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Undefiled (Redemption From Sexual Sin, Restoration For Broken Relationships) Undefiled (Redemption From Sexual Sin, Restoration For Broken Relationships)

Undefiled (Redemption From Sexual Sin, Restoration For Broken Relationships) Order Printed Copy

  • Author: Harry W Schaumburg
  • Size: 1.99MB | 269 pages
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About the Book


"Undefiled" by Harry W. Schaumburg explores the topic of sexual sin and its impact on relationships. The book offers practical advice and biblical insights on how to find redemption from sexual sin and restore broken relationships. Schaumburg provides a thoughtful and compassionate approach to helping individuals heal from the consequences of their past actions and find healing and wholeness in their relationships.

Sophie Scholl

Sophie Scholl Sophia Scholl was a German student, active in the White Rose – a non-violent resistance group to Hitler and the Nazi party. In 1943, she was caught delivering anti-war propaganda and, with her brother Hans Scholl, was executed for high treason. Sophie Scholl has become an important symbol of anti-Nazi resistance in Germany. Sophie Scholl was born in Forchtenberg, Germany on 9 May 1921. She was the fourth out of six children. Her father Robert was the Burgermeister (Mayor) of Forchtenberg am Kocher, in Baden-Württemberg. She was brought up as a Lutheran Christian, and her childhood was relatively happy and carefree. However, in 1933, Hitler came to power and began controlling all aspects of German society. Initially, Sophie was unaffected, but her father and brothers were critical of the Nazi regime and this political criticism filtered through to leave a strong impression on the young Sophie. At the age of twelve, she joined a pseudo-Nazi organisation, the League of German Girls. Initially, Sophie enjoyed the activities of the group, and she was promoted to Squad Leader. However, after her initial enthusiasm with the activities of the group, Sophie became uneasy about the conflict between her conscience and the creeping Nazi ideology of the organisation. In 1935, Nuremberg Laws were passed which increased the discrimination against Jews, banning them from many public places. Sophie complained when two of her young Jewish friends were barred from joining the League of German Girls. She was also reprimanded for reading from the ‘Book of Songs’ by the banned Jewish writer Heinrich Heine. Scholl indicated her rebelliousness by replying, that Heine was essential for understanding German literature. These incidents and the bans against Jews led to Sophie taking a much more critical attitude to the Nazi regime. She began choosing friends more carefully – people who were politically sympathetic to her viewpoint. In 1937, her brothers and some of her friends were arrested for participating in the German Youth Movement. This incident left a strong impression on Sophie and helped to crystallise her opposition to the Nazi regime. In 1942, her father was later sent to prison for making a critical remark about Hitler. He referred to Hitler as “God’s Scourge.” Sophie was an avid reader and developed an interest in philosophy and theology. She developed a strong Christian faith which emphasised the underlying dignity of every human being. This religious faith proved an important cornerstone of her opposition to the increasingly all-pervading Nazi ideology of German society. Sophie also developed a talent for art – drawing and painting, and she became acquainted with artistic circles which, in Nazi terms, were labelled degenerate. In 1940, after the start of the Second World War, she graduated from her Secondary School and became a kindergarten teacher at the Frobel Institute. However, in 1941, she was conscripted into the auxiliary war service working as a nursery teacher in Blumberg. Sophie disliked the military regime of war service and started to become involved in passive resistance to the war effort. After six months in the National Labour Service, in May 1942, she enrolled in the University of Munich as a student of biology and philosophy. With her brother Hans, she became associated with a group of friends who shared similar artistic and cultural interests but also developed shared political views, which increasingly opposed the Nazi regime they lived in. She came into contact with philosophers such as Theodor Haecker, who posed questions of how individuals should behave under a dictatorship. The White Rose Movement The White Rose was an informal group who sought to oppose the war and Nazi regime. It was founded in early 1942 by Hans Scholl, Willia Graf and Christoph Probst. They wrote six anti-Nazi resistance leaflets and distributed them across Munich. Initially, Sophie was not aware of the group, but when she found out her brother’s activities, she was keen to take part. Sophie participated in distributing leaflets and carrying messages. As a woman, she was less likely to be stopped by the SS. The leaflets of the White Rose contained messages, such as “Nothing is so unworthy of a nation as allowing itself to be governed without opposition by a clique that has yielded to base instinct…Western civilization must defend itself against fascism and offer passive resistance, before the nation’s last young man has given his blood on some battlefield.” However, there was a pervasive police state which kept a high degree of surveillance on any resistance activity. After leaflets had been found at the University of Munich, the local Gestapo stepped up its efforts to catch the resistors. Hans, Willi and Alex also began painting anti-Nazi slogans on buildings in Munich. On 18 February 1943, Sophie and other members of the White Rose were arrested for distributing anti-war leaflets. The leaflets were seen by Jakob Schmidt, a local Nazi party member. Sophie and Hans were interrogated by Nazi officials and, despite trying to protect each other, just four days later were sent to court. The trial was presided over by Roland Freisler, chief justice of the People’s Court of the Greater German Reich. Freisler was an ardent Nazi; with great vigour and a manic intensity, he frequently roared denunciations at the accused. Despite the hostility and appearing in court with a broken leg after her interrogation. Sophie replied to the court: “Somebody, after all, had to make a start. What we wrote and said is also believed by many others. They just don’t dare express themselves as we did.” She also said: “You know the war is lost. Why don’t you have the courage to face it?” No defence witnesses were called and, after a very short trial, the judge passed a guilty verdict, with a sentence of death. The sentence was to be carried out early the next morning by guillotine. Walter Roemer, the chief of the Munich district court, supervised the execution, he later described Sophie’s courage in facing her execution. He reports that Sophie’s last words were: “How can we expect righteousness to prevail when there is hardly anyone willing to give himself up individually to a righteous cause. Such a fine, sunny day, and I have to go, but what does my death matter, if through us, thousands of people are awakened and stirred to action?” The guards were impressed with the courage of the resistors and relaxed the rules to allow Hans, Christoph and Sophie to meet before their execution. After the execution of Sophie, Hans and Christoph, the Gestapo continued their relentless investigation. Other members of the White Rose were caught and executed. Many students from the University of Hamburg were either executed or sent to concentration camps. Legacy of Sophie Scholl In a poll to find the greatest German, Sophie and her brother were voted to be fourth. Amongst the young generation, under 40, they were the most popular. On February 22, 2003, a bust of Sophie Scholl was unveiled by the government of Bavaria in the Walhalla temple. In 2005, a movie about Sophie Scholl’s last days was made featuring Julia Jentsch (Sophie Scholl: The Final Days) Motivations of Sophie Scholl Several factors inspired Sophie Scholl to take part in this highly dangerous resistance. Firstly, her family shared a dislike of the Nazi regime. Both her brothers and father had been arrested for making critical comments. Her father said to the family: “What I want for you is to live in uprightness and freedom of spirit, no matter how difficult that proves to be,” (link) She lived in a family environment which encouraged opposition to Hitler. Sophie had a strong Christian faith and was motivated after hearing speeches by anti-Nazi pastors. She read two volumes of Cardinal John Henry Newman’s sermons which made a strong impression on Sophie, especially his sermon on the ‘theology of conscience.’ During her interrogation, she referred to this ideology as a defence. “I am, now as before, of the opinion that I did the best that I could do for my nation. I, therefore, do not regret my conduct and will bear the consequences that result from my conduct.” Official examination transcripts (February 1943); Bundesarchiv Berlin, ZC 13267, Bd. 3 Her boyfriend Fritz Hartnagel was on the Eastern Front; he reported to Sophie the dreadful conditions of war, the German failure at Stalingrad and also witnessing war crimes undertaken by German and SS forces. Reports of mass killings of Jews were also widely shared amongst members of the White Rose. This features in the second White Rose pamphlet. “Since the conquest of Poland 300,000 Jews have been murdered, a crime against human dignity…Germans encourage fascist criminals if no chord within them cries out at the sight of such deeds. An end in terror is preferable to terror without end.” Sophie Scholl and other members of the White Rose remain a potent symbol of how people can take a courageous action to resist, even the most brutal totalitarian regime. Citation: Pettinger, Tejvan. “Biography of Sophie Scholl”, Oxford, UK – www.biographyonline.net. Published 12th Aug 2014. Last updated 8th March 2017.

The Soundtrack of Heaven

The book of Revelation confuses many Christians. Filled with beasts, angels, living creatures, wars, lightning, thunder, prophecies, and visions, its story can be a bit overwhelming for any of us. Something like a Marvel movie on steroids. Not surprisingly, scholars differ widely on what it all means. Some try to tie it to actual people and events in history. Others assign most of Revelation to the future. Still others believe God is giving us repeated descriptions of what is taking place now in the church age. Wherever we land on the bigger picture, Revelation gives us a series of windows into reality that are both hard to miss and easier to understand: its songs. Woven into the fabric of the book are around a dozen choruses, both spoken and sung. That shouldn’t surprise us given how often in Scripture drawing near to God is expressed and encouraged through singing. But these songs of heaven are unique. They’re written by God himself, and they show us what singing in God’s presence will really be like. And we may be singing some form of these particular choruses forever. Even now, though, they have much to teach us. Songs of Exuberance Let’s admit it. The descriptions of the singing of heaven put the sound of any rock concert or sports stadium to shame, not to mention most churches. Myriads of myriads and thousands of thousands, saying with a loud voice . . . (Revelation 5:11–12) And I heard every creature in heaven and on earth and under the earth and in the sea . . . (Revelation 5:13) And all the angels . . . fell on their faces before the throne. (Revelation 7:11) Then I heard what seemed to be the voice of a great multitude, like the roar of many waters and like the sound of mighty peals of thunder . . . (Revelation 19:6) “The example of heaven challenges the assumption that congregational worship should be reserved and subdued.” Both audibly and visually, we’re confronted with the fact that those who truly grasp God’s nature and what he’s accomplished will be moved to sing. As Dennis Johnson writes, Revelation shows us that “those who dwell with God in heaven constantly break forth in song, overwhelmed with joy and adoration by his perfections in himself and by his awesome achievements in creation and redemption” (Triumph of the Lamb, 330). The example of heaven challenges the assumption that congregational worship should be reserved and subdued. While we cite proof texts, claim to honor tradition, and avoid looking too fanatical, might it be that we’re actually just failing to see how great God’s glory in Christ really is? Songs of Explanation Heaven’s songs give us insight into the character of God, the works of his hands, and why he does what he does. We don’t hear any of the simple, repetitious 7-11 songs (7 words repeated 11 times — or more!) that are so popular today. Rather, the lyrics shed real light on what’s happening in the world and in the heavenly throne room. ILLUMINATING HOLINESS For instance, at the beginning of Revelation 4, John is shown an open door in heaven. He paints a moving picture of what he sees and hears. A throne. An emerald-like rainbow. Flashes of lightning. Peals of thunder. But what does it all mean? Revelation 4:8 tells us: Holy, holy, holy, is the Lord God Almighty, who was and is and is to come! God is thrice holy — righteous, omnipotent, eternal, set apart. The song of verse 11 further explains that God created all things and sustains all things for his pleasure: Worthy are you, our Lord and God, to receive glory and honor and power, for you created all things, and by your will they existed and were created. (Revelation 4:11) UNFOLDING REDEMPTION At the beginning of chapter 5, John hears a new song, sung to the Lamb: Worthy are you to take the scroll and to open its seals, for you were slain, and by your blood you ransomed people for God from every tribe and language and people and nation, and you have made them a kingdom and priests to our God, and they shall reign on the earth. (Revelation 5:9–10) The Lamb could open the scroll because he was slain, a reference to his substitutionary death on the cross. His death ransomed people for God from every tribe, language, people, and nation, a reference to the international scope of the gospel invitation. The ransomed will be a kingdom and priests to God who will reign forever on earth, a statement showing that God’s promise to make Israel “a kingdom of priests and a holy nation” (Exodus 19:6) was fulfilled in the church, made up of both Jews and Gentiles. In short, despite the turmoil and tests of the present age, God will surely have a diverse people for his glory with whom he will live forever. After an outpouring of praise for the Lamb’s attributes (Revelation 5:12), we hear another song, declaring Jesus’s divinity as clearly as any passage in Scripture: “To him who sits on the throne and to the Lamb be blessing and honor and glory and might forever and ever!” (Revelation 5:13). In a similar way, our songs should be filled with the character, nature, purposes, actions, and heart of God. Words don’t get in the way of worship. They give substance and meaning to it. Songs of Encouragement When God gave John the prophecy of Revelation, Christians were already facing varying degrees of persecution, and it was expected to increase. Pressures to conform to a pagan culture, and even to participate in the idolatry of emperor worship, came at Christians from every direction. What would give John’s readers faith to endure and courage to stand against opposition? What would strengthen their resolve as they saw friends and family members taken from their homes and martyred for their allegiance to King Jesus? The knowledge that God’s throne is immovable, sovereign, and eternal. The saints needed to be reminded that, in the heavenly realms, God’s authority and rule are not only affirmed, but celebrated: The kingdom of the world has become the kingdom of our Lord and of his Christ. (Revelation 11:15) We give thanks to you, Lord God Almighty, who is and who was, for you have taken your great power and begun to reign. (Revelation 11:17) Hallelujah! Salvation and glory and power belong to our God, for his judgments are true and just; for he has judged the great prostitute who corrupted the earth with her immorality, and has avenged on her the blood of his servants. (Revelation 19:1–2) How often do our songs both detail the forces of evil arrayed against us and point us clearly to the God who has triumphed over them in Christ? David Peterson asks, Do our hymns and acclamations . . . challenge us to take a firm stand against every manifestation of Satan’s power and to bear faithful witness to the truth of the gospel in our society? It is not good enough to sing certain items merely because they make the congregation feel good! (Engaging with God, 278) “Words don’t get in the way of worship. They give substance and meaning to it.” When we sing together, our strength comes not from aiming to feel and emote, but to see and hear. We want to see God reigning on his throne with absolute justice, wisdom, and power over every terrorist, virus, dictator, and manifestation of evil in our day. And we want to hear and join in the cries of jubilation that are already ascending to the God who can do all things and whose purposes cannot be thwarted (Job 42:2). Songs of Expectation Endurance is one thing. Expectation is another. It’s possible to sing through dark seasons, discouraging outcomes, heart-wrenching losses, relentless opposition, and dwindling resources with grit, resolve, and stoicism. But that doesn’t describe the songs of heaven. Not even close. They’re marked by joy. And that joy stems from a confident expectation that God will accomplish everything he has promised. The final songs of Revelation describe God overcoming all evil, the nations bowing down in worship, and the bride of Christ finally beholding her groom, King Jesus, at a never-ending royal celebration of grace. All nations will come and worship you, for your righteous acts have been revealed. (Revelation 15:4) Hallelujah! For the Lord our God the Almighty reigns. Let us rejoice and exult and give him the glory, for the marriage of the Lamb has come, and his Bride has made herself ready; it was granted her to clothe herself with fine linen, bright and pure. (Revelation 19:6–8) Do our songs help people clearly understand that what’s yet to come is not only certain but worth celebrating now? Do we fill them with anticipation for our glorious future in Christ, when “all the waiting will be over, every sorrow will be healed, all the dreams it seemed could never be will all be real”? Our songs help bring into sharper focus the things hoped for and unseen that God has promised to us. Transformed Through Singing Will our earthly songs look and sound exactly like the songs of heaven? No. But can the songs of heaven motivate us to sing with greater passion, understanding, confidence, and anticipation now? Absolutely. G.K. Beale writes, Is it possible . . . that, as we declared the same truths about God as the heavenly beings do, the same Holy Spirit who is pictured as being before the throne would deepen and transform our understanding of God and his glory in a way that touches our whole being, in its spiritual, intellectual, emotional, and even physical components? (Revelation: A Shorter Commentary, 108) It’s not only possible. It’s God’s intention. So, may we joyfully model our singing after the songs of heaven until, by the grace of God, they are no longer just a worthy goal, but the sound of present reality. Article by Bob Kauflin

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