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The Red Gloves Collection The Red Gloves Collection

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  • Author: Karen Kingsbury
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About the Book


"THE RED GLOVES COLLECTION" by Karen Kingsbury is a heartwarming collection of Christmas stories that follow individuals who experience love, hope, and redemption during the holiday season. From small-town romance to unexpected miracles, each story showcases the power of faith and the Christmas spirit.

Steven Curtis Chapman

Steven Curtis Chapman Steven Curtis Chapman is an American Christian musician, singer, song writer, record producer, actor, author and social activist. He is the only artist in the history of music to have won 56 Gospel Music Association Dove Awards and is also a proud receiver of 5 Grammy Awards. His music is known for being a unique cross between country music, soft rock and orchestrated pop, which made him a prominent artist in the contemporary Christian music circuit of the 1980s. Chapman grew up in a humble environment where he found his calling for music, owing to his father’s inclination towards country music. He learnt to play instruments like guitar and piano just by hanging around in his father’s music store, listening to him play along with his friends. He took up music seriously when he moved to Nashville and got recognized by Sparrow Records, a company he stayed with for a long period in his career. He has released 19 studio albums and has sold over 10 million albums until now. Chapman is a family oriented person just like his father and has a big family comprising of his wife Mary Beth and 3 biological and 2 adopted children. He is a vocal advocate for adoption and has worked socially to eradicate the problem of youth violence. Childhood & Early Life Steven Curtis Chapman was born on November 21, 1962 in Paducah, Kentucky, to Herb and Judy Chapman. His father was a country singer and songwriter, who turned down opportunities to become a successful singer to concentrate on his family. His mother was a stay-at-home mom. His father owned a music store, a business he managed from his basement and used to play music with his friends. Such creative environment at home influenced Chapman’s life from very early on and he bought his first guitar at 6. Chapman joined as a pre-med student at Georgetown College in Kentucky but after few semesters he moved to Anderson College, Indiana. But he ultimately dropped the idea of studying and went to Nashville to pursue his first love, music. During 1980s, he wrote a song ‘Built to Last’, which gained huge popularity after getting recorded by a gospel group ‘The Imperials’. The success of the song fetched Chapman a songwriting deal with Sparrow Records. Career Chapman’s first official album ‘First Hand’ was released in 1987. The album was an instant hit with singles like ‘Weak Days’ and topped at number 2 on the Contemporary Christian Music chart. The album had a mix of country music with soft rock and pop. In 1988, following the success of his first album, Chapman released ‘Real Life Conversations’. Its hit single ‘His Eyes’ received the ‘Contemporary Recorded Song of the Year’ award from the ‘Gospel Music Association’. He co-wrote it with James Isaac Elliot. After a few years, he made a swift turn to mainstream music with his album ‘The Great Adventure’ in 1992. It earned him two Grammy awards for the album and for the title song of the album. After gaining consistent success with albums like ‘Heaven in the Real World (1994), ‘Signs of Life (1996) and ‘Speechless (1999), Chapman’s next great album ‘Declaration’ came out in 2001, for which he toured 70 cities. In 2003, ‘All About Love’ was released and it ranked at Top 15 on the Christian Music charts. It was released under Sparrow Records and Chapman very humbly credited his wife Mary Beth for being the inspiration for his album. ‘All Things New’ was released in 2004 and the album added another Grammy to Chapman’s proud award collection. This time he received it in the category of Best Pop/Contemporary Gospel Album. It was also nominated for the Dove Award. In 2005, ‘All I Really Want for Christmas’ was released, which was Chapman’s another successful Christmas album after ‘The Music of Christmas’. It had traditional holiday tunes and favorites like ‘Go Tell It on the Mountain’ and Silver Bells’. Chapman took his music to greater levels by taking his concert to South Korea for the U.S. troops who were serving there in 2006. It was the first Christian concert that ever performed for the American army in that country. In 2007, he released ‘This Moment’ which included hit singles like ‘Cinderella’, for which he was chosen for WOW Hits 2009. He also went on his ‘Winter Jam’ tour and took his sons’, Caleb and Will’s band along. ‘Beauty Will Rise’, Chapman’s seventeenth album, was released in 2009. It is said that he wrote the songs of the album after getting inspired by his daughter Maria Sue’s sad and untimely demise. It included songs like ‘Meant to Be’ and ‘Re:creation’. In 2012, Chapman finally parted ways with Sparrow Records, the record company that he remained loyal to for so many years. He was signed on by Sony’s Provident Label Group and came out with a Christmas album called ‘JOY’. ‘The Glorious Unfolding’ was released in 2013 under Reunion Records and it peaked on number 27 on the Billboard 200 and was number 1 Top Christian Album. The album was produced by Chapman himself and Brent Milligan. Major Works Chapman’s ‘The Great Adventure’ in 1992 was a turning point in his musical career because until now he was making soft and contemporary country music but with ‘The Great Adventure’ he targeted the mainstream audience and tasted huge commercial success for the first time. Awards & Achievements Chapman is the winner of five Grammy awards for albums like ‘For the Sake of the Call’ ‘The Great Adventure’ ‘The Live Adventure’, ‘Speechless’ and ‘All Things New’. He has also received 56 Gospel Music Association Dove Awards, more than any other artist. Personal Life & Legacy Chapman got married to Mary Beth in 1984 after they first met at Anderson University in Indiana. They have three biological children: Emily, Caleb and Will and three adopted children: Shaohannah, Stevey and Maria, together. In 2008, Chapman’s youngest son Will ran over his car by accident on his adopted daughter Maria Sue Chunxi Chapman. She was running towards him to meet him but he did not see her and she was pronounced dead on arrival at the hospital. Trivia Chapman’s wife Mary Beth Chapman has written and released a book about losing her youngest daughter called ‘Choosing to SEE: A Journey of Struggle and Hope’. Chapman and his wife have written three children's books with adoption themes: ‘Shaoey And Dot: Bug Meets Bundle’ (2004), ‘Shaoey and Dot: The Christmas Miracle’ (2005), and ‘Shaoey and Dot: A Thunder and Lightning Bug Story’ (2006). He has received an Honorary Doctorate of Music from Anderson University.

The Blissful and Trivial Life - How Entertainment Deprives a Soul

When we, as a society, stopped reading and started watching, we began thinking and talking less — at least with the same substance or effectiveness. That was the bright red flag Neil Postman began waving in the sixties, captured for future generations in his classic work, Amusing Ourselves to Death. The book was published in 1985, the year before I was born. With the introduction of the television, Postman observed, entertainment did not merely become a bigger and bigger part of our lives — it became our lives. And everything else in our lives — news, politics, education, even religion — was increasingly forced to perform on its stage. Suddenly, everything had to be entertaining. Newspapers gave way to “the nightly news”; classroom lessons made their way to Sesame Street; worship services transformed into televised concerts with TED talks. “The television slowly taught us that nothing was worth our time unless it was entertaining.” The television slowly taught us that nothing was worth our time unless it was entertaining. And anything entertaining, almost by definition, requires less of us — less thinking, less study, less work. Entertainment, after all, isn’t meant to be taken seriously. But when everything is entertainment, doesn’t that mean little, if anything, can be taken seriously? For those who take the glory of God seriously, and our joy in him seriously, that becomes a very serious question. What Will Ruin Society? Postman warned about this devolution long before others noticed what was happening. He writes, [George] Orwell warns that we will be overcome by an externally imposed oppression. But in [Aldous] Huxley’s vision, no Big Brother is required to deprive people of their autonomy, maturity, and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think. What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. . . . In short, Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us. This book is about the possibility that Huxley, not Orwell, was right. (Amusing Ourselves to Death, xix) When he wrote those words, television had only been around for thirty years (invented much earlier, but not common in households until the fifties). The internet would not become publicly available until the 90s. Social media didn’t come along for another fifteen years (and really didn’t become widespread until the iPhone in 2007, several years after Postman died). If Postman was right about the early years of television, how much more today — a day when we no longer have to schedule time to sit and watch our favorite shows, but carry our entertainment with us literally everywhere we go? If entertainment could control our lives from a small box in the living room, how much more so when it’s nearly surgically attached to us on our phones? Postman, I believe, was more correct than even he realized — and the implications are not just social or cultural, but spiritual. Irrelevance Binds Us What makes television such a terror to the collective mind of a culture? Postman begins by arguing that the “medium is the metaphor.” Meaning, any given medium — whether text, television, or social media — doesn’t only distribute content, but unavoidably shapes the content. How we consume, he argues, is as important as what we consume. Mediums determine how we take in information. For instance, over time typography (despite its own limitations) generally taught us to follow arguments, test conclusions, and expose contradiction. Television, by contrast, consistently does away with arguments, strips away context, and darts from one image to the next. Television, however, not only teaches us a new way to process information, but it also floods us with information and from far beyond our everyday lives. The telegraph, of course, had begun doing this with words long before the television, but notice what was happening then, even with the telegraph: In the information world created by telegraphy, everything became everyone’s business. For the first time, we were sent information which answered no question we had asked, and which, in any case, did not permit the right of reply. We may say then that the contribution of the telegraph to public discourse was to dignify irrelevance and amplify impotence. (68–69) For the most part, the kind of information that would interest people in both Los Angeles and Minneapolis, would need to be nonessential to life in either place (irrelevance), and all the more so with news from around the globe. Stories had to transcend ordinary life in a real place (part of the appeal for people looking to escape the malaise of ordinary life). And, for the most part, the information had to be the kind of information neither could do anything about (impotence). Postman asks a pointed question of all our media consumption: “How often does it occur that information provided you on morning radio or television, or in the morning newspaper, causes you to alter your plans for the day, or to take some action you would not otherwise have taken, or provides insight into some problem you are required to solve?” (68). Television only made the irrelevance that much more accessible and that much more appealing (actual images and videos of celebrities doing everyday activities as opposed to the short descriptions the telegraph could produce). And how much more is this the case through social media? We know more and more about our favorite athletes, actors, and musicians and yet often less and less about our neighbors and the places where we might actually make a difference. Worth a Thousand Images But isn’t a picture worth a thousand words? In 1921, the marketer Fred Bernard famously said so, promoting the use of images for advertising on the side of streetcars. He was probably right as far as streetcars go. If you want to make a memorable impression on someone in a couple seconds, by all means use a picture — but is this effective communication or just effective marketing? Maybe it’s more accurate to say a picture is worth a thousand more sales, or clicks, or likes. Even then, though, can a picture really convey what a consumer needs to know about a new phone, or clothing line, or dish soap? For serious shoppers, haven’t we learned that one coherent sentence of honest description might be worth a thousand pictures? Postman saw that as images overtake words as the dominant form of communication in a society, communication invariably suffers. “I will try to demonstrate that as typography move to the periphery of our culture and television takes to place at the center, the seriousness, clarity and, above all, value of public discourse dangerously declines” (29). We descend into “a vast triviality,” he says. We get sillier. As he attempts to summarize his warning to the ever-entertained, he says, “Our Ministry of Culture is Huxleyan, not Orwellian. It does everything possible to encourage us to watch continuously. But what we watch is a medium which presented information in a form that renders it simplistic, nonsubstantive, nonhistorical, and noncontextual; That is to say, information packaged as entertainment. In America, we are never denied the opportunity to amuse ourselves” (141). In the Beginning Was the Word According to Neil Postman, America (and much of the modern world) has laid our collective minds on the altar of entertainment. But why should followers of Christ care about television (or websites or social media)? Should we spend much time worrying about how much we watch and how little we read? Yes, because the fullest Christian life is firmly anchored in words and sentences and paragraphs. When God revealed himself to his chosen people, of all the infinite ways he could have done so, he chose to unveil himself with words. “Long ago, at many times and in many ways, God spoke to our fathers by the prophets, but in these last days he has spoken to us by his Son” (Hebrews 1:1–2). God didn’t build a gallery or start a YouTube channel, he wrote a Book (2 Timothy 3:16). “In the beginning was the Word. . . . And the Word became flesh and dwelt among us, and we have seen his glory, glory as of the only Son from the Father, full of grace and truth” (John 1:1, 14). From the beginning, God has put the Word, his Son, at the center of reality, and, in doing so, he has given words unusual power and importance in anticipating, explaining, and celebrating him. Yes, the heavens are declaring the glory of God (Psalm 19:1). Yes, his eternal power and divine nature have been seen, from the beginning, in the things that have been made (Romans 1:20). But “faith comes from hearing, and hearing through the word of Christ” (Romans 10:17). For now, faith looks “not to the things that are seen but to the things that are unseen. For the things that are seen are transient, but the things that are unseen are eternal” (2 Corinthians 4:18). And we look to the unseen through words. We may see God in mountains and oceans and galaxies, but we only know him savingly through sentences. He wrote the story that way. Serious Joy in Silly Days If the way we’re using entertainment erodes our ability to reflect, reason, and savor truth, it erodes our ability to know and enjoy Jesus. “Blessed is the man . . . [whose] delight is in the law of the Lord, and on his law he meditates day and night” (Psalm 1:1–2). If we lose the ability to think, we lose the ability to meditate. And if we lose the ability to meditate, we lose our path to meaningful happiness. The life of the mind, and heart, is a pivotal battleground in the pursuit of real and abundant life. “The life of the mind is a pivotal battleground in the pursuit of real and abundant life.” The medium is not the enemy — television and YouTube and Instagram are not the enemy. But if Postman was right, the medium can be wielded by our world, our flesh, and our enemy when we soak up entertainment and ignore the consequences. What, if any, of your entertainment habits need to be curbed or redirected for the sake of your soul? What are ways you are seeking to cultivate the spiritual gift of your mind — slower Bible study or memorization, reading substantive books, meaningful conversation with friends, more time in unhurried reflection and meditation? As we learn to guard and nurture our minds as our God-given pathways to God, the kinds of mindless entertainment that are undoing millions today will be far less appealing and far less dangerous. And we will find pleasures deeper, and far more enduring, than what we see on our screens. Article by Marshall Segal Staff writer, desiringGod.org

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