative. Like the wrong key struck on the piano. Little ones tell their dad, “That’s not how it’s supposed to go!” But sadly, many hear God’s story, and give the same protest when he reads that chapter which spans eternity. Truth Some Hearts Can’t Bear As many wrestle with the existence of hell — or as we ourselves wrestle with it — that innate sense resurfaces. Many read, “These will go away into eternal punishment” — to be tormented with fire and sulfur, day and night, without any reprieve or rest, forever (Matthew 25:46; Revelation 14:9–11) — and reflexively say, “That’s not how it’s supposed to go.” They shake their heads, How is that a good story? Such try to rescue us from orthodoxy with Rob Bell, who writes, Telling a story about a God who inflicts unrelenting punishment on people because they didn’t do or say or believe the correct things in a brief window of time called life isn’t a very good story. (Love Wins, 110) For Bell and company, the lack of a happily ever after for all — or even most — sounds off. Even annihilation, to them, seems like a better ending. A God that would punish humans for an eternity is devastating, crushing, unbearable, traumatizing, terrifying, cruel, wrong, untenable, unacceptable, awful, unlovable. Hear it from Bell, this God is a being that no amount of good music or coffee can cover. “Heaven will not be heaven without the reminder of God’s righteous condemnation.” The challenge, then, is not to merely prove the existence of hell from one’s exegesis, but to answer why God’s story is better than we would have authored — because it is. We must try to reason with the heart, for Jesus taught us an extraordinary truth when he exposed that the mind will misunderstand what the heart detests: “Why do you not understand what I say? It is because you cannot bear to hear my word” (John 8:43). So it is with many today when considering hell. Four Truths About Hell We should not come to this subject lightly. We are talking about a real hell for real people for a real eternity. A place it would have been better to never have been born than to enter. A place of fire. Punishment. Banishment. Outer darkness. Curse. Destruction. Anguish. Second death. A place where worms feast, strong men weep, and teeth gnash. The four letters describe an unending punishment for those we have, for a brief time, known. How Paul considered the lostness of his kinsmen, and how Jesus lamented the unbelief of Israel teaches that we need not lay aside our love for the lost in discussing the eternal lostness being an appropriate punishment for their sin. Consider four truths. 1. Who Will Be in Hell The first consideration is clarifying what sort of creature will be under God’s wrath forever. The little old lady who has shown herself to be a selfless, gentle, patient, forgiving, and amiable neighbor may have a quaint funeral. But the person eulogized is not the person who she truly was nor who she will show herself to be in eternity to come. God has hidden her from us. At death, God repossesses all borrowed virtue, the full torrent of her wicked heart is unleashed. She will be fully given over to her sin (Romans 1:24, 26, 28). The hatred of God, the impatience, the lustful thoughts, the greed, the slander, the viciousness, all will stampede forth. The evil that showed itself in seed form on earth will grow to be forests. The light of common grace will fade from her, and she will be given to the darkness which she so loved (John 3:19). Her full depravity, now exposed, will cause the saints who cared most for her on earth to shudder. Sin, fully enthroned, dehumanizes. We can see ungodliness ripen in our own life span. Little Adolf, sleeping in his crib, becomes Hitler. Jezebel casts aside her dolls to slay prophets. But these do not compare with the change to be seen when hearts fully harden, and they’re faced with the Master they hate. God cut down our life span to prevent such ripening (Genesis 6:3). While citizens of heaven are their most fallen on earth, citizens of hell are their most human. John casts a ray of light upon the tormented in the book of Revelation. These creatures will still hate God, still curse the name of our Lord, still blaspheme the Holy Spirit who eternally dwells within us — even while under the pain of judgment. The fourth angel poured out his bowl on the sun, and it was allowed to scorch people with fire. They were scorched by the fierce heat, and they cursed the name of God who had power over these plagues. They did not repent and give him glory. The fifth angel poured out his bowl on the throne of the beast, and its kingdom was plunged into darkness. People gnawed their tongues in anguish and cursed the God of heaven for their pain and sores. They did not repent of their deeds. (Revelation 16:8–11) Between gnawing themselves in anguish, they still move their chewed tongues to curse our God. “Immortal horrors,” C.S. Lewis rightly called them. Preferring to be scorched than saved, they will share the fate of their father, the devil. What fellowship shall children of light share with these creatures when both are seen as they truly will be? 2. What Hell Says About God Some, like Bell, believe that God cannot be glorified in hell. “The belief that untold masses of people suffering forever doesn’t bring God glory. Restoration brings God glory; eternal torment doesn’t. Reconciliation brings God glory; endless anguish doesn’t. Renewal and return cause God’s greatness to shine through the universe; never-ending punishment doesn’t” (Love Wins, 108). Behold the wisdom of man. To which the apostle Paul responds, What if God, desiring to show his wrath and to make known his power, has endured with much patience vessels of wrath prepared for destruction, in order to make known the riches of his glory for vessels of mercy, which he has prepared beforehand for glory — even us whom he has called, not from the Jews only but also from the Gentiles? (Romans 9:22–24) Hell, like all of creation, tells of the glory of God. Bell says it doesn’t; God says it most certainly does. The Almighty is not embarrassed by it. God’s righteous vengeance against those who exchanged his glory and rejected him for a lifetime will not be conducted in back alleys. He shows his wrath and makes known his power. Why? In order to communicate the full riches of his glory to his children. Contrary to how we might write redemption’s story, the lake of fire warms us with the reminder that our God is powerful, righteously severe, and abundantly merciful toward his own. Heaven will not be heaven, in God’s perfect plan, without the reminder of God’s righteous condemnation — this beyond, even, eternally exposing the scars of Christ. We will be sobered. We will be amazed. We will be thankful for God’s mercy to us. “Hell, like all of creation, tells of the glory of God. The Almighty is not embarrassed by it.” The unredeemed hate this. They begin to gnash their teeth already. Starting with men as the end of all things, they will not allow God the right of his deity: “I will have mercy on whom I have mercy, and I will have compassion on whom I have compassion” (Romans 9:15). They show how presumptuous the creature can be when he tells God that he must save all men; when they are shocked — not that God would have mercy on any, but that he won’t show blood-bought mercy to all. 3. What Hell Says About Christ In all discussions of hell, we must remember that God the Son knows it better than anyone else ever will — including all submerged in it forever. A thousand lifetimes later, no closer to the end than when they began, they shall not inch any closer to saying those words we find upon the Savior’s lips in the Gospels: “It is finished!” (John 19:30). With all the torment they experience, they remain but near the surface of that burning lake which Christ, out of love for his people, plunged to the bottom. When Paul, the apostle who experienced unceasing anguish for his unsaved kinsmen (Romans 9:1–3) and labored for their salvation (Romans 10:1–4), considered the refusal of the creature to his Lord’s hell-assuming love, he said, “If anyone has no love for the Lord, let him be accursed. Our Lord, come!” (1 Corinthians 16:22). In other words, when he considered the refused proposal of Jesus Christ — who did not merely stoop to one knee to ask but stooped to the grave — he said, it is proper for such a one to be damned. Did the King of glory travel from the celestial throne to a beastly stable to the garbage dump of a cross to submerge under the fire of God’s wrath — to be rejected by ants who prefer their lusts, appetites, and self to him? What must be the result when a world scrolls past the King of glory for lives of pornography and ESPN? Hell. God calls to the angels, “Be appalled, O heavens, at this; be shocked, be utterly desolate. . . . They have forsaken me [and now my Son], the fountain of living waters, and hewed out cisterns for themselves, broken cisterns that can hold no water” (Jeremiah 2:12–13). Hades testifies that preferring anything to Christ — not hell itself — is eternally horrifying. 4. What We Learn from Fairy Tales Perhaps we should pay more attention to our children’s stories. The pattern is familiar: The pristine kingdom falls, the land is cursed, evil gains the upper hand. This sets the stage for the hero to defy the curse, and, at great cost to himself (self-sacrifice), conquer the dragon, ushering in the last state that surpasses the first — the light shining best for those who have seen darkness. Yet remember how these stories end: the witch, the monster, the evil king and his henchmen, stand vanquished and banished from the kingdom. Have you ever witnessed a child cry for them? No child I have known protests the demise of Scar, Lord Voldemort, or the Witch-king of Angmar. While the analogy breaks down, as all analogies inevitably do, we should still ask why that is. Because we know the rightness of the villains being punished. We just don’t like the fact that we — and those we love — are by nature the villains of the narrative. Both Old and New Testament writers exalt in something peculiar to our modern ears: God, the man of war, slaying his enemies. Modern man, made more in the image of secular humanism than the Holy One of Israel, wonders, Singing about God’s drowning of Pharaoh’s army in the sea — how can this be? (Exodus 15). Our spiritual ancestors celebrated God’s holiness, his power, and his love to save his people from their enemies — while the Egyptians deemed him unlovable. “We are talking about a real hell for real people for a real eternity.” But is this heartless? Unfeeling? Will we not be able to enjoy heaven while ones we knew are in hell? God’s Book, along with the fairy tales and great epics, teaches us that the death of the wicked defines romances and comedies, not tragedies. One day, the lake of fire will be filled, the evil warlord and all his minions will be conquered, and we will celebrate our King’s victory over those who cursed his Son’s name and devoured his people. When we consider the story of eternity, we must silence that carnal protest that throws God in the dock to give his defense before our felt sensibilities. He is the potter; we are the clay. He is all-wise; we are all-foolish, apart from him. He is the Judge of the world; he will surely do right. And right includes hell; the casting of Sauron and his orcs into the utter darkness of Mount Doom. In so doing, he communicates the full range of his power and glory to his people, the full loveliness of his Son, and the perfect harmony of his purpose and plan — of which the redeemed will not detect a single off-note. Article by Greg Morse
