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About the Book
"The Essentials of Prayer" by E.M. Bounds is a classic Christian book that explores the importance and power of prayer in the life of a believer. Bounds discusses various aspects of prayer, including the necessity of persistence, faith, and humility in approaching God. He emphasizes the importance of prayer in maintaining a close relationship with God and experiencing spiritual growth. Overall, the book serves as a guide to help readers deepen their prayer life and strengthen their faith.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
No Holiness, No Heaven
No one will be in heaven who did not walk in good works on earth. In other words, and in the words of Hebrews 12:14, there is a “holiness without which no one will see the Lord.” Abbreviated, “no holiness, no heaven.” In directness, “Faith without works is dead” (James 2:26 NASB). In confession, “Faith, thus receiving and resting on Christ and his righteousness, is the alone instrument of justification: yet is it not alone in the person justified, but is ever accompanied with all other saving graces, and is no dead faith, but works by love” (Westminster Confession). In commandment: “Work out [literally, produce] your own salvation with fear and trembling” (Philippians 2:12). “No one will be in heaven who did not walk in good works on earth.” In illustration: “Every branch in me that does not bear fruit he takes away . . . and the branches are gathered, thrown into the fire, and burned” (John 15:2, 6). In lyric, “He leads me in paths of righteousness for his name’s sake” (Psalm 23:3). In repetition: no one will be in heaven who did not walk in good works on earth. Two Familiar Heresies Now, to say this, I hasten to avoid a different heresy: no one will be in heaven based upon good works. “By grace you have been saved through faith. And this is not your own doing; it is the gift of God, not a result of works, so that no one may boast” (Ephesians 2:8–9). “A person is not justified by works of the law” (Galatians 2:16). Christ’s righteousness, not ours, justifies entirely. The man, woman, or child who believes in him who justifies the ungodly shall be counted righteous before God. His blood brings us near to God, his righteousness imputed to us is needed. In other words, him, him, him — not us — so that no man may boast. Although the Christian walks into the narrow path full of good works, God prepared them for him to walk in beforehand. So here we have it: no one will be in heaven who did not walk in faith-producing good works on earth — “the obedience of faith” (Romans 1:5; 16:26) or “faith working through love” (Galatians 5:6) — and no one in heaven will be there on the basis of his good works. One heresy says it doesn’t matter if you work, run, or fight at all; the other, that your working, running, and fighting earn your place before a holy God. James calls the first the faith of demons (James 2:19). Paul calls the second the faith of the bewitched (Galatians 3:1). One error sits comfortably among evangelicals; the other among Catholics. It is the dead faith closer to home that I wish to address. Once Saved, Always Saved Dead faith (which produces no works) is not necessarily a silent faith. It often rehearses (and abuses) golden mantras such as, “Once saved, always saved,” putting a jewel, as it were, up a pig’s snout. “Nothing shall separate his true children from the love of God; the Shepherd will lose none of his sheep.” Properly understood, “Once saved, always saved” would stand for the amazing truth that from the vantage point of the eternal mountain of God, his children, predestined to be saved before time began, will not fall away — he will bring them home. He carved their names in the book of life; his Son has atoned for their actual sins; he seals them with his very Spirit as a down payment — the Spirit that shall surely bring his work to completion at the day of Christ Jesus. Nothing shall separate his true children from the love of God; the Shepherd will lose none of his sheep. From this, however, some draw crooked lines. Instead of deducing with Paul, “God’s firm foundation stands, bearing this seal: ‘The Lord knows those who are his,’ and, ‘Let everyone who names the name of the Lord depart from iniquity’” (2 Timothy 2:19), some conclude that the perseverance of the saints is optional. They may imagine God putting souls on a conveyor belt to glory. “Once saved, always saved” — no matter how deeply compromised their lives may be. In so doing they pit the essential doctrine of justification against the blood, sweat, and toil of the essential doctrine of sanctification, judging the first to eclipse the second. We do not need holiness, it is thought, because once saved, always saved. And by “saved” we cannot help but conclude they include “saved from needing to obey.” Texts that speak conditionally of inheriting eternal life (conditions God empowers his true children to meet) bewilder dead faith. They cannot stomach texts about the need to continue stable and steadfast in the faith, to endure to the end, to stand firm through trials, to put the flesh to death by the Spirit, to work out one’s own salvation with fear and trembling, to make our calling and election sure through energetic striving (2 Peter 1:1–11). The shouts of their dead faith cry “Lord, Lord” while they disobey him with their lives. Theirs is a faith I knew too well. A faith soberly depicted by the character Talkative in Bunyan’s animated theology, The Pilgrim’s Progress. Along the Road with Talkative A man named Faithful, in Bunyan’s allegory, possessed a faith that worked, while Talkative possessed a faith that did not. They had a conversation along the way. Faithful: Are you going to the heavenly country? Talkative: I am going to that same place. Talkative believes himself headed to the Celestial City. And what’s more, he speaks very Christianly, possessing excellent Reformed doctrine: By this [profitable talk of the Scriptures] a man may learn the necessity of the new birth; the insufficiency of our works; the need of Christ’s righteousness, and so forth. Besides, by this a man may learn what it is to repent, to believe, to pray, to suffer, or the like; by this also a man may learn what are the great promises and consolations of the Gospel, to his own comfort. Further, by this a man may learn to refute false opinions; to vindicate the truth; and also to instruct the ignorant. Bunyan teaches that proper orthodoxy communicated well is not a sufficient sign in itself of living faith. Faithful, not knowing the report of Talkative, whispers to his companion, Christian, “What a brave companion have we got! Surely this man will make a very excellent pilgrim.” At this, Christian modestly smiles and answers plainly, This man with whom you are so taken will beguile with this tongue of his twenty of them that know him not. . . . He is best abroad; near home he is ugly enough. . . . Religion hath no place in his heart, or house, or conversation; all he hath lieth in his tongue, and his religion is to make a noise therewith. His Christianity lies only in his tongue. How does Christian know this? “I have been in his family and have observed him both at home and abroad.” The tree is known by its fruit. He is “a saint abroad, and a devil at home.” Like the Pharisees of Jesus’s day, he says much, but obeys little (Matthew 23:3). “The new covenant promises Christians with new hearts will hate their sin and feel it to be the shame it is.” It is easy for us to imagine that God has saved us because we know right doctrine. Talkative’s great religion of tongue proved untrue in his loves, his relationships, his life. He talks of truth he was never changed by. The grace he speaks of never trained him to say no to ungodliness and to live a godly life (Titus 2:11–14). Borrowing a phrase from C.S. Lewis, he speaks of new life like “a scholar’s parrot may talk Greek.” He repeats what he overhears without knowing the reality of it, as the parrot listening to a scholar may repeat words like charis and sōtēria. Christian observes what is true of many Talkatives today: “He talks of prayer, of repentance, of faith, and of the new birth; but he knows but only to talk of them.” What a fearful place to be. Questions for Self-Examination Are you like this Talkative? I was, and God woke me from my delusion. I pray he would for others like me. Talkative, in the end, does not venture from the City of Destruction. He labels Christian and Faithful judgmental and parts from them. His words traveled beyond his faith and obedience; in the end, he was lost. He never examined himself to make sure he was in the faith and truly born again. At times, we all ask plainly, Am I born again? Christian counsels Faithful concerning Talkative, “Ask him plainly (when he has approved of it, for that he will) whether this thing be set up in his heart, house, or conversation.” Some questions Faithful and Talkative discuss are still helpful to ask today. Do you hate your sin? Not merely talk about hating it, like a hypocritical pastor who denounces the secret sin he indulges. The new covenant promises Christians with new hearts will hate their sin and feel it to be shameful: “You shall remember your ways and all your deeds with which you have defiled yourselves, and you shall loathe yourselves for all the evils that you have committed” (Ezekiel 20:43). Blessed are those who mourn for their sin (Matthew 5:4); God will not despise the heart broken over its sin (Psalm 51:17). Do you love God? Paul said as plain as day, “If anyone has no love for the Lord, let him be accursed” (1 Corinthians 16:22). Do you love him? Do you desire to know him? Do you love him above father, mother, spouse, child? Can you confess that his steadfast love is better than life? Do you hate your remaining sin because it is against him, your soul’s Treasure? Do you obey what you know? Jesus says, “If you know these things, blessed are you if you do them” (John 13:17). “That servant who knew his master’s will but did not get ready or act according to his will, will receive a severe beating” (Luke 12:47). We can imagine we have advanced much in religion or the love of Christ because we know more and more texts on the subject. But these texts must be believed, obeyed, loved. They must take root in us. If we truly know and love him, we will keep his commandments (John 14:15; 1 John 2:3). What do others see? Bunyan writes, “A work of grace in the soul discovers itself either to him that hath it, or to standers by.” Other Christians’ judgments are not infallible, but they can help to reveal blind spots to us (and signs of grace) we do not see in ourselves. As the Faithfuls and Christians today keep along the narrow way with the Book in their hands and love in their hearts, they will do good in this world. They will because God is working in them to will and to work for his good pleasure, producing the fruit of the Spirit in them. They must do good, in fact, because they have a Book of promises commanding, warning, and wooing them onward to the Celestial City. No one in heaven will be there on the basis of his good works, and no one will be in heaven who did not walk in good works on earth. So, we press onward in holiness toward our heavenly home because Jesus has already made us his own. Article by Greg Morse