The Greatest Salesman In The World - Part 1 Order Printed Copy
- Author: Og Mandino
- Size: 1.43MB | 76 pages
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About the Book
"The Greatest Salesman in the World - Part 1" follows the story of a poor camel boy named Hafid who dreams of becoming the greatest salesman in the world. Through the guidance of a wise mentor named Pathros, Hafid learns the principles of success and discovers the power of positive thinking, persistence, and setting goals. The book focuses on the importance of instilling good habits, mastering skills, and having a positive mindset in order to achieve greatness in life.
C.S. Lewis
C.S. Lewis was a prolific Irish writer and scholar best known for his 'Chronicles of Narnia' fantasy series and his pro-Christian texts.
Who Was C.S. Lewis?
Writer and scholar C.S. Lewis taught at Oxford University and became a renowned Christian apologist writer, using logic and philosophy to support the tenets of his faith. He is also known throughout the world as the author of The Chronicles of Narnia fantasy series, which have been adapted into various films for the big and small screens.
Early Life
Clive Staples Lewis was born in Belfast, Ireland, on November 29, 1898, to Flora August Hamilton Lewis and Albert J. Lewis. As a toddler, Clive declared that his name was Jack, which is what he was called by family and friends. He was close to his older brother Warren and the two spent much time together as children.
Lewis was enraptured by fantastic animals and tales of gallantry, and hence the brothers created the imaginary land of Boxen, complete with an intricate history that served them for years. Lewis' mother died when he was 10, and he went on to receive his pre-college education at boarding schools and from a tutor. During WWI, he served with the British army and was sent home after being wounded by shrapnel. He then chose to live as a surrogate son with Janie Moore, the mother of a friend of Lewis' who was killed in the war.
Teaching Career at Oxford and Wartime Broadcasts
Lewis graduated from Oxford University with a focus on literature and classic philosophy, and in 1925 he was awarded a fellowship teaching position at Magdalen College, which was part of the university. There, he also joined the group known as The Inklings, an informal collective of writers and intellectuals who counted among their members Lewis' brother Warren and J.R.R. Tolkien. It was through conversations with group members that Lewis found himself re-embracing Christianity after having become disillusioned with the faith as a youth. He would go on to become renowned for his rich apologist texts, in which he explained his spiritual beliefs via platforms of logic and philosophy.
Lewis began publishing work including Spirits in Bondage in 1919 and the satirical Dymer in 1926. After penning other titles — including The Allegory of Love (1936), for which he won the Hawthornden Prize — he released in 1938 his first sci-fi work, Out of the Silent Planet, the first of a space trilogy which dealt sub-textually with concepts of sin and desire. Later, during WWII, Lewis gave highly popular radio broadcasts on Christianity which won many converts; his speeches were collected in the work Mere Christianity.
Books and Film Legacy
Lewis was a prolific author of fiction and nonfiction who wrote dozens of books over the course of his career. His faith-based arguments as seen in texts like The Great Divorce (1946) and Miracles (1947) are held in high regard by many theologians, scholars and general readers. His satirical fiction novel The Screwtape Letters (1942) is also a beloved classic. Lewis also continued his love affair with classic mythology and narratives during his later years: His book Till We Have Faces: A Myth Retold (1956) featured the story of Psyche and Cupid. He also penned an autobiography, Surprised by Joy: The Shape of My Early Life (1955).
Lewis' landmark series, The Chronicles of Narnia, has seen a number of on-screen iterations, including a cartoon version of The Lion, The Witch and the Wardrobe that was released in 1979 and a 1989 film series. Additionally, in 2005, a big-screen adaptation of The Lion, The Witch and the Wardrobe hit movie theaters, starring Tilda Swinton as the witch Jadis and Liam Neeson as the voice of Aslan. Two more Narnia films were brought to theaters as well: Prince Caspian (2008) and The Voyage of the Dawn Treader (2010). A movie version of The Silver Chair was slated to hit theaters in the near future, with filming starting in the winter of 2018.
Lewis' relationship with his wife, Joy, has also been depicted in Shadowlands, presented as a play and two films; one of the film versions was directed by Richard Attenborough and starred Anthony Hopkins as Lewis.
'The Chronicles of Narnia'
During the 1940s, Lewis began writing the seven books that would comprise The Chronicles of Narnia children's series, with The Lion, The Witch and the Wardrobe (1950) being the first release. The story focused on four siblings who, during wartime, walk through an armoire to enter the magical world of Narnia, a land resplendent with mythical creatures and talking animals. Throughout the series, a variety of Biblical themes are presented; one prominent character is Aslan, a lion and the ruler of Narnia, who has been interpreted as a Jesus Christ figure. (Lewis would assert that his Narnia stories weren't a direct allegory to the real world.)
Though the book received some negative reviews, it was generally well-received by readers, and the series retained its international popularity over the following decades.
Marriage
In 1954, Lewis joined the faculty of Cambridge University as a literature professor, and in 1956 he married an American English teacher, Joy Gresham, with whom he had been in correspondence. Lewis was full of happiness during the years of their marriage, though Gresham died of cancer in 1960. Lewis grieved deeply for his wife and shared his thoughts in the book A Grief Observed, using a pen name.
Death
In 1963, Lewis resigned from his Cambridge position after experiencing heart trouble. He died on November 22, 1963, in Headington, Oxford.
Our God Listens
You have been invited to speak to the God of the universe, the Almighty. Not just the mightiest, but the all-mighty. All power is his, and under his control. And he is the one who made you, and keeps you in existence. This God, the one God — almighty, creator, rescuer — speaks to us to reveal himself, that we might genuinely know him, but he doesn’t only speak. In one of the great wonders in all the world and history, this God listens. First he speaks, and bids us respond. Then he pauses. He stoops. He bends his ear toward his people. And he hears us in this marvel we so often take for granted, and so flippantly call prayer. What Comes Before Prayer The wonder of prayer might lead us to rush past a critical reality before we start “dialing up” the God of heaven. There is an order to his speaking and listening, and to ours. He is God; we are not. Mark it well every day, and forever. He speaks first, then listens. We first listen, then speak. “He is God; we are not. Mark it well every day, and forever. He speaks first, then listens. We first listen, then speak.” Prayer is not a conversation we start. Rather, God takes the initiative. First, he has spoken. He has revealed himself to us in his world, and in his word, and in the Word. And through his word, illumined by his Spirit, he continues to speak. “See that you do not refuse him who is speaking” (Hebrews 12:25). His word is not dead and gone but “living and active, sharper than any two-edged sword, piercing to the division of soul and of spirit, of joints and of marrow, and discerning the thoughts and intentions of the heart” (Hebrews 4:12). And in his word, and by his Word, he extends to us this stunning offer: to have his ear. Golden Scepter When Esther learned of Haman’s plot to destroy the Jews, a great barrier stood before her. Mordecai directed her “to go to the king to beg his favor and plead with him on behalf of her people” (Esther 4:8). Easier said than done. Esther knew these were life-and-death stakes, not just for the Jews but for her: “If any man or woman goes to the king inside the inner court without being called, there is but one law — to be put to death, except the one to whom the king holds out the golden scepter so that he may live.” And she knew the threat that lay before her: “But as for me, I have not been called to come in to the king these thirty days” (Esther 4:11). Yet in the end, in faith and courage, she resolved, “I will go to the king, though it is against the law, and if I perish, I perish” (Esther 4:16). One does not simply saunter into the presence of a great king “without being called.” And all the more with God Almighty. Not simply because it’s a great risk, as with an earthly king, but with God it’s not even physically possible. He is no man on earth, that one might slip past the palace guards and approach him. He is utterly unapproachable — “without being called.” Yet in Christ, the throne of heaven has taken the initiative, and now holds out the golden scepter. Why We Can Come Near The two great bookends (4:14–16; 10:19–25) of the heart of the epistle to the Hebrews (chapters 5–10) make clear why we can draw near and how. Hebrews is set against the backdrop of God’s first covenant with his people, through Moses. What Exodus, Leviticus, and Numbers say about “drawing near” or “coming near” to God is sobering. For one, the tabernacle, and the whole system of worship given at Mount Sinai, taught the people of their distance from God, with barriers between them, because of their sin. The people must stay back, lest God’s righteous anger break out against their sin (Exodus 19:22, 24). First, Moses alone is permitted to come near (Exodus 24:2), and then Moses’s brother, Aaron, and his sons, serving as priests, may “come near” (Exodus 28:43; 30:20). No outsider may come near (Numbers 1:51; 3:10), nor any priest with a blemish (Leviticus 21:18, 21). Only the ordained priests may “draw near to the altar” to make atonement for themselves and for the people (Leviticus 9:7) — and only in the way God has instructed, as memorably taught in the horrors of Nadab and Abihu (Leviticus 10) and Korah’s rebellion (Numbers 16; also 17:13; 18:3–4, 7, 22). “It is almost too good to be true — almost — that we have access to God.” But now, in Christ, “we have a great high priest who has passed through the heavens, Jesus, the Son of God” (Hebrews 4:14). In him, “we have a great priest over the house of God,” a priest who is ours by faith, and so we “enter the holy places by the blood of Jesus, by the new and living way that he opened for us through the curtain, that is, through his flesh” (Hebrews 10:19–21). Not only does Christ enter God’s presence on our behalf, but he welcomes us in his wake. He is our pioneer, who blazes our trail. We now may “draw near” to God, “come near” to heaven’s throne of grace, because of Christ’s achievements for us, in his life and death and resurrection. How We Can Come Near Then, to add wonder to wonder, we not only draw near to God himself in Christ, but we are invited, indeed expected, to do so with confidence — with boldness and full assurance. Since we have such a high priest as Christ, “let us then with confidence draw near to the throne of grace, that we may receive mercy and find grace to help in time of need” (Hebrews 4:16). In him, “we have confidence to enter the holy places by the blood of Jesus” (Hebrews 10:19). Not by our own value, status, or achievements, but his. We “draw near with a true heart in full assurance of faith” (Hebrews 10:22), a faith looking outside ourselves to ask not “Am I worthy?” to approach God’s throne, but “Is Jesus worthy?” Wait No Longer It is almost too good to be true — almost — that we have access to God (Ephesians 2:18) and “access with confidence” at that (Ephesians 3:12). In Christ, the King of the universe holds out the golden scepter. The question is no longer whether we can come, but will we, and how often? We have access. God expects us to take hold on his Son by faith, and approach his throne with confidence. Our God listens. He hears our prayers. What are you waiting for? Article by David Mathis