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- Author: Dr. Creflo A. Dollar Jr
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About the Book
"The Miracle of Debt Release" by Dr. Creflo A. Dollar Jr. offers practical advice and spiritual insights on managing and eliminating debt. The book provides step-by-step guidance on how to break free from financial bondage and create a path towards financial freedom and abundance. Dr. Dollar emphasizes the importance of faith, discipline, and wise money management practices in achieving debt release and a prosperous life.
Johnny Cash
Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences.
Who Was Johnny Cash?
Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin.
Early Life
Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops.
Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields.
From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice.
Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career.
Military Service and Musical Aspirations
In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic.
It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started."
After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel.
Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice."
Johnny Cash and the Tennessee Two
In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song.
The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts.
Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town."
Drugs and Divorce
By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs.
But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce.
Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death."
Remarriage and Revival
Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968.
With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans.
The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash.
The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame.
Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa.
Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery.
But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography.
Final Years, Death and Legacy
Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998.
Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation.
Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track.
"Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'"
That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter.
In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty.
Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down.
"I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore."
In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.
Uncommon Evangelical
It is often difficult to know how to navigate between religious factions on the right and the left. To the right may be those who emphasize good doctrine but seem to stand at arm’s length from the world. To the left may be those who emphasize social engagement and activism but seem to have compromised theological fidelity. Yet we are not the first generation of evangelicals to grapple with this tension. The evangelicals of the early twentieth century also found themselves uncomfortably sandwiched between two increasing extremes. But, by God’s providence, several evangelical theologians in the mid-twentieth century began championing a different way. The most influential of them was Carl F.H. Henry. Henry was a brilliant theologian, journalist, seminary professor, and evangelical luminary, best known as the intellectual giant who served as the first editor-in-chief of Christianity Today, the magazine founded by Billy Graham. One of the magazine’s later editors, David Neff, said, “If we see Billy Graham as the great public face and generous spirit of the evangelical movement, Carl Henry was the brains.” More than anyone else, Henry set forth compelling intellectual arguments in favor of a new strand of evangelicalism — an evangelicalism that combined passion for right doctrine with passion for cultural engagement. Henry emphasized both evangelism and social activism. He insisted that evangelicals prioritize both theological scholarship and practical ministry training. And he modeled how to properly challenge those with whom you disagree, calling evangelicals to do so with kindness and humility. Henry gives us a blueprint for how we can be committed to both orthodoxy and orthopraxy. Fiery Bolt of Lightning Carl Ferdinand Howard Henry was born on January 2, 1913, to German immigrants and grew up in Long Island, New York. He was baptized in the Episcopal church and attended Sunday school, but religion was not important in the Henry household. After graduating high school in 1929, Henry began work as a freelance reporter. Within three years, he was the editor of a major newspaper in Long Island. He had become a “hard-nosed journalist given to pagan pleasures,” as Timothy George writes in Essential Evangelicalism (9). One day in 1933, however, Henry was sitting alone in his car during a violent storm, when a lightning strike frightened him. He described the experience like this: A fiery bolt of lightning, like a giant flaming arrow, seemed to pin me to the driver’s seat, and a mighty roll of thunder unnerved me. When the fire fell, I knew instinctively the Great Archer had nailed me to my own footsteps. Looking back, it was as if the transcendent Tetragrammaton wished me to know that I could not save myself and that heaven’s intervention was my only hope. (Confessions of a Theologian, 45–46) Soon after, Henry had a long conversation with a young evangelist named Gene Bedford. After that conversation, Henry embraced Jesus as Savior. Henry enrolled at Wheaton College in 1935, where he met Helga Bender, the daughter of Baptist missionaries. Carl and Helga married in 1940, beginning a 63-year marriage. He also developed a friendship with fellow classmate Billy Graham during his Wheaton years. Their friendship would last a lifetime and yield much fruit. After earning a BA and an MA from Wheaton as well as a BDiv and a ThD from Northern Baptist Theological Seminary, Henry pursued a PhD at Boston University. It was during his time in Boston that he strengthened his friendship with Harold John Ockenga, pastor of the historic Park Street Church. Together, Henry, Ockenga, and Graham became the three primary leaders of the resurgence of evangelicalism in the mid-twentieth century. New Kind of Evangelical Henry and Ockenga wanted to propagate a new brand of evangelicalism that avoided the social pull to both left and right extremes. The proponents of this new strand — often called neo-evangelicals — wanted to be more socially conscious than the fundamentalism of the previous decades, even as they stood for the same basic doctrines. They also were willing to work across denominational lines, hoping for a broader coalition of Christian leaders. Henry and Ockenga believed that Christianity had faltered culturally due to a lack of intellectual rigor among Christian leaders. The neo-evangelicals were convinced that if they were going to influence society, they needed to regain respect in academia. Evangelicalism would need to produce world-class scholars who could engage the elite intellectual centers, and thus “meet theological liberals on their own ground and beat them at their own game,” as Albert Mohler puts it. With these goals in mind, Henry helped pioneer several key evangelical initiatives, including the National Association of Evangelicals (1942) and the Evangelical Theological Society (1949). In 1947, Ockenga and radio evangelist Charles Fuller launched Fuller Theological Seminary to be the flagship neo-evangelical institution, and they immediately recruited Henry to be the school’s founding dean. Henry remained on the faculty of Fuller until he became the first editor-in-chief of Christianity Today magazine in 1956. The magazine quickly became tremendously influential, largely due to Henry’s leadership. These initiatives led to an explosion in evangelical scholarship. Before the neo-evangelical movement, evangelicals heavily relied on nineteenth-century conservative scholarship. Evangelicals were mocked for “relying on book reprints,” as Roger Nicole says (quoted in Awakening the Evangelical Mind, 168). However, in the second half of the twentieth century, evangelical scholars “produced works on history, psychology, pastoral theology, homiletics, family relations, the devotional life, denominational distinctive, and scores of other subjects,” Nicole says. “The problem in 1945 was that we had relatively few new conservative books; the problem now is that there are so many that few people can afford to purchase all those they would like to own.” As evangelical scholarship exploded, Henry led the way, earning his nickname “the dean of the evangelicals.” Henry wrote more than forty books and countless articles, essays, and reviews throughout his career. His magnum opus was the three-thousand page, six-volume work God, Revelation, and Authority. This remarkable work thoroughly explores epistemology, divine self-revelation, hermeneutics, authority, and the nature of truth. Gregory Alan Thornbury sums up the project by saying that Henry wanted to present a theology that was “epistemologically viable, methodologically coherent, biblically accurate, socially responsible, evangelistically oriented, and universally applied.” What Can We Learn from Henry? If Henry were alive today, what might he say to modern evangelicals? An examination of Henry’s life and writings gives us insight into how he might address us. EVANGELISM Henry’s first exhortation might be toward evangelism. He writes, It would be a supreme act of lovelessness on the part of the Christian community to withhold from the body of humanity, lost in sin, the evangel that Christ died for sinners and that the new birth is available on the condition of personal repentance and faith. (Evangelicals at the Brink of Crisis, 36) Henry observed that far too many Christians had relegated evangelism to the professional evangelists — absolving themselves from any responsibility in the Great Commission by claiming that they weren’t gifted for the task. During the early years of Fuller Seminary, Henry’s fervor for evangelism permeated the school’s culture. He fostered an “evangelistically alive missionary minded and warm collegial side of early Fuller community life,” as John Woodbridge puts it. Historian George Marsden has shared one student’s memory of Dr. Henry often arriving to lecture at early Saturday morning seminars looking “bedraggled in an old baggy overcoat [because] he would periodically spend half the night out in Los Angeles witnessing to derelicts and helping them find shelter” (Reforming Fundamentalism, 91). Henry was just as much an evangelist as he was a theologian or journalist. “Henry was just as much an evangelist as he was a theologian or journalist.” Henry balked at the idea that evangelism and theological studies were at odds. In his 1966 opening address to the World Congress on Evangelism in Berlin, he proclaimed the urgent need for biblically faithful theologian-evangelists. He knew that evangelistic efforts uninformed by good theology would lead to doctrinal confusion and weak discipleship. But he also knew that when theologians lack evangelistic fervor, they become too insular and persnickety. Henry challenged the delegates to “become theologian evangelists, rather than to remain content as just theologians or just evangelists,” John Woodbridge writes (Essential Evangelicalism, 82). JUSTICE In 1947, Henry published his most famous book, The Uneasy Conscience of Modern Fundamentalism, in response to the idea that there were only two options for Protestants: theological liberalism or a culturally detached fundamentalism. This book was a clarion call for evangelicals to reject this false dichotomy. Henry wanted evangelicals to lead the way in both theological integrity and social activism. He often said, “God is both the God of justice and justification.” Henry believed that the most important task was “the preaching of the gospel, in the interest of individual regeneration,” but he also believed that Christians ought to present the gospel “as the best solution of our problems, individual and social” (The Uneasy Conscience of Modern Fundamentalism, 89). God, in his self-revelation, gives us the best definition of justice. Therefore, Christians should be the greatest advocates for justice, on God’s terms, in any society — presenting God’s ways as the perfect picture of justice and righteousness. Henry writes, “Evangelicals know that injustice is reprehensible not simply because it is anti-human but because it is anti-God” (A Plea for Evangelical Demonstration, 14). Uneasy Conscience challenged evangelical leaders to address justice-related issues and to condemn social evils such as racism, exploitation of labor, and aggressive warfare. According to Henry, we should not be able to “look with indifference upon miscarriages of justice in the law courts, usury, plundering the needy, failure to feed and clothe the poor, and over-charging for merchandise” (33). In true Kuyperian-fashion, he writes, “The evangelical missionary message cannot be measured for success by the number of converts only. The Christian message has a salting effect upon the earth. It aims at a re-created society” (84). POLITICS Henry called upon more evangelicals to call out injustice in their writings, believing this would change hearts and minds. He also knew, however, that merely changing minds was not enough. To inspire societal change, he knew Christians needed to help change policies too. In his editorials, he often made arguments for specific pieces of legislation and policy changes. In Henry’s mind, it was not enough to simply get people to agree if such agreement did not lead to any practical effect. So, he was willing, as an editor, to publicly endorse specific ideas and frameworks in which the proper solutions to social ills could be found. “Henry would challenge us to cut against the harmful ideologies of both the left and the right.” The key for Henry, however, was to focus on ideas and frameworks rather than political parties. Henry would challenge us to cut against the harmful ideologies of both the left and the right. He would tell us to endorse good policies, regardless of which side of the aisle they come from, and he would warn evangelicals against becoming too loyal to one political party. Henry mostly agreed with conservative politics, but he insisted that evangelical leaders ought to avoid becoming mouthpieces for the conservative political movement in America. This put him at odds with the more conservative board members and financiers of Christianity Today, who wanted an outspoken politically conservative voice for the magazine’s editorials. This eventually cost Henry his job as editor-in-chief. Henry understood the power of politics, but he also understood the limitations too. He knew that policy changes could go only so far in the effort to reshape society. If Henry were alive today, he would exhort us to be careful to not put too much stock in political efforts. He knew that evangelicals needed to pour their greatest energies into gospel preaching and evangelism. RHETORIC Along with greater social engagement, the neo-evangelicals wanted to strike a more positive tone than the fundamentalists of the previous generation. Henry did not shy away from giving scathing warnings whenever necessary, but he often voiced striking notes of optimism and hope. In Uneasy Conscience, Henry asserts that evangelicals need to present their doctrine and ideas with a “dynamic to give it hope” (55). He wanted to engage with society, not just win an argument. After hearing the evangelical message, Henry wanted people to feel a sense of hope that there is indeed a better way. He also understood that our rhetoric matters. He knew that irenic and hopeful rhetoric would allow him to build rapport with people who otherwise might discredit or ignore him. For Henry, however, being irenic and hopeful was not merely a tactic in some quest to win more people to his side. Rather, such rhetoric was theologically informed. The ministry of Christ was personal and incarnational; therefore, Henry believed that the theologian must also be personal and incarnational. He wanted people to see the Savior through his life, so he sought to interact with others in the same manner as Christ. Timothy George, who spent significant time with Carl Henry, says, “The thing that stands out was his extraordinary humility and kindness toward others. . . . I never heard him speak in a bitter or disparaging way about anybody, not even those with whom he disagreed” (Essential Evangelicalism, 14). Modern evangelicals would be wise to follow Henry’s model. Humble Giant Marvin Olasky, former editor-in-chief of World magazine, shares an anecdote (recounted by Thornbury) from the life of Henry that gives us great insight into his humility. For several years toward the end of his life, Henry wrote op-ed columns for World. Olasky said that every few weeks he would get a letter in the mail from Henry — typically a three-page article. And in each letter, Henry always included a self-addressed stamped postcard with the handwritten words: Accept or Reject. He never presumed that what he had to say was worthy of being published. Henry was a remarkable leader and scholar. He was an impressive theologian. His evangelistic fervor was contagious. His kindness was sincere. His body of work is second to none in his generation. And his humility ran deep. Soon after Henry’s death on December 7, 2003, David S. Dockery wrote this tribute: “Those who met him for the first time often stood in awe of his giant intellect. But soon, almost without exception, they became more impressed with his humility and gracious spirit.” Article by Kenneth E. Ortiz