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About the Book
"The Power of a Praying Nation" by Stormie Omartian is a guide for individuals and communities to unite in prayer for their nation. The book emphasizes the importance of seeking God's wisdom, protection, and guidance through prayer to bring about positive change in the country. It offers practical tips and examples to help readers deepen their prayer life and make a difference in their nation through the power of prayer.
C.S. Lewis
C.S. Lewis was a prolific Irish writer and scholar best known for his 'Chronicles of Narnia' fantasy series and his pro-Christian texts.
Who Was C.S. Lewis?
Writer and scholar C.S. Lewis taught at Oxford University and became a renowned Christian apologist writer, using logic and philosophy to support the tenets of his faith. He is also known throughout the world as the author of The Chronicles of Narnia fantasy series, which have been adapted into various films for the big and small screens.
Early Life
Clive Staples Lewis was born in Belfast, Ireland, on November 29, 1898, to Flora August Hamilton Lewis and Albert J. Lewis. As a toddler, Clive declared that his name was Jack, which is what he was called by family and friends. He was close to his older brother Warren and the two spent much time together as children.
Lewis was enraptured by fantastic animals and tales of gallantry, and hence the brothers created the imaginary land of Boxen, complete with an intricate history that served them for years. Lewis' mother died when he was 10, and he went on to receive his pre-college education at boarding schools and from a tutor. During WWI, he served with the British army and was sent home after being wounded by shrapnel. He then chose to live as a surrogate son with Janie Moore, the mother of a friend of Lewis' who was killed in the war.
Teaching Career at Oxford and Wartime Broadcasts
Lewis graduated from Oxford University with a focus on literature and classic philosophy, and in 1925 he was awarded a fellowship teaching position at Magdalen College, which was part of the university. There, he also joined the group known as The Inklings, an informal collective of writers and intellectuals who counted among their members Lewis' brother Warren and J.R.R. Tolkien. It was through conversations with group members that Lewis found himself re-embracing Christianity after having become disillusioned with the faith as a youth. He would go on to become renowned for his rich apologist texts, in which he explained his spiritual beliefs via platforms of logic and philosophy.
Lewis began publishing work including Spirits in Bondage in 1919 and the satirical Dymer in 1926. After penning other titles — including The Allegory of Love (1936), for which he won the Hawthornden Prize — he released in 1938 his first sci-fi work, Out of the Silent Planet, the first of a space trilogy which dealt sub-textually with concepts of sin and desire. Later, during WWII, Lewis gave highly popular radio broadcasts on Christianity which won many converts; his speeches were collected in the work Mere Christianity.
Books and Film Legacy
Lewis was a prolific author of fiction and nonfiction who wrote dozens of books over the course of his career. His faith-based arguments as seen in texts like The Great Divorce (1946) and Miracles (1947) are held in high regard by many theologians, scholars and general readers. His satirical fiction novel The Screwtape Letters (1942) is also a beloved classic. Lewis also continued his love affair with classic mythology and narratives during his later years: His book Till We Have Faces: A Myth Retold (1956) featured the story of Psyche and Cupid. He also penned an autobiography, Surprised by Joy: The Shape of My Early Life (1955).
Lewis' landmark series, The Chronicles of Narnia, has seen a number of on-screen iterations, including a cartoon version of The Lion, The Witch and the Wardrobe that was released in 1979 and a 1989 film series. Additionally, in 2005, a big-screen adaptation of The Lion, The Witch and the Wardrobe hit movie theaters, starring Tilda Swinton as the witch Jadis and Liam Neeson as the voice of Aslan. Two more Narnia films were brought to theaters as well: Prince Caspian (2008) and The Voyage of the Dawn Treader (2010). A movie version of The Silver Chair was slated to hit theaters in the near future, with filming starting in the winter of 2018.
Lewis' relationship with his wife, Joy, has also been depicted in Shadowlands, presented as a play and two films; one of the film versions was directed by Richard Attenborough and starred Anthony Hopkins as Lewis.
'The Chronicles of Narnia'
During the 1940s, Lewis began writing the seven books that would comprise The Chronicles of Narnia children's series, with The Lion, The Witch and the Wardrobe (1950) being the first release. The story focused on four siblings who, during wartime, walk through an armoire to enter the magical world of Narnia, a land resplendent with mythical creatures and talking animals. Throughout the series, a variety of Biblical themes are presented; one prominent character is Aslan, a lion and the ruler of Narnia, who has been interpreted as a Jesus Christ figure. (Lewis would assert that his Narnia stories weren't a direct allegory to the real world.)
Though the book received some negative reviews, it was generally well-received by readers, and the series retained its international popularity over the following decades.
Marriage
In 1954, Lewis joined the faculty of Cambridge University as a literature professor, and in 1956 he married an American English teacher, Joy Gresham, with whom he had been in correspondence. Lewis was full of happiness during the years of their marriage, though Gresham died of cancer in 1960. Lewis grieved deeply for his wife and shared his thoughts in the book A Grief Observed, using a pen name.
Death
In 1963, Lewis resigned from his Cambridge position after experiencing heart trouble. He died on November 22, 1963, in Headington, Oxford.
The Blissful and Trivial Life - How Entertainment Deprives a Soul
When we, as a society, stopped reading and started watching, we began thinking and talking less — at least with the same substance or effectiveness. That was the bright red flag Neil Postman began waving in the sixties, captured for future generations in his classic work, Amusing Ourselves to Death. The book was published in 1985, the year before I was born. With the introduction of the television, Postman observed, entertainment did not merely become a bigger and bigger part of our lives — it became our lives. And everything else in our lives — news, politics, education, even religion — was increasingly forced to perform on its stage. Suddenly, everything had to be entertaining. Newspapers gave way to “the nightly news”; classroom lessons made their way to Sesame Street; worship services transformed into televised concerts with TED talks. “The television slowly taught us that nothing was worth our time unless it was entertaining.” The television slowly taught us that nothing was worth our time unless it was entertaining. And anything entertaining, almost by definition, requires less of us — less thinking, less study, less work. Entertainment, after all, isn’t meant to be taken seriously. But when everything is entertainment, doesn’t that mean little, if anything, can be taken seriously? For those who take the glory of God seriously, and our joy in him seriously, that becomes a very serious question. What Will Ruin Society? Postman warned about this devolution long before others noticed what was happening. He writes, [George] Orwell warns that we will be overcome by an externally imposed oppression. But in [Aldous] Huxley’s vision, no Big Brother is required to deprive people of their autonomy, maturity, and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think. What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. . . . In short, Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us. This book is about the possibility that Huxley, not Orwell, was right. (Amusing Ourselves to Death, xix) When he wrote those words, television had only been around for thirty years (invented much earlier, but not common in households until the fifties). The internet would not become publicly available until the 90s. Social media didn’t come along for another fifteen years (and really didn’t become widespread until the iPhone in 2007, several years after Postman died). If Postman was right about the early years of television, how much more today — a day when we no longer have to schedule time to sit and watch our favorite shows, but carry our entertainment with us literally everywhere we go? If entertainment could control our lives from a small box in the living room, how much more so when it’s nearly surgically attached to us on our phones? Postman, I believe, was more correct than even he realized — and the implications are not just social or cultural, but spiritual. Irrelevance Binds Us What makes television such a terror to the collective mind of a culture? Postman begins by arguing that the “medium is the metaphor.” Meaning, any given medium — whether text, television, or social media — doesn’t only distribute content, but unavoidably shapes the content. How we consume, he argues, is as important as what we consume. Mediums determine how we take in information. For instance, over time typography (despite its own limitations) generally taught us to follow arguments, test conclusions, and expose contradiction. Television, by contrast, consistently does away with arguments, strips away context, and darts from one image to the next. Television, however, not only teaches us a new way to process information, but it also floods us with information and from far beyond our everyday lives. The telegraph, of course, had begun doing this with words long before the television, but notice what was happening then, even with the telegraph: In the information world created by telegraphy, everything became everyone’s business. For the first time, we were sent information which answered no question we had asked, and which, in any case, did not permit the right of reply. We may say then that the contribution of the telegraph to public discourse was to dignify irrelevance and amplify impotence. (68–69) For the most part, the kind of information that would interest people in both Los Angeles and Minneapolis, would need to be nonessential to life in either place (irrelevance), and all the more so with news from around the globe. Stories had to transcend ordinary life in a real place (part of the appeal for people looking to escape the malaise of ordinary life). And, for the most part, the information had to be the kind of information neither could do anything about (impotence). Postman asks a pointed question of all our media consumption: “How often does it occur that information provided you on morning radio or television, or in the morning newspaper, causes you to alter your plans for the day, or to take some action you would not otherwise have taken, or provides insight into some problem you are required to solve?” (68). Television only made the irrelevance that much more accessible and that much more appealing (actual images and videos of celebrities doing everyday activities as opposed to the short descriptions the telegraph could produce). And how much more is this the case through social media? We know more and more about our favorite athletes, actors, and musicians and yet often less and less about our neighbors and the places where we might actually make a difference. Worth a Thousand Images But isn’t a picture worth a thousand words? In 1921, the marketer Fred Bernard famously said so, promoting the use of images for advertising on the side of streetcars. He was probably right as far as streetcars go. If you want to make a memorable impression on someone in a couple seconds, by all means use a picture — but is this effective communication or just effective marketing? Maybe it’s more accurate to say a picture is worth a thousand more sales, or clicks, or likes. Even then, though, can a picture really convey what a consumer needs to know about a new phone, or clothing line, or dish soap? For serious shoppers, haven’t we learned that one coherent sentence of honest description might be worth a thousand pictures? Postman saw that as images overtake words as the dominant form of communication in a society, communication invariably suffers. “I will try to demonstrate that as typography move to the periphery of our culture and television takes to place at the center, the seriousness, clarity and, above all, value of public discourse dangerously declines” (29). We descend into “a vast triviality,” he says. We get sillier. As he attempts to summarize his warning to the ever-entertained, he says, “Our Ministry of Culture is Huxleyan, not Orwellian. It does everything possible to encourage us to watch continuously. But what we watch is a medium which presented information in a form that renders it simplistic, nonsubstantive, nonhistorical, and noncontextual; That is to say, information packaged as entertainment. In America, we are never denied the opportunity to amuse ourselves” (141). In the Beginning Was the Word According to Neil Postman, America (and much of the modern world) has laid our collective minds on the altar of entertainment. But why should followers of Christ care about television (or websites or social media)? Should we spend much time worrying about how much we watch and how little we read? Yes, because the fullest Christian life is firmly anchored in words and sentences and paragraphs. When God revealed himself to his chosen people, of all the infinite ways he could have done so, he chose to unveil himself with words. “Long ago, at many times and in many ways, God spoke to our fathers by the prophets, but in these last days he has spoken to us by his Son” (Hebrews 1:1–2). God didn’t build a gallery or start a YouTube channel, he wrote a Book (2 Timothy 3:16). “In the beginning was the Word. . . . And the Word became flesh and dwelt among us, and we have seen his glory, glory as of the only Son from the Father, full of grace and truth” (John 1:1, 14). From the beginning, God has put the Word, his Son, at the center of reality, and, in doing so, he has given words unusual power and importance in anticipating, explaining, and celebrating him. Yes, the heavens are declaring the glory of God (Psalm 19:1). Yes, his eternal power and divine nature have been seen, from the beginning, in the things that have been made (Romans 1:20). But “faith comes from hearing, and hearing through the word of Christ” (Romans 10:17). For now, faith looks “not to the things that are seen but to the things that are unseen. For the things that are seen are transient, but the things that are unseen are eternal” (2 Corinthians 4:18). And we look to the unseen through words. We may see God in mountains and oceans and galaxies, but we only know him savingly through sentences. He wrote the story that way. Serious Joy in Silly Days If the way we’re using entertainment erodes our ability to reflect, reason, and savor truth, it erodes our ability to know and enjoy Jesus. “Blessed is the man . . . [whose] delight is in the law of the Lord, and on his law he meditates day and night” (Psalm 1:1–2). If we lose the ability to think, we lose the ability to meditate. And if we lose the ability to meditate, we lose our path to meaningful happiness. The life of the mind, and heart, is a pivotal battleground in the pursuit of real and abundant life. “The life of the mind is a pivotal battleground in the pursuit of real and abundant life.” The medium is not the enemy — television and YouTube and Instagram are not the enemy. But if Postman was right, the medium can be wielded by our world, our flesh, and our enemy when we soak up entertainment and ignore the consequences. What, if any, of your entertainment habits need to be curbed or redirected for the sake of your soul? What are ways you are seeking to cultivate the spiritual gift of your mind — slower Bible study or memorization, reading substantive books, meaningful conversation with friends, more time in unhurried reflection and meditation? As we learn to guard and nurture our minds as our God-given pathways to God, the kinds of mindless entertainment that are undoing millions today will be far less appealing and far less dangerous. And we will find pleasures deeper, and far more enduring, than what we see on our screens. Article by Marshall Segal Staff writer, desiringGod.org