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About the Book
"The Tree And Your Ministry" by Dag Heward-Mills explores the concept of ministry through the analogy of a tree, highlighting the importance of growth, maturity, and bearing fruit in one's spiritual journey. The book encourages readers to reflect on their own ministry and personal growth, offering insights and practical advice for effective and impactful service in the kingdom of God.
Isaac Watts
"Joy to the world, the Lord is come / Let earth receive her King / Let every heart, prepare him room / And heaven and nature sing."
In his later years, Isaac Watts once complained about hymn singing in church: "To see the dull indifference, the negligent and thoughtless air that sits upon the faces of a whole assembly, while the psalm is upon their lips, might even tempt a charitable observer to suspect the fervency of their inward religion."
He had been bemoaning such since his late teens. His father, tired of his complaints, challenged him to write something better. The following week, the adolescent Isaac presented his first hymn to the church, "Behold the Glories of the Lamb," which received an enthusiastic response. The career of the "Father of English Hymnody" had begun.
Head of a genius
At Isaac's birth in 1674, his father was in prison for his Nonconformist sympathies (that is, he would not embrace the established Church of England). His father was eventually freed (and fathered seven more children), but Isaac respected his courage and remembered his mother's tales of nursing her children on the jail steps.
Young Isaac showed genius early. He was learning Latin by age 4, Greek at 9, French (which he took up to converse with his refugee neighbors) at 11, and Hebrew at 13. Several wealthy townspeople offered to pay for his university education at Oxford or Cambridge, which would have led him into Anglican ministry. Isaac refused and at 16 went to London to study at a leading Nonconformist academy. Upon graduation, he spent five years as a private tutor.
His illness and unsightly appearance took its toll on his personal life. His five-foot, pale, skinny frame was topped by a disproportionately oversized head. Almost every portrait of him depicts him in a large gown with large foldsāan apparent attempt by the artists to disguise his homeliness. This was probably the reason for Elizabeth Singer's rejection of his marriage proposal. As one biographer noted, "Though she loved the jewel, she could not admire the casket [case] which contained it."
Though German Lutherans had been singing hymns for 100 years, John Calvin had urged his followers to sing only metrical psalms; English Protestants had followed Calvin's lead.
Watts's 1707 publication of Hymns and Spiritual Songs technically wasn't a collection of hymns or metrical psalms, but it was a collection of consequence. In fact, it contained what would become some of the most popular English hymns of all time, such as "When I Survey the Wondrous Cross."
Watts didn't reject metrical psalms; he simply wanted to see them more impassioned. "They ought to be translated in such a manner as we have reason to believe David would have composed them if he had lived in our day," he wrote. Psalms of David Imitated in the Language of the New Testament followed in 1719.
Many of his English colleagues couldn't recognize these translations. How could "Joy to the World" really be Psalm 98? Or "Jesus Shall Reign Where'er the Sun" be Psalm 72>, or "O God Our Help in Ages Past" be Psalm 90?
Watts was unapologetic, arguing that he deliberately omitted several psalms and large parts of others, keeping portions "as might easily and naturally be accommodated to the various occasions of Christian life, or at least might afford us some beautiful allusions to Christian affairs." Furthermore, where the psalmist fought with personal enemies, Watts turned the biblical invective against spiritual adversaries: sin, Satan, and temptation. Finally, he said, "Where the flights of his faith and love are sublime, I have often sunk the expressions within the reach of an ordinary Christian."
Such looseness brought criticism. "Christian congregations have shut out divinely inspired psalms and taken in Watts's flights of fancy," protested one detractor. Others dubbed the new songs "Watts's whims."
But after church splits, pastor firings, and other arguments, Watts's paraphrases won out. "He was the first who taught the Dissenters to write and speak like other men, by showing them that elegance might consist with piety," wrote the famed lexicographer (and Watts's contemporary) Samuel Johnson.
More than a poet, however, Watts was also a scholar of wide reputation, especially in his later years. He wrote nearly 30 theological treatises; essays on psychology, astronomy, and philosophy; three volumes of sermons; the first children's hymnal; and a textbook on logic that served as a standard work on the subject for generations.
But his poetry remains his lasting legacy and earned him acclaim on both sides of the Atlantic. Benjamin Franklin published his hymnal, Cotton Mather maintained a long correspondence, and John Wesley acknowledged him as a geniusāthough Watts maintained that Charles Wesley's "Wrestling Jacob" was worth all of his own hymns.
the majesty of god mastered him: john calvin
In 1538, the Italian Cardinal Sadolet wrote to the leaders of Geneva trying to win them back to the Roman Catholic Church after they had turned to the Reformed teachings. John Calvinās response to Sadolet uncovers the root of Calvinās quarrel with Rome that would determine his whole life. Hereās what Calvin wrote to the cardinal: ā[Your] zeal for heavenly life [is] a zeal which keeps a man entirely devoted to himself, and does not, even by one expression, arouse him toĀ sanctify the name of God ā ( John Calvin: Selections from His Writings , 89). The issue for Calvin was not, ļ¬rst, the well-known sticking points of the Reformation: justiļ¬cation, priestly abuses, transubstantiation, prayers to saints, and papal authority. All those would come in for discussion. But beneath all of them, the fundamental issue for Calvin, from the beginning to the end of his life, was the issue of the centrality and supremacy and majesty of the glory of God. Calvin goes on and says to Sadolet that what he should do ā and what Calvin aims to do with all his life ā is āset before [man], as the prime motive of his existence,Ā zeal to illustrate the glory of God ā ( Selections , 89). This would be a ļ¬tting banner over all of John Calvinās life and work āĀ zeal to illustrate the glory of God . The essential meaning of Calvinās life and preaching is that he recovered and embodied a passion for the absolute reality and majesty of God. Captive to Glory What happened to John Calvin to make him a man so mastered by the majesty of God? And what kind of ministry did this produce in his life? He was born July 10, 1509, in Noyon, France, when Martin Luther was 25 years old and had just begun to teach the Bible in Wittenberg. When he was 14, his father sent him to study theology at the University of Paris, which at that time was untouched by the Reformation and steeped in Medieval theology. But ļ¬ve years later (when Calvin was 19), his father ran afoul of the church and told his son to leave theology and study law, which he did for the next three years at Orleans and Bourges. His father died in May of 1531, when Calvin was 21. Calvin felt free then to turn from law to his ļ¬rst love, which had become the classics. He published his first book, a commentary on Seneca, in 1532, at the age of 23. But sometime during these years he was coming into contact with the message and the spirit of the Reformation, and by 1533 something dramatic had happened in his life. Calvin recounts, seven years later, how his conversion came about. He describes how he had been struggling to live out the Catholic faith with zeal when I at length perceived, as if light had broken in upon me, in what a sty of error I had wallowed, and how much pollution and impurity I had thereby contracted. Being exceedingly alarmed at the misery into which I had fallen . . . as in duty bound, [I] made it my ļ¬rst business to betake myself to thy way [O God], condemning my past life, not without groans and tears. God, by a sudden conversion, subdued and brought my mind to a teachable frame. . . . Having thus received some taste and knowledge of true godliness, I was immediately inļ¬amed with [an] intense desire to make progress. ( Selections , 26) What was the foundation of Calvinās faith that yielded a life devoted utterly to displaying the glory and majesty of God? The answer seems to be that Calvin suddenly, as he says, saw and tasted in Scripture the majesty of God. And in that moment, both God and the word of God were so powerfully and unquestionably authenticated to his soul that he became the loving servant of God and his word the rest of his life. Henceforth he would be a man utterly devoted to displaying the majesty of God by the exposition of the word of God. Compelled to Geneva What form would that ministry take? Calvin knew what he wanted. He wanted the enjoyment of literary ease so he could promote the Reformed faith as a literary scholar. That is what he thought he was cut out for by nature. But God had radically different plans. In 1536, Calvin left France, taking his brother Antoine and sister Marie with him. He intended to go to Strasbourg and devote himself to a life of peaceful literary production. But one night, as Calvin stayed in Geneva, William Farel, the ļ¬ery leader of the Reformation in that city, found out he was there and sought him out. It was a meeting that changed the course of history, not just for Geneva, but for the world. Calvin tells us what happened in his preface to his commentary on Psalms: Farel, who burned with an extraordinary zeal to advance the gospel, immediately learned that my heart was set upon devoting myself to private studies, for which I wished to keep myself free from other pursuits, and ļ¬nding that he gained nothing by entreaties, he proceeded to utter an imprecation that God would curse my retirement, and the tranquillity of the studies which I sought, if I should withdraw and refuse to give assistance, when the necessity was so urgent. By this imprecation I was so stricken with terror, that I desisted from the journey which I had undertaken. ( Selections , 28) The course of his life was irrevocably changed. Not just geographically, but vocationally. Never again would Calvin work in what he called the ātranquillity of . . . studies.ā From now on, every page of the 48 volumes of books and tracts and sermons and commentaries and letters that he wrote would be hammered out on the anvil of pastoral responsibility. Unrelenting Exposition Once in Geneva, what kind of ministry did his commitment to the majesty of God produce? Part of the answer is that it produced a ministry of incredible steadfastness ā a ministry, to use Calvinās own description of faithful ministers of the word, of āinvincible constancyā ( Sermons from Job , 245). But that is only half the answer. The constancy had a focus: the unrelenting exposition of the word of God. Calvin had seen the majesty of God in the Scriptures. This persuaded him that the Scriptures were the very word of God. He said, āWe owe to the Scripture the same reverence which we owe to God, because it has proceeded from Him alone, and has nothing of man mixed with itā ( John Calvin: A Collection of Distinguished Essays , 162). His own experience had taught him that āthe highest proof of Scripture derives in general from the fact that God in person speaks in itā ( Institutes of the Christian Religion , 1.7.4). These truths led to an inevitable conclusion for Calvin. Since the Scriptures are the very voice of God, and since they are therefore self-authenticating in revealing the majesty of God, and since the majesty and glory of God are the reason for all existence, it follows that Calvinās life would be marked by āinvincible constancyā in the exposition of Scripture. He wrote tracts, he wrote the greatĀ Institutes , he wrote commentaries (on all the New Testament books except Revelation, plus the Pentateuch, Psalms, Isaiah, Jeremiah, and Joshua), he gave biblical lectures (many of which were published as virtual commentaries), and he preached ten sermons every two weeks. ButĀ all Ā of it was exposition of Scripture. In his last will and testament, he said, āI have endeavored, both in my sermons and also in my writings and commentaries, to preach the Word purely and chastely, and faithfully to interpret His sacred Scripturesā ( Selections , 35). This was the ministry unleashed by seeing the majesty of God in Scripture. The Scriptures were absolutely central because they were absolutely the word of God and had as their self-authenticating theme the majesty and glory of God. But out of all these labors of exposition, preaching was supreme. Godās Voice in Every Verse Calvinās preaching was of one kind from beginning to end: he preached steadily through book after book of the Bible. He never wavered from this approach to preaching for almost 25 years of ministry in St. Peterās church of Geneva ā with the exception of a few high festivals and special occasions. āOn Sunday he took always the New Testament, except for a few Psalms on Sunday afternoons. During the week . . . it was always the Old Testament.ā To give you some idea of the scope of Calvinās pulpit, he began his series on the book of Acts on August 25, 1549, and ended it in March 1554. After Acts he went on to the Epistles to the Thessalonians (46 sermons), Corinthians (186 sermons), the Pastoral Epistles (86 sermons), Galatians (43 sermons), Ephesians (48 sermons) ā until May 1558. Then there is a gap when he was ill. In the spring of 1559, he began the Harmony of the Gospels and was not ļ¬nished when he died in May 1564. On the weekdays during that season he preached 159 sermons on Job, 200 on Deuteronomy, 353 on Isaiah, 123 on Genesis, and so on. One of the clearest illustrations that this was a self-conscious choice on Calvinās part was the fact that on Easter Day, 1538, after preaching, he left the pulpit of St. Peterās, banished by the City Council. He returned in September 1541, over three years later, and picked up the exposition in the next verse. Divine Majesty of the Word Why this remarkable commitment to the centrality of sequential expository preaching? Three reasons are just as valid today as they were in the sixteenth century. First, Calvin believed that the word of God was a lamp that had been taken away from the churches. He said in his own personal testimony, āThy word, which ought to have shone on all thy people like a lamp, was taken away, or at least suppressed as to us.ā Calvin reckoned that the continuous exposition of books of the Bible was the best way to overcome the āfearful abandonment of [Godās] Wordā ( Selections , 115). Second, biographer T.H.L. Parker says that Calvin had a horror of those who preached their own ideas in the pulpit. He said, āWhen we enter the pulpit, it is not so that we may bring our own dreams and fancies with usā ( Portrait of Calvin , 83). He believed that by expounding the Scriptures as a whole, he would be forced to deal with all that God wanted to say, not just whatĀ he Ā might want to say. Third, he believed with all his heart that the word of God was indeed the word ofĀ God , and that all of it was inspired and proļ¬table and radiant with the light of the glory of God. In Sermon number 61 on Deuteronomy, he challenged pastors of his day and ours: Let the pastors boldly dare all thingsĀ by the word of God . . . . Let them constrain all the power, glory, and excellence of the world to give place to and to obey the divineĀ majesty of this word . Let them enjoin everyone by it, from the highest to the lowest. Let them edify the body of Christ. Let them devastate Satanās reign. Let them pasture the sheep, kill the wolves, instruct and exhort the rebellious. Let them bind and loose thunder and lightning, if necessary,Ā but let them do all according to the word of God . ( Sermons on the Epistle to the Ephesians , xii) The key phrase here is āthe divine majesty of this word.ā This was always the root issue for Calvin. How might he best show forth for all of Geneva and all of Europe and all of history the majesty of God? He answered with a life of continuous expository preaching. This is why preaching remains a central event in the life of the church five hundred years after Calvin. If God is the great, absolute, sovereign, mysterious, all-glorious God of majesty whom Calvin saw in Scripture, there will always be preaching, because the more this God is known and the more this God is central, the more we will feel that he must not just be analyzed and explained ā he must be acclaimed and heralded and magniļ¬ed with expository exultation.