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About the Book
"The Master Key System" by Charles F. Haanel is a self-help book that outlines a 24-week program for personal development and achieving success. Haanel explains the power of the mind, visualization, and positive thinking in creating the life you desire. The book teaches readers how to harness the power of their thoughts to unlock their full potential and manifest their goals and dreams.
Johnny Cash
Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences.
Who Was Johnny Cash?
Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin.
Early Life
Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops.
Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields.
From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice.
Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career.
Military Service and Musical Aspirations
In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic.
It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started."
After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel.
Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice."
Johnny Cash and the Tennessee Two
In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song.
The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts.
Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town."
Drugs and Divorce
By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs.
But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce.
Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death."
Remarriage and Revival
Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968.
With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans.
The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash.
The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame.
Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa.
Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery.
But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography.
Final Years, Death and Legacy
Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998.
Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation.
Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track.
"Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'"
That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter.
In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty.
Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down.
"I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore."
In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.
you can’t fake what you love
The soul is measured by its flights, Some low and others high, The heart is known by its delights, And pleasures never lie. I was 25 years old when John Piper’s book The Pleasures of God  was first released in 1991. My wife and I had been attending Bethlehem Baptist for two years and had read John’s book Desiring God , which unpacked what he called Christian Hedonism. His fresh emphasis on the truth that God is most glorified in us when we are most satisfied in him  was working its way into our spiritual bones. But as I read the introduction to The Pleasures of God , the one-sentence poem above crystalized the truth of Christian Hedonism for me, opening my mind to the role delight plays in the Christian life. One Sentence Begets Another John wrote that life-changing sentence as a kind of exposition of another  life-changing sentence he had read four years earlier. In fact, the whole sermon series that birthed the book was born of his meditation on that sentence written in the seventeenth century by a young Professor of Divinity in Scotland named Henry Scougal. Scougal had actually penned the sentence in a personal letter of spiritual counsel to a friend, but it was so profound that others copied and passed it around. Eventually Scougal gave permission for it to be published in 1677 as The Life of God in the Soul of Man . A year later, Scougal died of tuberculosis before he had reached his twenty-eighth birthday. John Piper describes what gripped him so powerfully: One sentence riveted my attention. It took hold of my thought life in early 1987 and became the center of my meditation for about three months. What Scougal said in this sentence was the key that opened for me the treasure house of the pleasures of God. He said, “ The worth and excellency of a soul is to be measured by the object of its love .” (18) John realized that this statement is as true of God as it was of man. The worth and excellency of God’s  soul is measured by the object of its love. This object must, then, be God himself, since nothing of greater value exists than God. John previously devoted a whole chapter in Desiring God  to God’s happiness in himself — the God-centeredness of God. Scougal’s sentence, however, opened glorious new dimensions of this truth for John as he contemplated how the excellency of God’s soul is measured. And John’s sentence opened glorious new dimensions for me as I began to contemplate that a heart, whether human or divine, is known by its delights. Pleasures Never Lie It was the last line of John’s poem that hit me hardest: The heart is known by its delights, And pleasures never lie. Pleasures never lie.  This phrase cut through a lot of my confusion and self-deceit to the very heart of the matter: what really matters to my heart. “Our lips can lie about what we love, but our pleasures never lie.” “Pleasures never lie” doesn’t mean things we find pleasurable are never deceitful. We all know, from personal experience as well as the testimony of Scripture, that many worldly pleasures lie to us (Hebrews 11:25). Rather, it means that pleasure is the whistle-blower of the heart. Pleasure is our heart’s way of telling us what we treasure (Matthew 6:21). When we take pleasure in something evil, we don’t have a pleasure problem ; we have a treasure problem . Our heart’s pleasure gauge is working just like it’s supposed to. What’s wrong is what our heart loves. Our lips can lie about what we love, but our pleasures never lie . And we can’t keep our pleasure-giving treasures hidden, whether good or evil, at least not for long. What we truly love always ends up working its way out of the unseen heart into the plain view of what we say and don’t say, and what we do and don’t do. My heart, like God’s heart, is known by its delights. I found this wonderfully clarifying. It resonated deeply; all my experience bore out its truth. And I saw it woven throughout the Bible. The more I contemplated it, however, the more devastating this truth became. Devastated by Delight It’s devastating because if the worth and excellency of my soul is measured by the heights of its flights of delights in God, I find myself “naked and exposed” before God, without embellishment or disguise (Hebrews 4:13). No professed theology, however robust and historically orthodox, no amount of giftedness I possess, no “reputation of being alive” (Revelation 3:1) can compensate if I have a deficit of delight in God. And to make sure I understand what is and isn’t allowed on the affectional scale, John says, You don’t judge the glory of a soul by what it wills to do with lukewarm interest, or with mere teeth-gritting determination. To know a soul’s proportions you need to know its passions. The true dimensions of a soul are seen in its delights. Not what we dutifully will but what we passionately want reveals our excellence or evil. (18) As I place my passions on God’s soul-scale, my deficits become clear. I’m a mixed bag when it comes to my passion for God. I can savor God like Psalm 63 and yet still sin against him like Psalm 51. I have treasured God like Psalm 73:25–26, and questioned him like Psalm 73:2–3. Sometimes I sweetly sing Psalm 23:1–3, and sometimes I bitterly cry Psalm 10:1. At times I keenly feel the wretchedness of Romans 7:24, and at times the wonder of Romans 8:1. I have known the light of Psalm 119:105 and the darkness of Psalm 88:1–3. I’ve known the fervency of Romans 12:11 and the lukewarmness of Revelation 3:15. Many times I need Jesus’s exhortation in Matthew 26:41. “We must know our spiritual poverty before we will earnestly seek true spiritual wealth.” It is devastating to stand before God with only what we passionately want revealing the state of our hearts, measuring the worth of our souls. But it is a merciful devastation we desperately need. For we must know our spiritual poverty before we will earnestly seek true spiritual wealth. We must see our miserable idolatries before we will repent and forsake them. We must feel our spiritual deadness before we will cry out, “Will you not revive us again, that your people may rejoice in you?” (Psalm 85:6) That’s all true. However, the longer I contemplated John’s sentence over time, the more I realized the devastating exposure of my spiritual poverty is meant to be a door into an eternal world of delight-filled love. Pleasures Forevermore I made this discovery in the story of the rich young man (Mark 10:17–22). When Jesus helped this man see his heart’s true passions (when he exposed his spiritual poverty), the exposure wasn’t Jesus’s primary purpose. Jesus wanted the man to have “treasure in heaven,” to give this man eternal joy (Mark 10:21). And Jesus knew the man would never joyfully sell everything he had to obtain the treasure that is God unless he saw God as his supreme treasure (Matthew 13:44). So he tried to show him by calling the man to the devastating door of exposure and knocking on it. And he grieved when the man wouldn’t open it, because the door led to a far greater treasure than the one he would leave behind. God created pleasure because he is a happy God and wants his joy to be in us and our joy to be full (John 15:11). When he designed pleasure as the measure of our treasure, his ultimate purpose was that we would experience maximal joy in the Treasure. And that the Treasure would receive maximal glory from the joy we experience in him. It is a marvelous, merciful, absolutely genius design: God is most glorified in us when we are most satisfied in him . If God has to expose our poverty to pursue our eternal joy, he will. But what he really wants for us is to experience “fullness of joy” in his presence and “pleasures forevermore” at his right hand (Psalm 16:11). And so it is a great mercy, even if at times devastating, that our pleasures never lie.