The Words Of Jesus: A Gospel Of The Sayings Of Our Lord With Reflections Order Printed Copy
- Author: Phyllis Tickle
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About the Book
"The Words of Jesus" is a compilation of the sayings of Jesus from the Gospels, accompanied by reflections and insights from author Phyllis Tickle. The book serves as a guide to understanding and internalizing the teachings of Jesus, offering readers a deeper connection to their faith and a closer relationship with God.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
Mastery Clothed in Humility: The Extraordinary Life of John Ryland
John Ryland (1753–1825) published his first book at age 12 — an accomplishment not nearly as impressive as the fact that he had learned to read Hebrew by age 4, had translated the entire Greek New Testament at 8, and was proficient in Latin and French by 11. By any account, his life was astonishingly productive. Ryland pastored two of the most prominent Baptist churches in England, served as a college president and professor, mobilized Dissenting Christians to the cause of abolition with MP William Wilberforce (1759–1833), and founded two missions societies (the Baptist Missionary Society and the interdenominational London Missionary Society) — all before his fortieth birthday. Between his missions advocacy, his passion for theological training, his love for the exposition of Scripture, his zeal for church planting and strengthening, and the invitations from students he shaped at Bristol Academy, Ryland preached no fewer than 8,691 sermons in 286 different locations. Perhaps of greatest consequence, long after his death, Ryland’s family spoke of his unimpeachable integrity and his tender and attentive presence as a husband and father. Yet despite his industrious and tireless efforts, Ryland never ascended to the star status of others in his orbit — George Whitefield (1714–1770), John Wesley (1703–1791) and his brother Charles (1707–1788), Andrew Fuller (1754–1815), or William Carey (1761–1834). In all likelihood, you’ve never heard of him. Ryland, most likely, would have had it so. Auspicious Beginnings It didn’t start out that way, however. Intellectually gifted and curious by nature, Ryland was decidedly on the path to celebrity from his youth. His father, J.C. (1723–1792), an eccentric but personable man, made use of his wide network of prominent friends to fan his son’s talents to public flame. As a child, Ryland’s home was host to Whitefield, John Wesley, inimitable theologian John Gill (1697–1771), and all manner of prominent pastors and thinkers. The elder Ryland, himself an author of seventeen books and numerous articles, was eager to see John ascend to a status and usefulness he himself was never quite able to achieve. So, in 1767, J.C.’s ambition to get his preteen son’s work into print came to fruition. The book, a collection of poems, was the first of five volumes to be published over as many years. The poetry itself is lackluster, but Ryland’s remarkable intellect and profound grasp of the Scriptures shine through. Given John’s talents and formation, though, perhaps it is no surprise that an inordinate pride lurked not far from the surface as well. Spared by Amazing Grace Mercifully, Ryland was spared cataclysm through the kindness of a forthright friend nearly thirty years his senior — a former slave-ship captain turned Anglican pastor named John Newton (1725–1807). Many years before, the young sailor’s detestable ways and arrogant mockery of Christianity had been dramatically upended. Left behind by his ship and crew in West Africa, Newton was himself enslaved and spent three years in bondage, sickness, and poverty. As Newton later recounted, this profound humiliation ultimately delivered him from his arrogance and softened the ground for his conversion. “In all likelihood, you’ve never heard of John Ryland. He, most likely, would have had it so.” Perhaps it was the stark deliverance from a life of high-handed sin that forged Newton’s deep suspicion of pride. Perhaps it was the rescue from slavery or deliverance from near-shipwreck on the open sea. Whatever the cause, Newton was seized by the profound grace of redemption in Christ and struck by the humility that permeated Jesus’s mission and ministry. He marveled over the profound self-humbling of Jesus — that the One worthy of all glory “came not to be served but to serve, and to give his life as a ransom for many” (Mark 10:45). On account of this, humility became the predominate characteristic of his life, and Newton sought every opportunity to cultivate it in the life of fellow Christians. “Above all things,” Newton wrote, “we should pray for humility. It may be called both the guard of all other graces, and the soil in which they grow” (The Works of John Newton, 694). Humility and love, he argued, “are the highest attainments in the school of Christ, and the brightest evidences that he is indeed our Master” (62). Gracious Rebuke In April of 1771, Newton grew concerned about Ryland after several of the teenager’s essays were published in The Gospel Magazine, along with a glowing commendation from the magazine’s editors. Newton wrote that, contrary to appearance, the editors had harmed John by fueling the temptation of pride. “I love you as well and wish you success,” Newton wrote, “but durst not have addressed you in their words, if I had thought ever so highly of your [work].” “As a real friend,” he continued, “I shall mix my approbation with a gentle censure of some things that I wish had been otherwise.” Newton assured his young friend that, with humility, he would have “considerable usefulness” for gospel ministry, and he took direct aim at what threatened to wreck it before it began. You say, “I have aimed to displease the Arminians.” I had rather you had aimed to be useful to them, than to displease them. There are many Arminians who are so only for want of clearer light. . . . Now, these should not be displeased by our endeavoring to declare truth in the terms most offensive to them which we can find, but rather we should seek out the softest and most winning way of encountering their prejudices. . . . You will perhaps say, “An humble Arminian! Surely that is impossible.” I believe that it is not more impossible to find a humble Arminian than a proud and self-sufficient Calvinist. The doctrines of grace are humbling, that is in their power and experience, but a man may hold them all in notion, and be very proud. He certainly is so, if he thinks his assenting to them is a proof to his humility and despises others as proud and ignorant in comparison with himself. (John Newton’s Letters to John Ryland, 15) “Extraordinarily gifted people often collapse under the weight of unchecked hubris. Pride is the fault in our stars.” Two centuries before someone aptly coined the term “cage-stage Calvinist,” such men existed in the world — and young Ryland was one. Newton identifies the unique species of pride that too frequently blinds heirs of the Reformed faith. The gracious nature of God’s unshakable call in election, the irresistible reality of Spirit-transformed affections, the efficacy of Christ’s atoning work to justify all whom he calls, the constancy of God’s preserving grace in the life of faith, should result in profound humility. Yet, as Newton saw in Ryland, sometimes those who see truth most clearly are the most susceptible to blinding pride. Freed from Celebrity Selfish ambition has a way of disordering that which ought to make us humble (James 3:16). But seeing all that we have and all that we are in Christ frees us from clamoring for significance in the eyes of others. When we see the joy to be found in magnifying Christ, we can say with the apostle, “I must decrease” (John 3:30). “I hope your soul prospers,” Newton wrote Ryland, “that is, I hope you are less and less in your own eyes and that your heart is more and more impressed with a sense of the glory and grace of our Lord. . . . Your comfort and success eminently depend upon your being humble, and if the Lord loves you and has sent you, he will find ways and means to humble you” (Letters, 16). Newton’s letter — gracious, yet direct — had profound impact. Renewed in his identity in Christ, Ryland was freed from the need for celebrity. He immediately softened the tone of his essays and sent them for reprinting. It would be the last thing he published for eight years — despite the fact that his pastoral ministry during this period was substantial (he preached 217 times in 1776 alone). Ryland was so concerned that his youthful arrogance not be imitated by others that, near the end of his life, he even asked his family to destroy anything he had written (but held back from publication) before the age of 30. Even when he returned to print in 1780, it was a single sermon issued at the request of fellow pastors in his region addressing — fittingly — God’s gracious purposes in overcoming human pride. Clothed with Humility Apart from his conversion, Ryland’s early lesson in humility was the most significant turning point in his life. Writing to his dear friend and fellow minister, John Sutcliff, Ryland confessed, “You complain of self and pride; I join you in the complaint.” He had learned by experience what he youthfully penned in one of his earlier essays: T’ exalt the great Creator, and abase the haughtiness of man’s polluted race. His gentle and humble ministry would become a striking contrast to the outspoken and unrestrained character of his father’s (and many others of his era). Robert Hall, Ryland’s successor at Broadmead Baptist Church, noted that Ryland’s “disposition to conceal his attainments was nearly as strong as that of some men to display them.” “His mental opulence,” Hall continued, “was much greater than his modesty would permit him to reveal” (Works of Robert Hall, 5:404). Despite Ryland’s impressive administrative, prophetic, literary, and theological mastery, “his religion appeared in its fruits; in gentleness, humility, and benevolence; in a steady, conscientious performance of every duty; and a careful abstinence from every appearance of evil.” Humility was “the most remarkable feature of his character,” Hall wrote, “and he might most truly be said, in the language of Scripture, to be clothed with it” (Works of Robert Hall, 5:392). State of Christian Celebrity History is replete with the stories of gifted men and women whose meteoric ascent to celebrity was followed by an equally dramatic humiliation. In nearly every instance, extraordinarily gifted people collapse under the weight of their own unchecked hubris. Pride is the fault in our stars. “Celebrity is ordinary — anybody can be famous. A lifetime of humble faithfulness is truly extraordinary.” As much as we might hope it weren’t the case, this is just as true in Reformed evangelicalism. One need not look far to see many of our stars’ long fall back to earth. The history of American evangelicalism and the powerful influence of popular culture have cultivated a troubling comfort with Christian celebrity. Additionally, contemporary theological education (and much discipleship) tends to emphasize knowledge acquisition over character formation. Thus, it should not be surprising that we tend to cultivate leaders with big heads and hollow chests. That’s why Ryland’s story is so timely. Newton’s gentle correction helped Ryland check selfish ambition and cultivate gospel-centered humility. Ryland experienced the freedom of not needing to be known — a freedom that fueled a remarkably productive and faithful life. There is nothing essentially wrong with celebrity. Perhaps, in some cases, it may be unavoidable. But celebrity is ordinary — anybody can be famous. A lifetime of humble faithfulness, like the life of John Ryland, is truly extraordinary. Article by Ryan Griffith