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About the Book
"All of Grace" by C. H. Spurgeon is a classic Christian book that explores the concept of grace in salvation. Spurgeon discusses how grace is freely given by God to those who believe in Jesus Christ, and emphasizes that salvation is not earned through works but is a gift of God. The book encourages readers to trust in God's grace and to receive the gift of salvation through faith.
Isaac Watts
"Joy to the world, the Lord is come / Let earth receive her King / Let every heart, prepare him room / And heaven and nature sing."
In his later years, Isaac Watts once complained about hymn singing in church: "To see the dull indifference, the negligent and thoughtless air that sits upon the faces of a whole assembly, while the psalm is upon their lips, might even tempt a charitable observer to suspect the fervency of their inward religion."
He had been bemoaning such since his late teens. His father, tired of his complaints, challenged him to write something better. The following week, the adolescent Isaac presented his first hymn to the church, "Behold the Glories of the Lamb," which received an enthusiastic response. The career of the "Father of English Hymnody" had begun.
Head of a genius
At Isaac's birth in 1674, his father was in prison for his Nonconformist sympathies (that is, he would not embrace the established Church of England). His father was eventually freed (and fathered seven more children), but Isaac respected his courage and remembered his mother's tales of nursing her children on the jail steps.
Young Isaac showed genius early. He was learning Latin by age 4, Greek at 9, French (which he took up to converse with his refugee neighbors) at 11, and Hebrew at 13. Several wealthy townspeople offered to pay for his university education at Oxford or Cambridge, which would have led him into Anglican ministry. Isaac refused and at 16 went to London to study at a leading Nonconformist academy. Upon graduation, he spent five years as a private tutor.
His illness and unsightly appearance took its toll on his personal life. His five-foot, pale, skinny frame was topped by a disproportionately oversized head. Almost every portrait of him depicts him in a large gown with large folds—an apparent attempt by the artists to disguise his homeliness. This was probably the reason for Elizabeth Singer's rejection of his marriage proposal. As one biographer noted, "Though she loved the jewel, she could not admire the casket [case] which contained it."
Though German Lutherans had been singing hymns for 100 years, John Calvin had urged his followers to sing only metrical psalms; English Protestants had followed Calvin's lead.
Watts's 1707 publication of Hymns and Spiritual Songs technically wasn't a collection of hymns or metrical psalms, but it was a collection of consequence. In fact, it contained what would become some of the most popular English hymns of all time, such as "When I Survey the Wondrous Cross."
Watts didn't reject metrical psalms; he simply wanted to see them more impassioned. "They ought to be translated in such a manner as we have reason to believe David would have composed them if he had lived in our day," he wrote. Psalms of David Imitated in the Language of the New Testament followed in 1719.
Many of his English colleagues couldn't recognize these translations. How could "Joy to the World" really be Psalm 98? Or "Jesus Shall Reign Where'er the Sun" be Psalm 72>, or "O God Our Help in Ages Past" be Psalm 90?
Watts was unapologetic, arguing that he deliberately omitted several psalms and large parts of others, keeping portions "as might easily and naturally be accommodated to the various occasions of Christian life, or at least might afford us some beautiful allusions to Christian affairs." Furthermore, where the psalmist fought with personal enemies, Watts turned the biblical invective against spiritual adversaries: sin, Satan, and temptation. Finally, he said, "Where the flights of his faith and love are sublime, I have often sunk the expressions within the reach of an ordinary Christian."
Such looseness brought criticism. "Christian congregations have shut out divinely inspired psalms and taken in Watts's flights of fancy," protested one detractor. Others dubbed the new songs "Watts's whims."
But after church splits, pastor firings, and other arguments, Watts's paraphrases won out. "He was the first who taught the Dissenters to write and speak like other men, by showing them that elegance might consist with piety," wrote the famed lexicographer (and Watts's contemporary) Samuel Johnson.
More than a poet, however, Watts was also a scholar of wide reputation, especially in his later years. He wrote nearly 30 theological treatises; essays on psychology, astronomy, and philosophy; three volumes of sermons; the first children's hymnal; and a textbook on logic that served as a standard work on the subject for generations.
But his poetry remains his lasting legacy and earned him acclaim on both sides of the Atlantic. Benjamin Franklin published his hymnal, Cotton Mather maintained a long correspondence, and John Wesley acknowledged him as a genius—though Watts maintained that Charles Wesley's "Wrestling Jacob" was worth all of his own hymns.
god filled your bible with poems
I define poetry as an effort to share a moving experience by using language that is chosen and structured differently from ordinary prose . Sometimes it rhymes. Sometimes it doesn’t. Sometimes it has a regular cadence. Sometimes it doesn’t. But almost always the poet has experienced  something — something horrible or wonderful or ordinary — and he feels that he must share it. Using words differently from ordinary prose is the poet’s way of trying to awaken something of his experience (and perhaps even more) in the reader. God Speaks in Poems It has always boggled my mind that so much of the Bible is poetry. God inspired this, and he did not have to do it this way. How much of God’s inspired word is poetry? Leland Ryken answers, One-third of the Bible is not too high an estimate. Whole books of the Bible are poetic: Job, Psalms, Proverbs, Song of Solomon. A majority of Old Testament prophecy is poetic in form. Jesus is one of the most famous poets of the world. Beyond these predominantly poetic parts of the Bible, figurative language appears throughout the Bible, and whenever it does, it requires the same type of analysis given to poetry. That is a lot of poetry — language that is chosen and structured differently from ordinary prose . God can raise the dead by any means he pleases. He can waken dull hearts to the reality of his beauty any way he desires. And one of the ways he pleases to do it is by inspiring his spokesmen to write poetry. Resist the Inexpressible Paradoxically, poetry is an expression of the fact that there are great things that are inexpressible. There is no one-to-one correspondence between the depths of human experience and the capacities of language to capture that experience. There are experiences that go beyond the ability of language to express them. For the poet, this limitation of language does not produce silence; it produces poetry. Poetry is a kind of verbal resistance to the impenetrability of human experience. The poet will at least try. Say It with a Poem For example, can we even begin to imagine what it felt like for the fathers and mothers of the children in Bethlehem to lose their little ones when Herod’s murder squad arrived and slaughtered all of them under two years old? Perhaps not. But there was one year (inspired by the loss of a son in our church) when I said: I will try. And I will try with a poem. It has come to be called The Innkeeper . I imagine a father who not only lost two sons that horrible night, but also his wife and his arm. He made room for Joseph and Mary. But he had no idea what it would cost him to embrace the Son of God. Jesus comes back to visit him just before going to the cross. The poem describes the meeting. Slow Communication Is Not Popular We do not live in a day when poetry is in vogue. Perhaps it has never been in vogue. Shaped by smartphones and soundbites, we are impatient with communication that forces us to slow down. Poetry, by definition, is a kind of communication that cannot be fully appreciated on the first reading. Suppose a poem has a structure of cadence and rhyme and form. Two or three attempts are needed to make the path familiar enough to allow the eyes to be lifted. Then, when the reader is comfortably in the flow, he begins to see so much more than when he was too distracted by the form. So poetry books will seldom be best-sellers. And God has mercifully put all kinds of writing in the Bible besides poetry. He knows better than I do that some people prefer stories (like our Gospels) and others prefer arguments (like the epistle to the Romans). So I will understand if you are not a poetry-lover. But don’t limit yourself too quickly. People change. Times change. This may be the season for you to slow down and reconsider.