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It wasn't a waste of time.

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Inspiring, I was much impacted.

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About the Book


"LIFE BEFORE & AFTER THE CROSS" by Abel Damina explores the significance and impact of the cross of Jesus Christ on humanity. The book delves into how the cross has the power to transform lives and bring salvation to all who believe, offering hope and redemption to those who embrace its message. Through concise and insightful reflections, Damina highlights the eternal significance of Christ’s sacrifice and the transformative power it holds for all who accept it.

C.S. Lewis

C.S. Lewis C.S. Lewis was a prolific Irish writer and scholar best known for his 'Chronicles of Narnia' fantasy series and his pro-Christian texts. Who Was C.S. Lewis? Writer and scholar C.S. Lewis taught at Oxford University and became a renowned Christian apologist writer, using logic and philosophy to support the tenets of his faith. He is also known throughout the world as the author of The Chronicles of Narnia fantasy series, which have been adapted into various films for the big and small screens. Early Life Clive Staples Lewis was born in Belfast, Ireland, on November 29, 1898, to Flora August Hamilton Lewis and Albert J. Lewis. As a toddler, Clive declared that his name was Jack, which is what he was called by family and friends. He was close to his older brother Warren and the two spent much time together as children. Lewis was enraptured by fantastic animals and tales of gallantry, and hence the brothers created the imaginary land of Boxen, complete with an intricate history that served them for years. Lewis' mother died when he was 10, and he went on to receive his pre-college education at boarding schools and from a tutor. During WWI, he served with the British army and was sent home after being wounded by shrapnel. He then chose to live as a surrogate son with Janie Moore, the mother of a friend of Lewis' who was killed in the war. Teaching Career at Oxford and Wartime Broadcasts Lewis graduated from Oxford University with a focus on literature and classic philosophy, and in 1925 he was awarded a fellowship teaching position at Magdalen College, which was part of the university. There, he also joined the group known as The Inklings, an informal collective of writers and intellectuals who counted among their members Lewis' brother Warren and J.R.R. Tolkien. It was through conversations with group members that Lewis found himself re-embracing Christianity after having become disillusioned with the faith as a youth. He would go on to become renowned for his rich apologist texts, in which he explained his spiritual beliefs via platforms of logic and philosophy. Lewis began publishing work including Spirits in Bondage in 1919 and the satirical Dymer in 1926. After penning other titles — including The Allegory of Love (1936), for which he won the Hawthornden Prize — he released in 1938 his first sci-fi work, Out of the Silent Planet, the first of a space trilogy which dealt sub-textually with concepts of sin and desire. Later, during WWII, Lewis gave highly popular radio broadcasts on Christianity which won many converts; his speeches were collected in the work Mere Christianity. Books and Film Legacy Lewis was a prolific author of fiction and nonfiction who wrote dozens of books over the course of his career. His faith-based arguments as seen in texts like The Great Divorce (1946) and Miracles (1947) are held in high regard by many theologians, scholars and general readers. His satirical fiction novel The Screwtape Letters (1942) is also a beloved classic. Lewis also continued his love affair with classic mythology and narratives during his later years: His book Till We Have Faces: A Myth Retold (1956) featured the story of Psyche and Cupid. He also penned an autobiography, Surprised by Joy: The Shape of My Early Life (1955). Lewis' landmark series, The Chronicles of Narnia, has seen a number of on-screen iterations, including a cartoon version of The Lion, The Witch and the Wardrobe that was released in 1979 and a 1989 film series. Additionally, in 2005, a big-screen adaptation of The Lion, The Witch and the Wardrobe hit movie theaters, starring Tilda Swinton as the witch Jadis and Liam Neeson as the voice of Aslan. Two more Narnia films were brought to theaters as well: Prince Caspian (2008) and The Voyage of the Dawn Treader (2010). A movie version of The Silver Chair was slated to hit theaters in the near future, with filming starting in the winter of 2018. Lewis' relationship with his wife, Joy, has also been depicted in Shadowlands, presented as a play and two films; one of the film versions was directed by Richard Attenborough and starred Anthony Hopkins as Lewis. 'The Chronicles of Narnia' During the 1940s, Lewis began writing the seven books that would comprise The Chronicles of Narnia children's series, with The Lion, The Witch and the Wardrobe (1950) being the first release. The story focused on four siblings who, during wartime, walk through an armoire to enter the magical world of Narnia, a land resplendent with mythical creatures and talking animals. Throughout the series, a variety of Biblical themes are presented; one prominent character is Aslan, a lion and the ruler of Narnia, who has been interpreted as a Jesus Christ figure. (Lewis would assert that his Narnia stories weren't a direct allegory to the real world.) Though the book received some negative reviews, it was generally well-received by readers, and the series retained its international popularity over the following decades. Marriage In 1954, Lewis joined the faculty of Cambridge University as a literature professor, and in 1956 he married an American English teacher, Joy Gresham, with whom he had been in correspondence. Lewis was full of happiness during the years of their marriage, though Gresham died of cancer in 1960. Lewis grieved deeply for his wife and shared his thoughts in the book A Grief Observed, using a pen name. Death In 1963, Lewis resigned from his Cambridge position after experiencing heart trouble. He died on November 22, 1963, in Headington, Oxford.

He Called Death Sweet Names

To me Erwin Rudolph will always be Dr. Rudolph. He was my professor and, when I was in college, I revered professors. But with all the reverence, he was a gentle rock of stability for this nervous, insecure sophomore, who that year — 1965 — declared an English major at Wheaton College. One of the reasons I was nervous and insecure was that I read so slowly. I knew I could not read a lot of long books in one semester, so I never took a lit class on “The Novel.” Instead I took poetry classes. That meant three classes with Dr. Rudolph: Pre-Renaissance, English Renaissance, and Eighteenth Century. In these classes, I did not have to read huge books. Instead I had to read poems really carefully — even memorize some. Dr. Rudolph required that we memorize and recite 42 lines of Chaucer in the original Middle English. This was terrifying to me. I was too nervous to speak in front of a whole class. Mercifully and patiently, Dr. Rudolph took the time to let me recite the lines to him alone in his office. He became my faculty adviser in the fall of 1965 and shepherded me through to graduation in the spring of 1968. I loved his classes. One reason is that he cared about substance, not just form. He cared about meaning and truth, great truth. To this day, the poets I love most (George Herbert, John Donne, Alexander Pope) are the ones who care about beauty and truth. Form and substance. Craft and content. I met these masters first in Dr. Rudolph’s classes. He awakened me to a world of truth and beauty in poetry which I did not know existed. I sought his counsel even after I left Wheaton. Although I sensed a vocational call to Scripture and went on to seminary after college, I was not sure if I could be a preacher, and I pondered for a year or two the serious possibility of following in Dr. Rudolph’s steps by getting a Ph.D. in English, and becoming a theologically serious English teacher. That didn’t happen. I think Dr. Rudolph was okay with that choice. His counsel was always balanced. He probably saw that my slow reading ability did not suit me well for an academic career in literature! My dominant memory of Dr. Rudolph is the one most relevant to his own death. Zeke, Dr. Rudolph’s son, was in my wife’s class at Wheaton, a year behind me. Zeke died of Multiple Sclerosis in August of 1969, three months after his graduation. I remember the very room I was in at my parents’ house when I read Dr. Rudolph’s tribute to Zeke. There was one immortal line that I have returned to again and again — as I return to it again now at Dr. Rudolph’s own death: “Near the end Zeke called death sweet names.” It has been almost 50 years, and I have not forgotten these words, nor the man who spoke them. I didn’t know Zeke. But I knew his father. And what an impact his farewell to his son had on me. It was full of sober sorrow in the face of the horrors of death, but also full of confidence that Zeke had not lived in vain, or died without hope. The same is true now for my professor, Dr. Rudolph. He did not live in vain. And he did not die without hope. Perhaps I should let him have the last word of triumph. In his book,  Good-by, My Son , he wrote, We do not pretend to understand why God’s time-table differs so markedly from our own. But it was ours which was out of adjustment, not his. . . . I strongly affirm that belief in Divine Providence affords the Christian an undergirding he can ill afford to lose. I also discover that God may personally allow suffering to come upon us for reasons which please him. When he does, we ought not to demur, for God knows what is best for us. With deep love and appreciation, I say, Amen.

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