Unlocking An Abundant Mindset Order Printed Copy
- Author: Keith B. Ferrante
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About the Book
"Unlocking an Abundant Mindset" explores the power of positive thinking and offers practical strategies for shifting one's mindset to attract abundance in all areas of life. Ferrante emphasizes the importance of gratitude, visualization, and belief in oneself in achieving success and fulfillment. Through personal anecdotes and actionable advice, the book encourages readers to adopt a mindset of abundance and create a life they truly desire.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
do not fear to leave this world
Perhaps you will feel the same discomfort I felt overhearing saints of old speak of death. “He who does not prepare for death is more than an ordinary fool. He is a madman,” began Charles Spurgeon. “Agreed,” said the good Doctor Martyn Lloyd-Jones. Men seem to ignore the plain fact that “the moment you come into this world you are beginning to go out of it.” But this fact need not spell doom and gloom for the Christian, Spurgeon responded. “The best moment of a Christian’s life is his last one, because it is the one that is nearest heaven.” “I concur fully,” Richard Sibbes chimed in. “Death is not now the death of me, but death will be the death of my misery, the death of my sins; it will be the death of my corruptions. But death will be my birthday in regard of happiness.” “When Christ calls me home,” Adoniram Judson added, “I shall go with the gladness of a boy bounding away from school.” “May I also interject?” asked Calvin. “We may positively state that nobody has made any progress in the school of Christ, unless he cheerfully looks forward towards the day of his death, and towards the day of the final resurrection.” “This strikes me as true,” said Thomas Brooks. “It is no credit to your heavenly Father for you to be loath to go home.” “And why should we hesitate?” Samuel Bolton questioned. It is the “privilege of saints, that they shall not die until the best time, not until when, if they were but rightly informed, they would desire to die.” “Exactly.” For the child of God, “death is the funeral of all our sorrows,” reasoned Thomas Watson. “Death will set a true saint out of the gunshot and free him from sin and trouble.” “Indeed,” John Bunyan added, “death is but a passage out of a prison into a palace.” As I listened, I overheard the most disquieting questions. “Has this world been so kind to you that you would leave it with regret?” C.S. Lewis posed. “If we really believe that home is elsewhere and that this life is a ‘wandering to find home,’ why should we not look forward to the arrival?” “Hear! Hear!” exclaimed William Gurnall. “Let thy hope of heaven master thy fear of death. Why shouldest thou be afraid to die, who hopest to live by dying?” “I am packed, sealed, and waiting for the post,” cried John Newton. “Who would live always in such a world as this?” Even snippets of their prayers issued a subtle rebuke. I could not help but hear one George Whitefield plead, “Lord, keep me from a sinful and too eager desire after death. I desire not to be impatient. I wish quietly to wait till my blessed change comes.” This proved the final blow. These men anticipated death, viewed an early departure as a “promotion.” I lowered my gaze. I rarely think this way, rarely feel this way. Do I really believe in heaven? Do I really love my Lord? Snuggled in This Life My squeamishness, flipping through an anthology of Christian quotes, helped me realize that my discipleship has slanted too American, too shortsighted, too this-worldly. “Are you packed and ready to go?” Well, I was hoping to set sail several decades from now, so — “Has this world been so kind to you that you would leave it with regret?” Well, I wouldn’t give it a ten-star rating, but it certainly hasn’t been half that bad (yet). So yeah, maybe — “Nobody has made any progress in the school of Christ, unless he cheerfully looks forward towards the day of his death, and towards the day of the final resurrection.” Well, that’s intense. “It is no credit to your heavenly Father for you to be loath to go home.” I see — worthy point. No credit to Jesus either, I imagine. “These men daily lived awake to the truths I daily profess to believe.” These men daily lived awake to the truths I daily profess to believe; they inhabited them, longing to fly away and be with Christ. Although they loved families, enjoyed things of earth, and did good in this world, they nevertheless were unafraid to dive headfirst into those cold waters of death at the first moment their Master allowed. They believed, with Paul, that “to depart and be with Christ . . . is far better” (Philippians 1:23). I discovered then just how snuggled by the fireside I had become in this world. A place I too readily felt to be home . Epitaphs of Exiles My heart can live too much here , too little there . “My life is hidden with Christ,” I must remind myself (Colossians 3:3). As this world seeks to entice my affections to linger in its marketplace, I desire to be more of a heavenly disciple. And if you love Jesus but think too little of the life to come, I know you will agree. Oh, that this might be a true inscription over our graves, and all the more since we live after the coming of Christ, and the down payment of the Spirit: These all died in faith, not having received the things promised, but having seen them and greeted them from afar, and having acknowledged that they were strangers and exiles on the earth. For people who speak thus make it clear that they are seeking a homeland. If they had been thinking of that land from which they had gone out, they would have had opportunity to return. But as it is, they desire a better country, that is, a heavenly one. Therefore God is not ashamed to be called their God, for he has prepared for them a city. (Hebrews 11:13–16) Abraham, by faith, left his home in Mesopotamia, not even knowing where God was leading him (Hebrews 11:8). He lived in the promised land before he could call it home, dwelling there as a foreigner. Isaac and Jacob, heirs with Abraham of God’s promise, lived in tents of temporality; their home was not yet (Hebrews 11:9). “Once God saved them, they refused to unpack their hopes again in this world.” Abraham’s eyes were elsewhere. “He was looking forward to the city that has foundations, whose designer and builder is God” (Hebrews 11:10). And he and his sons bore the heavenly insignia in their speech: they acknowledged, to anyone who cared to know, that they would live and die on this earth as exiles and sojourners (Genesis 23:4; 47:9). Once God saved them, they refused to unpack their hopes again in this world. The land far-off — big as God’s promise, sure as God’s word — held their allegiance. They made it clear that they sought a homeland not built by human hands. As the world tried to tempt them back, the bait remained on the hook. Better to live in a tent in this world with a heavenly city before them than to dwell in the tottering kingdoms of men. They desired a better country, a heavenly one. And God is not ashamed to be called “the God of Abraham, the God of Isaac, the God of Jacob” (Exodus 3:6). He is not ashamed in the least to be the one they so hoped in, for he has prepared for them a city . Still at Sea So, is your mind mainly set on this world or the next? This world is not our home, precious saint. We are not yet in our element. We fling open the window and send our dove about this earth, finding that it returns to us having found no homeland within this watery grave. But this world will be drained soon enough. The swells of judgment shall intensify and then subside. The new heavens and new earth shall arrive, and our Mighty Dove shall descend with a sword in his mouth for his enemies and an olive branch for us. Until then, keep waiting, keep hoping, keep acknowledging, keep living in tents, longing for that moment when we can bound away from this world as the Father calls us home.