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About the Book


"Paid in Full" by Rick Renner is a book that explores the concept of redemption through the lens of biblical teachings. Renner discusses how Jesus paid the ultimate price for humanity's sins and how this sacrifice allows believers to experience freedom, forgiveness, and a restored relationship with God. The book emphasizes the importance of understanding and accepting this gift of salvation in order to live a fulfilling and abundant life.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

The Power of a Praying Mother

If you follow the greatest men of God back to their beginnings, you will often find yourself in a hidden closet or lonely pew, where a mother kneels to pray. Look behind Augustine, and you will find Monica. Look behind Spurgeon, and you will find Eliza. Look behind Hudson Taylor, and you will find Amelia. And look at each of these mothers, and you will find earnest prayer. Those who know their Bibles should hardly be surprised. Like the star the wise men saw, the stories of God’s redemptive movements often lead us to a home where a woman, hidden from the great ones of the earth, caresses a heel that will one day crush a serpent. In the prayers of a mother, awakenings are born and peoples won, idols are toppled and devils undone, dry bones are raised and prodigals rescued. Again and again, before God laid his hand on a man, he laid it on his mother. Mother of the Kingdom “The dawn of the great new movements of God repeatedly occurs in women’s spaces,” Alastair Roberts writes. The word repeatedly is right. Over and again, redemptive history turns on a flawed but faithful mother bearing a son: Sarah and Isaac, Rebekah and Jacob, Rachel and Joseph, Ruth and Obed, Elizabeth and John, Eunice and Timothy — and, of course, Mary and Jesus. Among all these stories, however, one in particular illustrates the power of a praying mother. The books of 1 and 2 Samuel tell the story of how God turned Israel into a kingdom — how he sought “a man after his own heart” (1 Samuel 13:14) to sit on the throne and begin a royal line that one day would run to Jesus (2 Samuel 7:13–14). But where does this story of a king and a kingdom begin? With one infertile woman, pleading for a son. [Elkanah] had two wives. The name of the one was Hannah, and the name of the other, Peninnah. And Peninnah had children, but Hannah had no children. (1 Samuel 1:2) “If you follow the greatest men of God back to their beginnings, you will often find a mother kneeling to pray.” A barren woman and a fruitful rival: we’ve been here before (Genesis 16:1–6; 30:1–8). The stage is set for God to make a name for himself through a miraculous birth. And prayer will be his appointed means. Hannah’s Prayer Like Hagar before her, Peninnah can’t help pointing the finger at Hannah’s empty womb: “[Hannah’s] rival used to provoke her grievously to irritate her, because the Lord had closed her womb. So it went on year by year” (1 Samuel 1:6–7). But unlike Sarah before her, Hannah turns to God instead of turning against Peninnah. Listen to the simple prayer of a suffering woman, longing for an open womb: O Lord of hosts, if you will indeed look on the affliction of your servant and remember me and not forget your servant, but will give to your servant a son, then I will give him to the Lord all the days of his life, and no razor shall touch his head. (1 Samuel 1:11) We know the rest of the story. The Lord would hear Hannah and give her a son. And her son, Samuel, would establish Israel’s kingdom (1 Samuel 16:10–13), inaugurate the nation’s prophetic line (Acts 3:24; 13:20), and gain a standing beside Moses as a mediator of God’s people (Jeremiah 15:1). Through prayer, Hannah’s once-barren womb bore a son to rescue Israel. What might mothers learn from Hannah’s prayer today? 1. Anguish can be a good teacher. Years of infertility, joined with Peninnah’s mockery, had finally broken the dam of Hannah’s sorrow. The pain of hope deferred flooded her heart, and the flood could not be hidden. “Hannah wept and would not eat. . . . She was deeply distressed” (1 Samuel 1:7, 10). Yet, as so often happens, Hannah’s tears became a trail that led her to her knees. “After they had eaten and drunk in Shiloh, Hannah rose . . . and prayed to the Lord and wept bitterly” (1 Samuel 1:9–10). We don’t know what Hannah’s prayer life was like before this moment. But here, at least, anguish became her best teacher. In a world as broken as ours, anguish hems a mother in, behind and before. Some, like Hannah, feel the peculiar agony of wished-for motherhood. Others, the pain of pregnancy and childbirth itself. And still others, the sorrow of a child who has not yet been born again. What Augustine once said of his mother holds true for many: She wept and wailed, and these cries of pain revealed what there was left of Eve in her, as in anguish she sought the son whom in anguish she had brought to birth. (Confessions, 5.8.15) “Anguish often leads a mother to a prayer God longs to answer.” Anguish, we know, may tempt a mother toward bitterness, as it did both Sarah and Rachel for a time (Genesis 16:5–6; 30:1). But here, Hannah reveals a surprising truth: anguish often leads a mother to a prayer God longs to answer. 2. God delights in open hands. Two words in Hannah’s prayer rise to the surface through repetition: Lord (twice) and its counterpart, servant (three times). In her anguish, she does not forget that God is her Lord, high and wise above her, nor that she is his servant, bound to do his will. The famous words of Mary over a millennium later — “Behold, I am the servant of the Lord” (Luke 1:38) — are an echo of Hannah’s. Hannah’s open hands also appear in her remarkable vow: “If you will . . . give to your servant a son, then I will give him to the Lord all the days of his life, and no razor shall touch his head” (1 Samuel 1:11). Her promise not to cut her son’s hair refers to the Nazirite vow, by which a person’s life was devoted entirely to God (Numbers 6:1–5). Hannah says, in others words, “Give me a son, and I will give him back to you — heart and soul, body and mind, all the days of his life.” In response, God gives her a son to return to God. We should hesitate, of course, before drawing a straight line between a mother’s heart and how God answers her prayers. Some mothers pray with Hannah-like surrender, and still their wombs stay empty, or their children keep walking to the far country. Hannah’s story does teach us, however, that God loves to put gifts in open hands. He delights when a mother, welling up with maternal affection, wells up still more with desire for Christ and his kingdom. In Hannah’s case, her openhanded motherhood allowed Samuel to spend his days at the temple, where, the narrator tells us, “he worshiped the Lord” (1 Samuel 1:28). May God be pleased to do the same for many mothers’ sons. 3. A mother’s prayers can shake the world. The anguished prayer of 1 Samuel 1:11 is not the only prayer we hear from Hannah. When she brings her freshly weaned son to the temple, she prays again, this time soaring with praise (1 Samuel 2:1–10). And as we listen, we quickly realize that the story of Hannah and Samuel reaches far beyond the four walls of a happy home. Consider just her final words, which offer a fitting ending to a massive prayer: The adversaries of the Lord shall be broken to pieces; against them he will thunder in heaven. The Lord will judge the ends of the earth; he will give strength to his king and exalt the power of his anointed. (1 Samuel 2:10) Hannah, carried along by the Spirit, finds herself caught up in something far greater than her own domestic hopes: under God, her son would deliver Israel from its oppressors and establish a kingdom that one day would cover the earth. Hannah had simply prayed for a son — but in return, God answered far bigger than she asked. And so he still does. Eliza Spurgeon and Amelia Taylor prayed for saved sons, scarcely imagining that God would give a preacher to the masses and a missionary to the nations. And though not every son is a Samuel, or a Spurgeon, or a Taylor, who knows what lovers of orphans, or pastors of churches, or seekers of justice, or fathers of lost ones God is right now raising up through a faithful mother on her knees? With a God like ours, we can dare to dream — and pray. Mother for Every Mother The weeping, anxious Hannah of 1 Samuel 1 is not a woman out of a mother’s reach. She was not a well-known woman. She was not a put-together woman. So far as we know, she was not a particularly strong woman. But she was a praying woman. And through her prayers, God showed his great power. The God who crushed the serpent’s head by the woman’s offspring has more victories to win. Jesus dealt the deathblow, the blow no other son could give. But more of the devil’s kingdom needs crushing. And if we look behind the men who lift their heels, we will often find a mother like Hannah: anguished yet openhanded, praying for her boy. Article by Scott Hubbard

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