Fascinating Stories Of Forgotten Lives Order Printed Copy
- Author: Charles R Swindoll
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About the Book
In "Fascinating Stories of Forgotten Lives," author Charles R. Swindoll brings to light the often-overlooked stories of lesser-known biblical characters, demonstrating their profound impact on history and faith. Through engaging storytelling and insightful reflections, Swindoll reveals the timeless lessons and enduring truths found in the lives of these forgotten heroes and heroines of the Bible.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
Kneeling Among Lions - Learning to Pray Like Daniel
Tucked away in the book of Daniel, sandwiched between stories about fiery furnaces and lions on the one hand, and visions of statues, beasts, and rising kings on the other, is an extended prayer with a shockingly immediate answer. Daniel 9 contains an extended, earnest, and heartfelt prayer by the prophet. And before he even says “Amen,” the angel Gabriel is standing before him, ready to give insight and understanding to the broken-hearted prophet. What did Daniel pray that caused God to immediately dispatch an angel with an answer? And can Daniel’s prayer instruct us today in how to pray? Plot Against Prayer Daniel’s prayer is a dated prayer. “In the first year of Darius the son of Ahasuerus” (Daniel 9:1). And the particular timing mentioned draws attention to one of the most famous stories in the Bible. At the end of Daniel 5, Darius the Mede conquers the Chaldeans and dethrones Belshazzar. In chapter 6, he appoints 120 local rulers as governors over his kingdom, with high officials overseeing them. Daniel is one of these high officials. Indeed, he is distinguished above all of the high officials because of the excellent spirit (or is it Spirit?) residing in him (Daniel 6:1–3). Darius plans to elevate Daniel over all the other officials, provoking them to jealousy. They then plot to find fault with Daniel in hopes of bringing him down. After examining his life, they conclude, “We shall not find any ground for complaint against this Daniel unless we find it in connection with the law of his God” (Daniel 6:5). Soon enough, they do find a ground for complaint against Daniel — his habits of prayer. Daniel’s custom is to pray three times per day with an open window facing Jerusalem. The jealous officials manipulate Darius into passing an irrevocable decree against praying to anyone except the king (Daniel 6:6–9). And Daniel’s defiance of this decree famously lands him in the lions’ den (Daniel 6:10–16). What is the relevance for the prayer of Daniel 9? It’s likely that Daniel 9 is the sort of prayer that Daniel was praying with that famous window open. What’s more, if we’re attentive to the whole Scriptures, we can better understand why Daniel was praying with a window open facing Jerusalem. Solomon, Jeremiah, and Daniel In 1 Kings 8, Solomon is dedicating the temple of the Lord. As he nears the end of his prayer, he contemplates the possibility (and even likelihood) that the people of Israel will sin grievously against God. When they do, God will, in fulfillment of the warnings of Deuteronomy, give them over to their enemies so that Israel will be carried captive into a foreign land. Nevertheless, God will remain faithful to his promises and his people, even as he sends them into exile. In Solomon’s request, notice the specific direction his exiled people ought to pray: Yet if they turn their heart in the land to which they have been carried captive, and repent and plead with you in the land of their captors, saying, “We have sinned and have acted perversely and wickedly,” if they repent with all their heart and with all their soul in the land of their enemies, who carried them captive, and pray to you toward their land, which you gave to their fathers, the city that you have chosen, and the house that I have built for your name, then hear in heaven your dwelling place their prayer and their plea, and maintain their cause and forgive your people who have sinned against you, and all their transgressions that they have committed against you, and grant them compassion in the sight of those who carried them captive, that they may have compassion on them (for they are your people, and your heritage, which you brought out of Egypt, from the midst of the iron furnace). (1 Kings 8:47–51) Solomon specifically mentions repenting and praying from exile toward Israel, toward Jerusalem. Thus, Daniel’s actions make perfect sense. He is following Solomon’s instructions in hope that God will have compassion and restore his people. Beyond Solomon’s dedication, the immediate cause of Daniel’s prayer is Jeremiah’s prophecy concerning the seventy weeks. Recorded in Jeremiah 25, the prophet rebukes Israel for her stubbornness and promises God’s judgment through Nebuchadnezzar, king of Babylon, who will lay waste to Israel. Babylon will be triumphant for seventy years, after which God will bring judgment upon them for their own sins. Daniel has this prophecy in mind when he offers his own prayer of repentance (Daniel 9:2). Lessons from Daniel’s Prayer These particulars matter. Daniel offered this prayer at a specific moment in redemptive history, under the covenant that God made with Moses, during the time when Jerusalem was the center of the spiritual universe. Today we are in a different redemptive era, under the new covenant, when the heavenly Jerusalem is the center of the universe. Nonetheless, there are truths that span the covenants. Despite our differences in time, redemptive era, location, and circumstances, Daniel’s prayer was still “written for our instruction, that . . . we might have hope” (Romans 15:4). So how does Daniel’s prayer give us hope? Confess Clearly First, Daniel says “Amen” to God’s judgment. Daniel’s prayer is fundamentally a prayer of confession and repentance. Again and again, Daniel acknowledges the sin of God’s people. “We have sinned. We have done wrong. We have acted wickedly. We have rebelled. We have turned aside from your commandments. We have not listened to your prophets. We have committed treachery. We have not obeyed your voice.” Twenty times, Daniel acknowledges that Israel has sinned. You will look in vain for any rationalizations in this prayer. Daniel is not asking God to excuse Israel’s sin; he is asking God to forgive Israel’s sin. And forgiveness begins with saying “Amen” to God’s judgment. “Daniel teaches us to mince no words in confession, to use no euphemisms, to soft-pedal no transgressions.” And this instructs us. We all are prone to justify and rationalize our sin, to ask God to excuse us for what we’ve done, rather than asking him to forgive us for what we’ve done. But Daniel teaches us to mince no words in confession, to use no euphemisms, to soft-pedal no transgressions; indeed, the great variety of terms for sin and wickedness in his prayer teaches us to labor to be clear before God about the precise ways that we have fallen short of his standards. Remember Specifically Second, Daniel remembers God’s word and God’s works. In confessing, Daniel directly quotes Deuteronomy 7:9, and frames his prayer by Israel’s failure to obey the law of Moses (Daniel 9:11). In punishing Israel, God is simply confirming the oaths and curses he laid down in Deuteronomy 28. Even more than that, Daniel remembers the great works of God, especially the exodus, when God brought his people out of Egypt with a mighty hand (Daniel 9:15). “God is pleased with Bible-shaped and Scripture-saturated prayers.” This too instructs us. God is pleased with Bible-shaped and Scripture-saturated prayers. It is good and right for us to orient our confession, our repentance, and our supplications in light of God’s laws, his promises, and his warnings. By using Scripture to frame our own prayers, we approach God in a way that he has established, with words that he has inspired, and thus we have greater confidence that he will hear and answer. Plead Confidently Third, Daniel pleads for God’s mercy. Even as he says “Amen” to the judgment of God, Daniel appeals to Yahweh’s mercy and forgiveness (Daniel 9:9). Daniel knows that judgment is not God’s final word. And thus, he asks for God to again shine his face on his sanctuary (Daniel 9:17), and to turn aside his anger that has cast his people into exile. In doing so, Daniel demonstrates his deep faith in Yahweh’s fundamental character toward his people: he is a God compassionate and merciful, slow to anger, and abounding in steadfast love (Exodus 34:6–7). We too can approach God’s throne with confidence because we know it is a throne of grace. Whatever chastisement and discipline he brings, mercy reigns in the heart of God. He will by no means clear the guilty, but he loves to forgive those who turn to him in humble faith. Unifying Thread Finally, what ties these elements together is God’s righteousness — his unswerving commitment to uphold the glory of his name. Underneath Daniel’s “Amen” to God’s judgment, underneath Daniel’s remembrance of God’s word and works, and underneath Daniel’s appeal to God’s mercy is Daniel’s sure faith that God is uppermost in God’s affections. To the Lord belongs righteousness, and therefore he has punished his people (Daniel 9:7). His judgment is a fulfillment of his commitment to his word; he will not overlook transgressions against his law (Daniel 9:11–12). He is righteous to bring this judgment. But more than that, he is righteous in showing mercy. Daniel appeals to God’s love for his name. God made a name for himself in delivering Israel from Egypt (Daniel 9:15). And now, Daniel roots his plea for mercy in God’s righteousness (Daniel 9:16). Israel has become a byword; the nations mock at the once-great nation and the once-great city of Jerusalem. But this nation and this city are called by the name of Yahweh. And therefore, Daniel’s final plea is not based on Israel’s righteousness, but on God’s name. Now therefore, O our God, listen to the prayer of your servant and to his pleas for mercy, and for your own sake, O Lord, make your face to shine upon your sanctuary, which is desolate. O my God, incline your ear and hear. Open your eyes and see our desolations, and the city that is called by your name. For we do not present our pleas before you because of our righteousness, but because of your great mercy. O Lord, hear; O Lord, forgive. O Lord, pay attention and act. Delay not, for your own sake, O my God, because your city and your people are called by your name. (Daniel 9:17–19) So too for us. When we approach God, we do not come based on our righteousness. How could we? Instead, we beg God to act on our behalf for his own sake. Indeed, as those who live under God’s new covenant, we appeal to him in the name of his Son Jesus. We plead for God to hear and forgive and pay attention and act on our behalf because we are called by the name of his Son, the great and awesome God who keeps covenant and steadfast love with his blood-bought people.