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About the Book
"Don't Park Here!" by Oral Roberts is a motivational Christian book that emphasizes the importance of taking action in one's life and not allowing negativity or obstacles to hold one back. Roberts urges readers to overcome fear, doubt, and excuses in order to achieve their goals and fulfill their potential. The book encourages readers to trust in God and take control of their own destinies.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
To Heaven and Back with No Fanfare
Suppose you had an absolutely stunning supernatural experience, like being in a car accident and having an out-of-body experience so that you were sure you had died and gone to heaven for a few minutes before returning to your body and being brought back to life. How would you handle that experience? Most of us would be consumed with telling others about it. We might even write a book about it, and go on a speaking circuit. It’s just too amazing to keep to ourselves. And more than likely we would feel empowered to use that very experience to authorize our views of heaven. We might feel as if this extraordinary experience gave us extraordinary influence. Who could contradict us? We had been there! To Heaven and Back Paul did have an experience something like that. But here’s the amazing thing: He mentions it only one time in his thirteen letters, and he never once makes it the warrant for believing anything he says. In fact, the only reason he brings it up is to say that this kind of privilege is precisely not what he will boast in. Rather, he will boast in his weaknesses. Here’s the experience — he even describes it as if it were another person so as not to exalt himself: I must go on boasting. Though there is nothing to be gained by it, I will go on to visions and revelations of the Lord. I know a man in Christ who fourteen years ago was caught up to the third heaven — whether in the body or out of the body I do not know, God knows. And I know that this man was caught up into paradise — whether in the body or out of the body I do not know, God knows — and he heard things that cannot be told, which man may not utter. On behalf of this man I will boast, but on my own behalf I will not boast, except of my weaknesses. (2 Corinthians 12:1–5) We know he is talking about himself, even though he says, “I know a man . . .” because two verses later he says, “To keep me from becoming conceited because of the surpassing greatness of the revelations, a thorn was given me in the flesh” (2 Corinthians 12:7). So he himself is the one who had this extraordinary experience. It is astonishing that Paul introduces this absolutely stunning experience of being “caught up into paradise” only to give it a passing “boast” and then turn all his attention to the real marks of an apostle — namely, suffering for Christ’s sake. Why Minimize the Marvelous? Paul never mentions this experience again. He does not use it to pull rank. He shifts all the focus off of the dramatic and onto the painful reality of suffering with joy. Why? Because it is merely human to boast about extraordinary experiences like visions and out-of-body encounters with God. It requires no great grace or power of God to boast in things that seem to set you apart as privileged. But to boast about weaknesses, and to be content with insults and hardships and persecutions and calamities — that is not what ordinary sinful humans are like. That requires supernatural grace. This is what Paul wants to focus on as the evidence of his apostleship. In fact, he says that the Lord Jesus gave him a thorn in the flesh (we never know what it is) precisely so that he would be hindered from boasting as a superhero of spiritual experience. When Paul pleaded that Jesus would take the thorn away, the Lord answered, “My grace is sufficient for you, for my power is made perfect in weakness” (2 Corinthians 12:9). So Paul concluded, Therefore I will boast all the more gladly of my weaknesses, so that the power of Christ may rest upon me. For the sake of Christ, then, I am content with weaknesses, insults, hardships, persecutions, and calamities. For when I am weak, then I am strong. (2 Corinthians 12:9–10) Instead of circling back again and again to his once-in-a-lifetime out-of-body experience, Paul mentions it once, and then shifts all the focus onto the truths that people can see and think about and test in his writing and his life. Rooted in Public Reality In other words, the truth of Christianity is not rooted in mystical experiences that only a few people have. It is rooted in God-given revelation through writings that are open for all to see and study and test. It is validated in real lives that others can see and examine. So, instead of directing people to his private experience, Paul says, We behaved in the world with simplicity and godly sincerity, not by earthly wisdom but by the grace of God, and supremely so toward you. For we are not writing to you anything other than what you read and understand and I hope you will fully understand. (2 Corinthians 1:12–13) “The truth of Christianity is not rooted in mystical experiences that only a few people have.” If you were to ask Paul, “How can we share your insight into the mystery of Christ?” he would not answer, “I’m sorry. Those mysteries are reserved for the select few who have rare mystical experiences.” What he would say is this: “When you read this, you can perceive my insight into the mystery of Christ” (Ephesians 3:4). His way of opening heaven was not by appealing to unsharable experiences. His way was by appealing to shareable truths written for all to see and understand and experience. Life on Display Behind these writings he put his own life as evidence of reality. Not his life in the rare moments of mystical experience, but his life as a flesh-and-blood man who had to deal with all the hardships of life and ministry. What you have learned and received and heard and seen in me — practice these things, and the God of peace will be with you. (Philippians 4:9) Brothers, join in imitating me, and keep your eyes on those who walk according to the example you have in us. (Philippians 3:17) Be imitators of me, as I am of Christ. (1 Corinthians 11:1) In other words, Paul’s way of leading us into the truth and glory of Christ was not to talk about his privilege of an out-of-body experience of paradise. Instead, his way was to live an open life of total devotion to Jesus, through much suffering, and to write Spirit-given words (1 Corinthians 2:13) that are open to all — readable, public, ready for all to examine. This is a mark of humble, serious, personal reality. It is unusual, contrary to ordinary human proclivities, attractive. It has won my heart. Article by John Piper
