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"Living in the End Times - Study" by John Edmiston explores the signs of the end times according to the Bible and how Christians can prepare for the coming of Christ. The book delves into topics such as the Antichrist, the rapture, and the Second Coming, offering insights and practical advice for navigating these turbulent times with faith and hope.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

Lord, Make Us Diligent and Desperate

“Lord, make me as holy as a pardoned sinner can be made.” This prayer, often found on the lips of Robert Murray McCheyne, strikes a chord in every Christian soul. When the Holy Spirit makes his home in us, holiness ceases to be the stuffy obligation we thought it was. All of a sudden, holiness feels like heaven in our hearts, and every earthly longing bows the knee to this burning, bright desire: “Lord, make me holy.” As we look ahead to a new year, how might we expect the Holy Spirit to fulfill that longing? One answer may not be surprising, but it is easily forgotten and neglected. To make us holy, the Spirit leads us on the pathways of Scripture, prayer, and the other means of grace. And along the way, he shapes our posture to align with two fundamental truths: Holiness cannot be found apart from the Spirit’s means of grace; therefore, we must be diligent in the use of them. Holiness cannot be found in the means of grace themselves; therefore, we must be desperate for the Spirit to work through them. Diligence and desperation: these are the postures that honor the Spirit’s means of grace. And by his design, they are our only hope for true holiness. Lord, Make Us Diligent Some of us hesitate to associate the sanctifying work of the Spirit with a word like diligence. We can be prone to think of the Spirit’s ministry in terms of spontaneity and flexibility, not discipline and diligence. But unless we read the Bible attentively, pray devotedly, and gather for worship regularly, the holiness that comes from the Spirit will not be ours. In other words: no diligence, no holiness. “No Christian drifts into holiness. The flesh is too weak, the devil too deceitful, and the world too alluring.” The Bible’s description of the growing Christian hums with activity and effort. Such a Christian does not read the Bible merely when he gets around to it; instead, he aims to meditate “day and night” (Psalm 1:2) — thinking over the word (2 Timothy 2:7), attending to the word (Proverbs 2:2), storing up the word (Psalm 119:11). He does not pray a few vague petitions on his way to work; rather, he endeavors to “continue steadfastly in prayer” (Colossians 4:2), devoting his whole mind to the task (1 Peter 4:7) as he struggles on behalf of himself and others (Colossians 4:12). And he does not simply gather with the church when his schedule allows; he exhorts (and is exhorted) “every day” (Hebrews 3:13), “not neglecting to meet” with his brothers and sisters (Hebrews 10:25). Just as no twig drifts upstream, so no Christian drifts into holiness. The flesh is too weak, the devil too deceitful, and the world too alluring. When it comes to holiness, the Spirit speaks the same command to us as the one he spoke two thousand years ago: strive (Hebrews 12:14). Holy Habits Sometimes, of course, our striving toward holiness does not seem like striving at all. We feel carried along by the Spirit, filled with a power that scorns sin and sends us with joy to the means of grace. These are precious experiences. But they can lead us astray if we begin to expect that the path to holiness will always feel like flying on eagles’ wings. The reality is that much of our progress toward holiness requires painful, painstaking effort — though not joyless — carried along by a stubborn faith that clings to God’s promise. J.I. Packer offers the realism many of us need to hear: “Holiness teaching that skips over disciplined persistence in the well-doing that forms holy habits is . . . weak; habit-forming is the Spirit’s ordinary way of leading us on in holiness” (Keep in Step with the Spirit, 90). In the moment, of course, “habit-forming” may not feel very spiritual — at least if by spiritual we mean an uplifted or ecstatic emotional state. It will probably feel like ordinary hard work. But keeping in step with the Spirit is sometimes as simple as, well, taking the next difficult step in faith: Throw the covers off and get up. Resist the urge to get lost in your phone or email. Push through distractions in your prayers. Whatever it takes, keep the reward in view, and form the habits that put you in the places where the wind of the Spirit blows. So, as we pray for more holiness in the year ahead, we might also ask, “Lord, make us diligent.” Lord, Make Us Desperate And yet, woe to us if diligence is our only watchword in the pursuit of holiness. The Pharisee in Jesus’s parable could claim diligence — far more than many of us can claim. “I am not like other men, extortioners, unjust, adulterers, or even like this tax collector. I fast twice a week; I give tithes of all that I get” (Luke 18:11–12). All the means of grace are on display in this man. He knows the Scriptures. He prays. He gathers in the temple. And he is lost. “Whatever it takes, form the habits that put you in the places where the wind of the Spirit blows.” Diligence, if left without the seasoning of humble desperation, becomes the bitterest of all roots. As John Murray writes, “If we are not keenly sensitive to our own helplessness, then we can make the use of means of sanctification the minister of self-righteousness and pride” (Redemption Accomplished and Applied, 156). If we devote ourselves to the means of grace without depending on the God of grace, then the means may only serve our self-righteousness. In the pursuit of holiness, as in every other area of life, the first of Jesus’s Beatitudes abides: “Blessed are the poor in spirit” (Matthew 5:3). Blessed are those who know they can see nothing on their own (1 Corinthians 2:14). Blessed are those who can say with the apostle, “We do not know what to pray for as we ought” (Romans 8:26). Blessed are those who, like the tax collector in the parable, know that mercy is their only hope (Luke 18:13). Diligence can put our face in front of the Bible, but it cannot show us wonders there (Psalm 119:18). Only the Spirit can do that — and he loves to do so for the desperate. ‘Give Me Life!’ The author of Psalm 119 models what desperate diligence might sound like in practice. All throughout the psalm, notes of diligence and notes of desperation meld into a harmony that can come only from the Holy Spirit. To call the psalmist diligent puts it mildly: “With my whole heart I seek you” (Psalm 119:10). “I will keep your law continually, forever and ever” (Psalm 119:44). “I hasten and do not delay to keep your commandments” (Psalm 119:60). “Your testimonies are my meditation” (Psalm 119:99). “Seven times a day I praise you for your righteous rules” (Psalm 119:164). Here is diligence indeed. Yet it is the diligence of a man who knows, deep down, that he is hopeless apart from his God. Hear his desperation: “My soul clings to the dust; give me life according to your word!” (Psalm 119:25). “Put false ways far from me and graciously teach me your law!” (Psalm 119:29). “Incline my heart to your testimonies, and not to selfish gain!” (Psalm 119:36). “May my heart be blameless in your statutes, that I may not be put to shame!” (Psalm 119:80). “I am your servant; give me understanding, that I may know your testimonies!” (Psalm 119:125). The psalmist knew what we often forget: holiness requires hard work, but it is never the product of mere hard work. From first to last, holiness is a gift of grace. And so, we pray not only, “Lord, make us diligent,” but, “Lord, make us desperate.” Lord, Show Us Christ By diligence and desperation, the Spirit leads us onward to holiness. But if we are going to embody these two postures in the upcoming year, then we need to remember what we really mean by holiness. Too easily, we talk about holiness merely as a set of abstract moral virtues — patience, love, peace, generosity, boldness — and not as what it really is: Christlikeness. To be holy is to be near Christ and like Christ; the pursuit of holiness, therefore, is the pursuit of him. If we conceive of holiness merely as moral virtue, then our diligence and desperation will likely dry up after a time. But if Christ is at the center of our pursuit, then we have a goal glorious enough to summon all of our energy, all of our longings, all of our attention, all through the year. “Diligence can put our face in front of the Bible, but it cannot show us wonders there.” Rise up early for Christ, read and meditate and memorize for Christ, pray and fast for Christ, gather and worship for Christ — not to be more accepted by him than you already are, but to enjoy him more than you already do. Whatever else we gain this year cannot compare with knowing him, loving him, trusting him more dearly than we do now. “Oh, if ye saw the beauty of Jesus, and smelled the fragrance of his love,” Samuel Rutherford once wrote, “you would run through fire and water to be at him” (The Letters of Samuel Rutherford, 111). This, ultimately, is the Holy Spirit’s passion and purpose in all the means of grace: to glorify Christ in our eyes so that we become like him (John 16:14; 2 Corinthians 3:18). So, if we want God to make us as holy as pardoned sinners can be made, we will ask for more diligence and desperation. And underneath both of these, we will say, “God, show us Christ.” Article by Scott Hubbard

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