About the Book
"Omoshalewa" is a novel that tells the story of a young Nigerian girl named Omoshalewa who navigates the challenges and opportunities of growing up in a traditional Yoruba family. The novel explores themes of family, love, cultural expectations, and personal identity as Omoshalewa journeys through adolescence and into adulthood, facing both triumphs and tribulations along the way.
Johnny Cash
Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences.
Who Was Johnny Cash?
Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin.
Early Life
Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops.
Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields.
From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice.
Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career.
Military Service and Musical Aspirations
In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic.
It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started."
After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel.
Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice."
Johnny Cash and the Tennessee Two
In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song.
The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts.
Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town."
Drugs and Divorce
By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs.
But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce.
Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death."
Remarriage and Revival
Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968.
With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans.
The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash.
The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame.
Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa.
Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery.
But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography.
Final Years, Death and Legacy
Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998.
Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation.
Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track.
"Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'"
That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter.
In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty.
Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down.
"I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore."
In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.
The Very First Prayer
From the opening chapters of the Bible, God makes it clear that humanity was created to enjoy life with God, and God in life — to experience the radiance of his presence and listen to him speak “close up.” Adam and Eve walked with God in the garden, which God himself has provided for this very purpose. And they are charged to turn the whole of creation into a place where God can be known and enjoyed (see Genesis 1:28 and 2:15–16). Relating to God, for them, was natural and unhindered. After the events of Genesis 3, of course, everything gets so much harder. “From the opening chapters of the Bible, God makes it clear that humanity was created to enjoy life with God.” God’s grand plan for his people and his world remains the same, but suddenly the way to God is littered with obstacles, as the ease of relating to God is replaced with struggle. In fact, it’s not altogether clear how our first parents are supposed to relate to God as they leave the now inaccessible garden behind (Genesis 3:24). The task they were commissioned to do in Genesis 1:28 remains, but it now will be tackled against the grain of a broken creation and without the immediate presence of the Creator. Which brings us to Genesis 4. First Recorded Prayer After the exclusion of the original couple from Eden, the narrative immediately jumps to the birth of Cain and then Abel. The intriguing note of Genesis 3:15 has set us up to expect an individual who is able to undo the recently created chaos of sin. Both brothers are pictured bringing offerings to God (the awareness of our obligation to the one who made us remains intact), but the violent events which follow do little beyond showing that the hope of humanity must be found elsewhere — and yet, remarkably, God has continued to speak to his people. Cain’s evil quickly spirals further out of control, as he settles down in a city (Genesis 4:17), rather than continuing to “fill the earth and subdue it,” and then fathers a dynasty of self-reliant men, culminating in the brutality of Lamech, who boasts to his wives that if anyone messes with him, he will exact disproportionate revenge (Genesis 4:24). At this point in the tragic narrative, we find these words: And Adam knew his wife again, and she bore a son and called his name Seth, for she said, “God has appointed for me another offspring instead of Abel, for Cain killed him.” To Seth also a son was born, and he called his name Enosh. At that time people began to call upon the name of the Lord. (Genesis 4:25–26) Initially, Genesis 4:25 raises our hopes. Cain and Abel are not to be the sole heirs of Adam — there is another son, Seth. Eve’s own words, highlighting that he is another “offspring” (same word in Genesis 3:15), lead us to expect more detail, and hopefully a bright counterpoint to the darkness of Cain and his line. However, we get no details whatsoever about Seth. He is born, and then his sole contribution to the unfolding plan of God is to sire a son, Enosh. Like his father, Enosh makes no contribution to the narrative beyond providing a descendant. All this makes it doubly puzzling when the birth of Enosh leads people to begin calling on the name of the Lord, apparently for the first time. Why Pray Now? The phrase “at that time” in the first five books of the Bible tends to introduce significant incidents (for example, Genesis 12:6; 38:1; Deuteronomy 1:9). In this case, the striking nature of the action (calling on the name of the Lord) is a further signal that something important is going on. But it is puzzling — what could possibly have occasioned this “new start” in humanity’s relationship with God? Seth is born, but does nothing else. Now Enosh is born, and similarly, there appears to be nothing remarkable about his birth. So what are we to make of this? What prompted them to seek God in this way now? It’s theoretically possible that this is simply a chronological note. Given the fact, however, that not one word is wasted in the opening chapters of the Bible, and every phrase seems loaded with significance for the unfolding narrative, this seems highly unlikely. Rather, it seems that starting to “call on the name of the Lord” is the right response to the fact that Cain and Abel, Seth and Enosh have all shown up, but there is, as yet, no sign of the promised Serpent-Crusher of Genesis 3:15. The waiting — and the appealing to God to act — has begun. We Ask for What He Promised This is the first address to God after the fall — and it is a cry to God to act by fulfilling his promises. In the Institutes, John Calvin says, “Just as faith is born from the gospel, so through it our hearts are trained to call upon God’s name” (III XX.21). I think that’s what’s going on here in Genesis 4. The announcement of Genesis 3:15 has brought gospel hope to life, which in turn leads God’s people to ask God to act. The gospel gives birth to gospel-shaped prayer. “Prayer is a means of communion with God, but far more often it is simply asking God to do what he has promised to do.” As we look at prayers throughout the Bible, it becomes increasingly apparent that they are dominated by this single concern: to see God act to fulfill his promises as he advances his plan of redemption in our world. That’s not to say, of course, that our relationship with God can be reduced to this one thing. There are lots of activities that we are invited or commanded to engage in as part of our relationship with God (like praise, or repentance, or intercession, or lament, or thanks). When it comes to prayer, however, the Bible seems to have a much narrower focus than we would normally allow. Prayer is a means of communion with God, but far more often it is simply asking God to do what he has promised to do. Until Prayer Is Unnecessary This simple observation, which flows naturally from Genesis 4:25–26, does cut through much of the guilt and confusion we often feel about prayer. Prayer begins with asking God to do his gospel work. This is presumably why Jesus can encourage us to pray unhypocritical, to-the-point kingdom prayers (Matthew 5:5–14). Prayer isn’t primarily communing with God, let alone twisting his arm, but asking God to do what he is already committed to doing (see Luke 11:5–13). It is easy to miss the significance of Genesis 4:25–26, but that doesn’t mean that it isn’t a beautifully gospel-shaped clue to how people like you and me are to relate to the God who loves us this side of the fall. We are to pray — asking God to do what he has promised — until that day when prayer is no longer needed, because all things have already been made new and all his promises have been brought to perfect fruition. But until then? We keep praying like people of the day of Seth and Enosh, asking God to act for our good and his glory. Article by Gary Millar