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About the Book
"The Life of Prayer" by A.B. Simpson explores the importance of prayer in the Christian life and provides practical guidance on how to develop a strong prayer life. Simpson emphasizes the power of prayer to bring about spiritual growth, strengthen faith, and deepen our relationship with God. The book offers insights on various aspects of prayer, including persistence, faith, and surrender, and encourages readers to make prayer a central part of their daily walk with God.
Jane Grey
Lady Jane Grey is one of the most romanticized monarchs of Tudor England. Her nine-day reign was an unsuccessful attempt to maintain Protestant rule. This challenge cost her the throne and her head.
Who Was Lady Jane Grey?
Lady Jane Grey's life began with promise and high expectations but ended tragically, due in part to the ambitions of her father and the religious strife of the times. The great-granddaughter of Henry VII, Grey was named the successor to Edward VI during a tumultuous competition for the throne. She was deposed as Queen of England by Mary Tudor on July 19, 1553 — nine days after accepting the crown. Grey was beheaded in London on February 12, 1554.
Early Life
Jane Grey was born in 1537, in Leicester, England, the oldest daughter of Henry Grey and Lady Frances Brandon and the great-granddaughter of Henry VII. Her parents saw to it that she received an excellent education, intended to make her a good match for the son of a well-positioned family. At the age of 10, Jane went to live with the conspiratorial Thomas Seymour, Edward VI’s uncle, who had only recently married Catherine Parr, the widow of Henry VIII. Jane was raised as a devout Protestant and proved to be an intelligent and engaged young woman, remaining close to Thomas Seymour and Catherine Parr until Parr’s death in childbirth in 1548. Seymour was executed for treason in 1549.
Arranged Marriage
Henry Grey, now Duke of Suffolk, introduced his beautiful and intelligent daughter Jane to the royal court in 1551. In order to consolidate his family’s power, Grey arranged for the marriage of two of his daughters to scions of two other prominent families. In a triple wedding in 1553, Jane married Lord Guildford Dudley, the son of the Duke of Northumberland, alongside the groom’s sister Katherine, who married Henry Hastings, heir to the Earl of Huntingdon. Jane Grey’s sister Catherine married the heir of the Earl of Pembroke in the same ceremony.
Background on England's State of Affairs
After Henry VIII’s death in 1547, his only male heir, Edward, assumed the throne. Sickly with tuberculosis and only 10 years old at the time of his coronation, Edward VI was easily manipulated by calculating individuals such as the fiercely Protestant John Dudley, Duke of Northumberland, who acted as regent to the young king. By January 1553, it was clear Edward was dying, and Dudley was desperate to prevent the throne from passing to Edward’s half-sister, Mary Tudor, a devout Catholic. As the daughter of Henry VIII and Catherine of Aragon, Mary became a pawn in Henry’s quest for a male heir. Henry had divorced Catherine, declaring his marriage null because she was the former wife of his deceased brother. This also deemed Mary illegitimate in the eyes of the court.
Queen for Nine Days
In early 1553, John Dudley brought forth the same charge against Mary and convinced Edward to continue to support the Protestant Reformation by declaring Jane his successor. Edward VI died on July 6, 1553, and the 15-year-old Lady Jane Grey, somewhat reluctantly but dutifully, agreed to become Queen of England and was crowned four days later. However, she faced strong opposition from Mary Tudor and Parliament, both citing the 1544 Law of Succession, which clearly stated Mary should be queen. Public support for Jane’s rule evaporated when it was learned that the unpopular Dudley was behind the scheme.
With opposition mounting against Jane Grey, many of her supporters quickly abandoned her, including her father, who futilely attempted to save himself by supporting Mary as queen. The council didn't buy it and declared him a traitor. On July 19, 1553, Jane’s nine-day reign ended, and she was imprisoned in the Tower of London. John Dudley was condemned for high treason and executed on August 22. On November 13, Jane and her husband, Guildford Dudley, were likewise found guilty of treason and sentenced to death, but because of their youth and relative innocence, Queen Mary did not carry out the sentences.
Execution
Alas, Jane’s father, Henry Grey, sealed her fate and that of her husband when he joined Sir Thomas Wyatt’s insurrection against Mary after she announced, in September 1553, that she intended to marry Philip II of Spain. It didn’t help her cause when Jane condemned Mary’s reintroduction of the Catholic Mass to the Church. When Mary’s forces suppressed the revolt, she decided it best to eliminate all political opponents. On the morning of February 12, 1554, Jane watched from her cell window as her husband was sent to the executioner’s block. Two hours later she would meet the same fate. As she stood before the chopping block, she is believed to have stated that she recognized her act had violated the queen’s law, but that she was innocent before God.
Legacy
Lady Jane Grey has been viewed as a Protestant martyr for centuries, “the traitor-heroine” of the Reformation. Over the centuries, her tale has grown to legendary proportions in popular culture, through romantic biographies, novels, plays, paintings and films. Yet, her reign was so short, she had no impact on the arts, science or culture. No laws or shifts in policy were passed during her brief nine-day rule. Perhaps her youth and willingness to be of service to the ambitions of others for what she believed was the greater good is her most impressive legacy.
Meeting Christ in Aslan
Over the next five years, the seven installments of C.S. Lewis’s The Chronicles of Narniaseries will turn seventy. Generations of children have found delight in stepping through the wardrobe door to this mythical world, filled with magic, meaning, and a whole cast of fantastic characters. Still, in the end, the appeal of The Chronicles comes back to a single character. Aslan, the Great Lion, who calls the children into Narnia, plays the central role in each adventure. It’s not exactly correct to call Aslan an “allegory” of Jesus. Lewis might prefer that we instead think of Aslan as Christ transposed into a Narnian key, a Creator and Lord fit for a world primarily inhabited by talking animals. Throughout The Chronicles, Aslan often emphasizes that he really is a lion and not an illusion or symbol. “Touch me,” he tells one character in “The Horse and His Boy”. “Smell me. Here are my paws, here is my tail, these are my whiskers. I am a true Beast.” True to Lewis’s genius and his love of myth, Aslan’s purpose in calling children from our world into Narnia is the same as Lewis’s purpose in writing The Chronicles. Through the Great Lion, Lewis gives us a glimpse of the character of the Savior and King he called “myth become fact,” and whom Scripture calls “the Lion of Judah.” Two moments in the Narnia series are particular favorites of my colleague Shane Morris, and illustrate Aslan’s mission with particular clarity. One takes place during the third Chronicle (the fifth in publication order), “The Horse and His Boy.” Shasta, the main character, has ridden through the night and is lost in the mountains. Having grown up in a foreign country and just returned to Narnia, he doesn’t realize he is royalty. After running and riding for his life for so long, he’s tired and discouraged, and concludes that he must be the unluckiest boy alive. Suddenly, a great Voice confronts him out of the darkness, and asks to know his sorrows. A very frightened Shasta, not knowing what else to do, relays how he and his companions fled from their captors across the desert, how fear and danger have stalked them at every turn, and how he’s been threatened by at least four lions. “There was only one lion,” replies the Voice. “But he was swift of foot.” Aslan reveals that he was the lion, and that his intervention at these crucial moments saved the boy’s life, as well as the lives of his fellow travelers and his native kingdom. What Shasta saw as bad luck was Aslan’s providential paw guiding him through danger toward his rightful throne, and even introducing him to his future wife. The second scene takes place at the end of “The Voyage of the Dawn Treader.” Lucy, Edmund, and Eustace have just come to the edge of the world after months at sea. The rest of the characters have gone home or paddled into Aslan’s Country, and the three children are left alone. They encounter Aslan on a grassy shore, who’s taken the form of a lamb and invites them to breakfast. There, he tells the children that it’s time for them to go home and, for Edmund and Lucy, there will be no returning to Narnia. They don’t take the news well. “It isn’t Narnia, you know,” cries Lucy. “It’s you. We shan’t meet you there. And how are we to live, never meeting you?” “But you shall meet me, dear one,” Aslan replies. “But there I have another name. You must learn to know me by that name. This was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there.” Like Jesus revealing Himself to His disciples at the breaking of bread, here Lewis has Aslan shed the disguise to allow readers to fully recognize him. When Aslan reveals his role in Shasta’s story, it brings to mind how Jesus, on the road to Emmaus, revealed to His disciples everything concerning Himself in the Law and Prophets. It’s no wonder that, like those disciples, many who have met Aslan in The Chronicles of Narnia have also felt their hearts burning within them. Seventy years on, C.S. Lewis’s stories deserve every bit of their status as classics, filled as they are with spiritual treasures for young and old alike. But the lion’s share of the credit goes to Aslan. In him we meet a character too good to be just a story. And, like Lucy, we long to know his true name—not in spite of the mane and tail, but because of them. Publication date: October 20, 2021 John Stonestreet