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About the Book
"The Leap of Faith" by David Yonggi Cho is a spiritual guide that explores the importance of trusting in God and taking risks in one's faith journey. Cho shares personal stories and biblical principles to encourage readers to step out in faith and experience the transformative power of God in their lives. It serves as a reminder to trust in God's plan and follow His guidance, even when faced with uncertainty and challenges.
Gordon Lindsay
Gordon Lindsay’s Early life
Gordon Lindsay’s parents were members of J. A. Dowie’s Zion City, Illinois when he was born. The city’s financial difficulties forced the family west in 1904, where they temporarily joined another Christian-based community led by Finis Yoakum at Pisgah Grande, California. When similar problems emerged the family moved to Oregon after only a few months. From here the family moved to Portland, Oregon where Lindsay attended high school and was converted during a Charles F. Parham evangelistic campaign.
During his youth he came under the influence of John G. Lake, former resident of Zion City, missionary to South Africa, and founder of the Divine Healing missions in Spokane, Washington, and Portland, Oregon in 1920. Lindsay joined the healing and evangelistic campaigns of Lake, traveling throughout California and the southern states.
Lindsay began his own ministry in California as pastor of small churches in Avenal and San Fernando and for the next eighteen years, he travelled acros s the country holding revivals in full gospel churches. This period of travel prepared him as perhaps no other man in the nation to establish communication among a variety of Pentecostals.
When World War II began, Lindsay felt compelled to give up his evangelistic ministry because its rigorous lifestyle was taking its toll on his young family. He accepted a call to pastor a church in Ashland, Oregon.
William Branham enters Gordon Lindsay’s life
By 1947 he had witnessed the extraordinary ministry of William Branham and responded to the invitation to become Branham’s manager. His managerial skills were soon obvious in the Branham campaigns, and in April 1948, he furthered the cause of the of the revival when he produced the first issue of The Voice of Healing, specifically to promote Branham’s ministry. To Lindsay’s great surprise Branham announced that he “would not continue on the field more than a few weeks more.”
At great financial cost Lindsay decided to continue the publication of the new magazine in cooperation with his long-time friends, Jack Moore and his talented daughter Anna Jeanne Moore. He broadened the scope of the magazine by including more of the lesser known healing evangelists who were beginning to hold campaigns and were drawing large audiences.
One such evangelist was William Freeman who had been holding meetings in small churches. Lindsay visited one of his campaigns and immediately felt it was the will of God to team up with him and organise a series of meetings through 1948. The Voice of Healing featured the miracles of the Freeman campaigns.
Voice of Healing Conventions
By March 1949 The Voice of Healing circulation had grown to nearly 30,000 per month and had clearly become the voice of the healing movement. It’s pages successfully spread the message of the Salvation-Deliverance-Healing revival across the world.
In December 1949, Lindsay arranged the first convention of healing revivalists in Dallas, Texas. The assembly was addressed by Branham, Lindsay, Moore, old-timers such as F. F. Bosworth and Raymond T. Richey, and a number of rising revivalists including O. L. Jaggers, Gayle Jackson, Velmer Gardner, and Clifton Erickson. This historic conference symbolized the vitality and cohesion of the revival.
The following year, the convention, now about 1,000 strong, met in Kansas City, with virtually every important revivalist in the nation, with the notable exceptions of William Branham and Oral Roberts. Lindsay exercised great skill and wisdom exposing several points of danger and tension in the movement proposed guidelines for the future. Lindsay understood the fears of the older Pentecostal denominations and leaders and tried his utmost to deal with the offending issues.
In an article announcing “the purpose, plan and policy of the Voice of Healing Convention,” he denounced “free-lancers who violently and indiscriminately attack organization in general,” and he urged avoidance of “novel prophetic interpretations, dogmatic doctrinal assertions, sectarian predilections, theological hair-splitting.”
The Voice of Healing Association
The 1950 meeting made the Voice of Healing convention into a loose association of healing revivalists. The evangelists officially associated with The Voice of Healing magazine held “family meetings” at the conventions, at the same time maintaining their desire to “prove to the world that those associated with The Voice of Healing have no intention to organize another movement.” Through the decade the Voice of Healing conventions were showcases for healing revivalism.
The conference programs were workshops on the problems of healing evangelists. Typical topics were “prayer and fasting,” “preparation for a campaign,” “the follow-up work after a campaign,” “the system of cards for the prayer tent and the healing line” and the delicate issue of finances. As the association grew in importance in the 1950s, the program was frequently headed by Roberts or Branham; though every new revivalist aspired to be a speaker on the program.
The Voice of Healing family of evangelists flowered in the early 1950s. Lindsay continued to publicize Branham’s work, although he was not formally associated with the organization; the nucleus of the fellowship was an influential clique which included O. L. Jaggers, William Freeman, Jack Coe, T. L. Osborn, A. A. Allen, and Velmer Gardner.
Gradually major ministries began their own magazines and had no further need for Voice of Healing promotion. Nevertheless, by 1954 the “associate editors and evangelists” listed in The Voice of Healing numbered nearly fifty.
Though Lindsay became personally involved with healing evangelism from 1949, especially with other revivalists such as T. L. Osborn, he confined his best work to organization and management of the Voice of Healing magazine. By 1956 the expenses of the Voice of Healing were running $1,000 a day. In addition to the national and regional conventions sponsored by his organization, Lindsay also began to sponsor missions and a radio program.
“Lindsay was more than an advisor during the first decade of the healing revival; he was much like the director of an unruly orchestra. He tried desperately to control the proliferation of ministries in an effort to keep the revival respectable. He repeatedly advised, “It is better for one to go slow. Get your ministry on a solid foundation. . . . By all means avoid Hollywood press agent stuff.”
Many of the new leaders of the early 1950s owed their early success to the literary support of Gordon Lindsay through the Voice of Healing, but by 1958, many of the revivalists believed that Lindsay’s work was over.
An evolving ministry
Lindsay’s efforts to consolidate and coordinate the healing movement and its ministries became an impossible task. The increasing independence of ministries and the burgeoning charismatic movement caused Lindsay to reconsider his goals. He took the example of T. L. Osborn and concentrated on missionary endeavours. He remained the historian and theologian of the healing movement but began to produce teaching and evangelistic materials which were sent across the world.
The Voice of Healing ultimately became Christ for the Nations. Native church programs, literature, teaching tapes and funds were distributed to hundreds of locations. The organization had changed from one of healing revivalists into an important missionary society.
His ministry was always to those involved in the healing revival, independents and mainline Pentecostals, but the new charismatics – Lutherans, Methodists and Baptists – became his new audience. His encouragement of, and involvement with, the Full Gospel Businessmen’s Fellowship was designed to provide teaching and wisdom for charismatic leaders, many of whom held Lindsay in high regard.
His death on April 1st 1971
Suddenly, on April 1, 1973, Gordon Lindsay died. His wife, Freda, stepped into the breach and was able to stabilize and advance the ministry of Christ for the Nations. Lindsay’s death brought unparalleled financial support paying off all debts and expanding most of its programs.
David Harrel summarises the life of Gordon Lindsay perfectly: ‘The death of Gordon Lindsay closed a major chapter in the charismatic revival. No single man knew the revival and its leaders so well. No man understood its origins, its changes, and its diversity as did Lindsay. A shrewd manager and financier, Lindsay had been as nearly the coordinator of the healing revival as any man could be.
When the revival began to wane, Lindsay was faced with a crisis more severe than those of most of the evangelists themselves. Never a dynamic preacher, he found himself virtually abandoned by his most successful protégés. But Lindsay proved able to adapt. Always a balanced person, Lindsay built a balanced and enduring ministry.’
Tony Cauchi
The Soundtrack of Heaven
The book of Revelation confuses many Christians. Filled with beasts, angels, living creatures, wars, lightning, thunder, prophecies, and visions, its story can be a bit overwhelming for any of us. Something like a Marvel movie on steroids. Not surprisingly, scholars differ widely on what it all means. Some try to tie it to actual people and events in history. Others assign most of Revelation to the future. Still others believe God is giving us repeated descriptions of what is taking place now in the church age. Wherever we land on the bigger picture, Revelation gives us a series of windows into reality that are both hard to miss and easier to understand: its songs. Woven into the fabric of the book are around a dozen choruses, both spoken and sung. That shouldn’t surprise us given how often in Scripture drawing near to God is expressed and encouraged through singing. But these songs of heaven are unique. They’re written by God himself, and they show us what singing in God’s presence will really be like. And we may be singing some form of these particular choruses forever. Even now, though, they have much to teach us. Songs of Exuberance Let’s admit it. The descriptions of the singing of heaven put the sound of any rock concert or sports stadium to shame, not to mention most churches. Myriads of myriads and thousands of thousands, saying with a loud voice . . . (Revelation 5:11–12) And I heard every creature in heaven and on earth and under the earth and in the sea . . . (Revelation 5:13) And all the angels . . . fell on their faces before the throne. (Revelation 7:11) Then I heard what seemed to be the voice of a great multitude, like the roar of many waters and like the sound of mighty peals of thunder . . . (Revelation 19:6) “The example of heaven challenges the assumption that congregational worship should be reserved and subdued.” Both audibly and visually, we’re confronted with the fact that those who truly grasp God’s nature and what he’s accomplished will be moved to sing. As Dennis Johnson writes, Revelation shows us that “those who dwell with God in heaven constantly break forth in song, overwhelmed with joy and adoration by his perfections in himself and by his awesome achievements in creation and redemption” (Triumph of the Lamb, 330). The example of heaven challenges the assumption that congregational worship should be reserved and subdued. While we cite proof texts, claim to honor tradition, and avoid looking too fanatical, might it be that we’re actually just failing to see how great God’s glory in Christ really is? Songs of Explanation Heaven’s songs give us insight into the character of God, the works of his hands, and why he does what he does. We don’t hear any of the simple, repetitious 7-11 songs (7 words repeated 11 times — or more!) that are so popular today. Rather, the lyrics shed real light on what’s happening in the world and in the heavenly throne room. ILLUMINATING HOLINESS For instance, at the beginning of Revelation 4, John is shown an open door in heaven. He paints a moving picture of what he sees and hears. A throne. An emerald-like rainbow. Flashes of lightning. Peals of thunder. But what does it all mean? Revelation 4:8 tells us: Holy, holy, holy, is the Lord God Almighty, who was and is and is to come! God is thrice holy — righteous, omnipotent, eternal, set apart. The song of verse 11 further explains that God created all things and sustains all things for his pleasure: Worthy are you, our Lord and God, to receive glory and honor and power, for you created all things, and by your will they existed and were created. (Revelation 4:11) UNFOLDING REDEMPTION At the beginning of chapter 5, John hears a new song, sung to the Lamb: Worthy are you to take the scroll and to open its seals, for you were slain, and by your blood you ransomed people for God from every tribe and language and people and nation, and you have made them a kingdom and priests to our God, and they shall reign on the earth. (Revelation 5:9–10) The Lamb could open the scroll because he was slain, a reference to his substitutionary death on the cross. His death ransomed people for God from every tribe, language, people, and nation, a reference to the international scope of the gospel invitation. The ransomed will be a kingdom and priests to God who will reign forever on earth, a statement showing that God’s promise to make Israel “a kingdom of priests and a holy nation” (Exodus 19:6) was fulfilled in the church, made up of both Jews and Gentiles. In short, despite the turmoil and tests of the present age, God will surely have a diverse people for his glory with whom he will live forever. After an outpouring of praise for the Lamb’s attributes (Revelation 5:12), we hear another song, declaring Jesus’s divinity as clearly as any passage in Scripture: “To him who sits on the throne and to the Lamb be blessing and honor and glory and might forever and ever!” (Revelation 5:13). In a similar way, our songs should be filled with the character, nature, purposes, actions, and heart of God. Words don’t get in the way of worship. They give substance and meaning to it. Songs of Encouragement When God gave John the prophecy of Revelation, Christians were already facing varying degrees of persecution, and it was expected to increase. Pressures to conform to a pagan culture, and even to participate in the idolatry of emperor worship, came at Christians from every direction. What would give John’s readers faith to endure and courage to stand against opposition? What would strengthen their resolve as they saw friends and family members taken from their homes and martyred for their allegiance to King Jesus? The knowledge that God’s throne is immovable, sovereign, and eternal. The saints needed to be reminded that, in the heavenly realms, God’s authority and rule are not only affirmed, but celebrated: The kingdom of the world has become the kingdom of our Lord and of his Christ. (Revelation 11:15) We give thanks to you, Lord God Almighty, who is and who was, for you have taken your great power and begun to reign. (Revelation 11:17) Hallelujah! Salvation and glory and power belong to our God, for his judgments are true and just; for he has judged the great prostitute who corrupted the earth with her immorality, and has avenged on her the blood of his servants. (Revelation 19:1–2) How often do our songs both detail the forces of evil arrayed against us and point us clearly to the God who has triumphed over them in Christ? David Peterson asks, Do our hymns and acclamations . . . challenge us to take a firm stand against every manifestation of Satan’s power and to bear faithful witness to the truth of the gospel in our society? It is not good enough to sing certain items merely because they make the congregation feel good! (Engaging with God, 278) “Words don’t get in the way of worship. They give substance and meaning to it.” When we sing together, our strength comes not from aiming to feel and emote, but to see and hear. We want to see God reigning on his throne with absolute justice, wisdom, and power over every terrorist, virus, dictator, and manifestation of evil in our day. And we want to hear and join in the cries of jubilation that are already ascending to the God who can do all things and whose purposes cannot be thwarted (Job 42:2). Songs of Expectation Endurance is one thing. Expectation is another. It’s possible to sing through dark seasons, discouraging outcomes, heart-wrenching losses, relentless opposition, and dwindling resources with grit, resolve, and stoicism. But that doesn’t describe the songs of heaven. Not even close. They’re marked by joy. And that joy stems from a confident expectation that God will accomplish everything he has promised. The final songs of Revelation describe God overcoming all evil, the nations bowing down in worship, and the bride of Christ finally beholding her groom, King Jesus, at a never-ending royal celebration of grace. All nations will come and worship you, for your righteous acts have been revealed. (Revelation 15:4) Hallelujah! For the Lord our God the Almighty reigns. Let us rejoice and exult and give him the glory, for the marriage of the Lamb has come, and his Bride has made herself ready; it was granted her to clothe herself with fine linen, bright and pure. (Revelation 19:6–8) Do our songs help people clearly understand that what’s yet to come is not only certain but worth celebrating now? Do we fill them with anticipation for our glorious future in Christ, when “all the waiting will be over, every sorrow will be healed, all the dreams it seemed could never be will all be real”? Our songs help bring into sharper focus the things hoped for and unseen that God has promised to us. Transformed Through Singing Will our earthly songs look and sound exactly like the songs of heaven? No. But can the songs of heaven motivate us to sing with greater passion, understanding, confidence, and anticipation now? Absolutely. G.K. Beale writes, Is it possible . . . that, as we declared the same truths about God as the heavenly beings do, the same Holy Spirit who is pictured as being before the throne would deepen and transform our understanding of God and his glory in a way that touches our whole being, in its spiritual, intellectual, emotional, and even physical components? (Revelation: A Shorter Commentary, 108) It’s not only possible. It’s God’s intention. So, may we joyfully model our singing after the songs of heaven until, by the grace of God, they are no longer just a worthy goal, but the sound of present reality. Article by Bob Kauflin
