Others like the possibilities of prayer Features >>
The Life Of Prayer
The Power Of Persistent Prayer
The Circle Maker. Dream Big. Pray Hard. Think Long
The Greatest Power In The World
The Essentials Of Prayer
The Power Of A Praying Life
The Fire Of Delayed Answers
The Lost Art Of Intercession
The Hidden Power Of Prayer And Fasting
The Power Of Simple Prayer
About the Book
"The Possibilities of Prayer" by E. M. Bounds explores the power and importance of prayer in a Christian's life. Bounds emphasizes the limitless potential of prayer and the transformative impact it can have on individuals and communities. Through examples, anecdotes, and biblical teachings, the book encourages readers to deepen their prayer life and experience the miraculous results that can come from faithful and earnest prayer.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
Time Alone for God
“All of humanity’s problems stem from man’s inability to sit quietly in a room alone.” —Blaise Pascal (1623–1662) It’s a sweeping claim, but it might just be the kind of overstatement we need today to be awakened from our relentless stream of distractions and diversions. How hauntingly true might it be, that we are unable to sit quietly? Four hundred years after Pascal, life may be as hurried and anxious as it has ever been. The competition for our attention is ruthless. We not only hear one distracting Siren call after another, but an endless cacophony of voices barrages us all at once. And yet, long before Pascal, Jesus himself modeled for us the very kind of habits and rhythms of life we need in any age. Even as God in human flesh, he prioritized time alone with his Father. Imagine what “good” he might otherwise have done with all those hours. But he chose again and again, in perfect wisdom and love, to give his first and best moments to seeking his Father’s face. And if Jesus, even Jesus, carved out such space in the demands of his human life, shouldn’t we all the more? “How many of us have the presence of mind, and heart, to discern and prioritize prayer as Jesus did?” We may have but glimpses of Jesus’s habits and personal spiritual practices in the Gospels, but what we do have is by no accident, and it is not scant. We know exactly what God means for us to know, in just the right detail — and we have far more about Jesus’s personal spiritual rhythms than we do about anyone else in Scripture. And the picture we have of Christ’s habits is not one that is foreign to our world and lives and experience. Rather, we find timeless and transcultural postures that can be replicated, and easily applied, by any follower of Jesus, anywhere in the world, at any time in history. Retreat and Reenter For two thousand years, the teachings of Christ have called his people into rhythms of retreating from the world and entering into it. The healthy Christian life is neither wholly solitary nor wholly communal. We withdraw, like Jesus, to “a desolate place” to commune with God (Mark 1:35), and then return to the bustle of daily tasks and the needs of others. We carve out a season for spiritual respite, in some momentarily sacred space, to feed our souls, enjoying God there in the stillness. Then we enter back in, as light and bread, to a hungry, harassed, and helpless world (Matthew 9:36). Quiet Times Without a Bible Before rehearsing Jesus’s patterns in retreating for prayer and then reentering for ministry, we should observe the place of Scripture in his life. Jesus did not have his own personal material copy of the Bible, like almost all of us do today. He heard what was read aloud in the synagogue, and what his mother sang, and he rehearsed what he had put to memory. And yet throughout his recorded ministry, we see evidence of a man utterly captivated by what is written in the text of Scripture. And like Christ, we will do well to make God’s own words, in the Bible, to be the leading edge of our own seeking to draw near to him. At the very outset of his public ministry, Jesus retreated to the wilderness, and there, in the culminating temptations before the devil himself, he leaned on what is written (Matthew 4:4, 6–7, 10; Luke 4:4, 8, 10). Then returning from the wilderness, to his hometown of Nazareth, he stood up to read, took the scroll of Isaiah (61:1–2), and announced, “Today this Scripture has been fulfilled in your hearing” (Luke 4:21). Jesus identified John the Baptist as “he of whom it is written” (Matthew 11:10; Luke 7:27), and he cleared the temple of moneychangers on the grounds of what is written in Isaiah 56:7 (Matthew 21:13; Mark 11:17; Luke 19:46). He rebuked the proud by quoting Scripture (Mark 7:6; Luke 20:17). At every step of the way to Calvary, over and over again, he knew everything would happen “as it is written” (see especially the Gospel of John, 6:31, 45; 8:17; 10:34; 12:14, 16; 15:25). “The Son of Man goes as it is written of him” (Mark 14:21), he said. “See, we are going up to Jerusalem, and everything that is written about the Son of Man by the prophets will be accomplished” (Luke 18:31). “Solitude is an opportunity to open up our lives and souls to him for whom we were made.” Even though Jesus didn’t have his own Bible to page through in his quiet times, let there be no confusion about the central place of God’s written word in his life. He lived by what was written. What an amazing opportunity we now have today, with Old and New Testaments in paper and ink (and with us, everywhere we go, on our phones), to daily give ourselves to the word of God. How Often He Withdrew For Christ, “the wilderness” or “desolate place” often became his momentarily sacred space. He regularly escaped the noise and frenzy of society to be alone with his Father, where he could give him his full attention. After “his fame spread everywhere” (Mark 1:28), and “the whole city was gathered together at the door” (Mark 1:33), Jesus took a remarkable step. He slipped away the following morning to restore his soul in “secret converse” with his Father: Rising very early in the morning, while it was still dark, he departed and went out to a desolate place, and there he prayed. (Mark 1:35) What a ministry opportunity he left behind, some might say. Surely some of us would have skipped or shortened our private disciplines to rush and bless the swelling masses. To be sure, other times would come (as we’ll see) when Jesus would delay his personal habits to meet immediate needs. But how many of us, in such a situation, would have the presence of mind, and heart, to discern and prioritize prayer as Jesus did? Luke also makes it unmistakable that this pattern of retreat and reentry was part of the ongoing dynamic of Christ’s human life. Jesus “departed and went into a desolate place” (Luke 4:42) — not just once but regularly. “He would withdraw to desolate places and pray” (Luke 5:16). So also Matthew. After the death of John the Baptist, Jesus “withdrew from there in a boat to a desolate place by himself” (Matthew 14:13). But even then, the crowds pursued him. He didn’t despise them (here he puts his desire to retreat on hold) but had compassion on them and healed their sick (Matthew 14:14). Then after feeding them, five thousand strong, he withdrew again to a quiet place. “After he had dismissed the crowds, he went up on the mountain by himself to pray” (Matthew 14:23). Praying, Fasting, Teaching What was written animated his life, and when he withdrew, he went to speak to his Father in prayer. At times, he went away by himself, to be alone (Matthew 14:23; Mark 6:46–47; John 6:15). “He went out to the mountain to pray, and all night he continued in prayer to God” (Luke 6:12). His disciples saw him leave to pray, and later return. He also prayed with others. The disciples saw him model prayer at his baptism (Luke 3:21), and as he laid his hands on the children (Matthew 19:13), and when he drove out demons (Mark 9:29). He prayed with his men, and even when he prayed alone, his men might be nearby: “Now it happened that as he was praying alone, the disciples were with him” (Luke 9:18; also 11:1). He took Peter, John, and James “and went up on the mountain to pray” (Luke 9:28). On the night before he died, he said to Peter, “I have prayed for you that your faith may not fail” (Luke 22:32). All of John 17 is his prayer for his disciples, in their hearing. Then they went out from that upper room and saw him pray over and over in the garden (Matthew 26:36, 39, 42, 44). He not only modeled prayer, but instructed them in how to pray. “Pray then like this . . .” (Matthew 6:9–13). “Christ himself modeled for us the very kind of habits and rhythms of life we need in any age.” And he not only assumed they would pray (Matthew 21:22; Mark 11:24–25; Luke 11:2) but commanded it (Matthew 24:20; 26:41; Mark 13:18; 14:38; Luke 21:36; 22:40, 46). “Pray for those who persecute you” (Matthew 5:44). “Pray for those who abuse you” (Luke 6:28). “Pray earnestly to the Lord of the harvest” (Matthew 9:38; Luke 10:2). Pray without show and without posturing (Matthew 6:5–7). He warned against those who “for a pretense make long prayers” (Mark 12:40; Luke 20:47). “He told them a parable to the effect that they ought always to pray and not lose heart” (Luke 18:1). And to accompany prayer, he not only modeled fasting (Matthew 4:2), but assumed his men would fast as well (“when you fast,” not if, Matthew 6:16–18), and even promised they would (“then they will fast,” Matthew 9:15; Mark 2:20; Luke 5:35). Come Away with Me Jesus didn’t only retreat to be alone with God. He also taught his disciples to do the same (Mark 3:7; Luke 9:10). In Mark 6:31–32, he invites his men to join him, saying, “Come away by yourselves to a desolate place and rest a while.” Mark explains, “For many were coming and going, and they had no leisure even to eat. And they went away in the boat to a desolate place by themselves.” So also, in the Gospel of John, Jesus, as his fame spread, retreated from more populated settings to invest in his men in more desolate, less distracting places (John 11:54). In his timeless Sermon on the Mount, Jesus taught all his hearers, including us today, not only to give without show (Matthew 6:3–4), and fast without publicity (Matthew 6:17–18), but also to find our private place to seek our Father’s face: “When you pray, go into your room and shut the door and pray to your Father who is in secret. And your Father who sees in secret will reward you” (Matthew 6:6). And how today might our Father reward us any better than with more of himself through his Son? Converse with God in the Quiet In it all — in receiving his Father’s voice in Scripture, and praying alone (and with company), and at times, when faced with particularly pressing concerns, adding the tool of fasting — Jesus sought communion with his Father. His habits were not demonstrations of will and sheer discipline. His acts of receiving the word, and responding in prayer, were not ends in themselves. In these blessed means, he pursued the end of knowing and enjoying his Father. And so do we today. We don’t retreat from life’s busyness and bustle as an end in itself. “To sit quietly in a room alone,” in Pascal’s words, is not an achievement but an instrument — an opportunity to open up our lives and souls to him for whom we were made. To know him and enjoy him. Article by David Mathis