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About the Book
"Belial: The Wicked Ruler" by John Eckhardt is a powerful and enlightening book that explores the character and influence of the demonic spirit known as Belial. The author delves into the biblical origins of Belial, his characteristics, and how he operates in the world today. Eckhardt provides practical strategies and prayers for readers to overcome the influence of Belial and live in victory. Overall, the book equips readers with knowledge and tools to identify and combat this wicked ruler.
Steven Curtis Chapman
Steven Curtis Chapman is an American Christian musician, singer, song writer, record producer, actor, author and social activist. He is the only artist in the history of music to have won 56 Gospel Music Association Dove Awards and is also a proud receiver of 5 Grammy Awards. His music is known for being a unique cross between country music, soft rock and orchestrated pop, which made him a prominent artist in the contemporary Christian music circuit of the 1980s. Chapman grew up in a humble environment where he found his calling for music, owing to his fatherâs inclination towards country music. He learnt to play instruments like guitar and piano just by hanging around in his fatherâs music store, listening to him play along with his friends. He took up music seriously when he moved to Nashville and got recognized by Sparrow Records, a company he stayed with for a long period in his career. He has released 19 studio albums and has sold over 10 million albums until now. Chapman is a family oriented person just like his father and has a big family comprising of his wife Mary Beth and 3 biological and 2 adopted children. He is a vocal advocate for adoption and has worked socially to eradicate the problem of youth violence.
Childhood & Early Life
Steven Curtis Chapman was born on November 21, 1962 in Paducah, Kentucky, to Herb and Judy Chapman. His father was a country singer and songwriter, who turned down opportunities to become a successful singer to concentrate on his family. His mother was a stay-at-home mom.
His father owned a music store, a business he managed from his basement and used to play music with his friends. Such creative environment at home influenced Chapmanâs life from very early on and he bought his first guitar at 6.
Chapman joined as a pre-med student at Georgetown College in Kentucky but after few semesters he moved to Anderson College, Indiana. But he ultimately dropped the idea of studying and went to Nashville to pursue his first love, music.
During 1980s, he wrote a song âBuilt to Lastâ, which gained huge popularity after getting recorded by a gospel group âThe Imperialsâ. The success of the song fetched Chapman a songwriting deal with Sparrow Records.
Career
Chapmanâs first official album âFirst Handâ was released in 1987. The album was an instant hit with singles like âWeak Daysâ and topped at number 2 on the Contemporary Christian Music chart. The album had a mix of country music with soft rock and pop.
In 1988, following the success of his first album, Chapman released âReal Life Conversationsâ. Its hit single âHis Eyesâ received the âContemporary Recorded Song of the Yearâ award from the âGospel Music Associationâ. He co-wrote it with James Isaac Elliot.
After a few years, he made a swift turn to mainstream music with his album âThe Great Adventureâ in 1992. It earned him two Grammy awards for the album and for the title song of the album.
After gaining consistent success with albums like âHeaven in the Real World (1994), âSigns of Life (1996) and âSpeechless (1999), Chapmanâs next great album âDeclarationâ came out in 2001, for which he toured 70 cities.
In 2003, âAll About Loveâ was released and it ranked at Top 15 on the Christian Music charts. It was released under Sparrow Records and Chapman very humbly credited his wife Mary Beth for being the inspiration for his album.
âAll Things Newâ was released in 2004 and the album added another Grammy to Chapmanâs proud award collection. This time he received it in the category of Best Pop/Contemporary Gospel Album. It was also nominated for the Dove Award.
In 2005, âAll I Really Want for Christmasâ was released, which was Chapmanâs another successful Christmas album after âThe Music of Christmasâ. It had traditional holiday tunes and favorites like âGo Tell It on the Mountainâ and Silver Bellsâ.
Chapman took his music to greater levels by taking his concert to South Korea for the U.S. troops who were serving there in 2006. It was the first Christian concert that ever performed for the American army in that country.
In 2007, he released âThis Momentâ which included hit singles like âCinderellaâ, for which he was chosen for WOW Hits 2009. He also went on his âWinter Jamâ tour and took his sonsâ, Caleb and Willâs band along.
âBeauty Will Riseâ, Chapmanâs seventeenth album, was released in 2009. It is said that he wrote the songs of the album after getting inspired by his daughter Maria Sueâs sad and untimely demise. It included songs like âMeant to Beâ and âRe:creationâ.
In 2012, Chapman finally parted ways with Sparrow Records, the record company that he remained loyal to for so many years. He was signed on by Sonyâs Provident Label Group and came out with a Christmas album called âJOYâ.
âThe Glorious Unfoldingâ was released in 2013 under Reunion Records and it peaked on number 27 on the Billboard 200 and was number 1 Top Christian Album. The album was produced by Chapman himself and Brent Milligan.
Major Works
Chapmanâs âThe Great Adventureâ in 1992 was a turning point in his musical career because until now he was making soft and contemporary country music but with âThe Great Adventureâ he targeted the mainstream audience and tasted huge commercial success for the first time.
Awards & Achievements
Chapman is the winner of five Grammy awards for albums like âFor the Sake of the Callâ âThe Great Adventureâ âThe Live Adventureâ, âSpeechlessâ and âAll Things Newâ. He has also received 56 Gospel Music Association Dove Awards, more than any other artist.
Personal Life & Legacy
Chapman got married to Mary Beth in 1984 after they first met at Anderson University in Indiana. They have three biological children: Emily, Caleb and Will and three adopted children: Shaohannah, Stevey and Maria, together.
In 2008, Chapmanâs youngest son Will ran over his car by accident on his adopted daughter Maria Sue Chunxi Chapman. She was running towards him to meet him but he did not see her and she was pronounced dead on arrival at the hospital.
Trivia
Chapmanâs wife Mary Beth Chapman has written and released a book about losing her youngest daughter called âChoosing to SEE: A Journey of Struggle and Hopeâ.
Chapman and his wife have written three children's books with adoption themes: âShaoey And Dot: Bug Meets Bundleâ (2004), âShaoey and Dot: The Christmas Miracleâ (2005), and âShaoey and Dot: A Thunder and Lightning Bug Storyâ (2006).
He has received an Honorary Doctorate of Music from Anderson University.
the progressive pilgrim: allegory for an easy age
Jesus said, âThe gate is narrow and the way is hard that leads to life, and those who find it are fewâ (Matthew 7:13â14). In the twenty-first century, does his statement seem true to you? Have you found an easier way? Abraham may have wandered in tents, Paul may have been hunted like a deer, the disciples may have met brutal ends to their earthly careers, and many in the early church may have been slandered, reviled, plundered, fed to lions, burned to light the streets of Rome â âkilled all the day long . . . regarded as sheep to be slaughteredâ (Romans 8:36) â but that was then . We have smartphones now. Modernity seems to have done wonders to smooth the way. The narrow path lying between the City of Destruction and the Celestial City seems paved. Nathaniel Hawthorne (1804â1864) made a similar observation in his day. Though no friend of the Puritans, his short story âThe Celestial Railroadâ imitates and engages with John Bunyanâs The Pilgrimâs Progress . In it, he critiques the pillow-soft spirituality of his day (including Unitarianism and Transcendentalism), firing a critique that could have been written yesterday to describe the rampant easy-believism of today. Celestial Railroad Wandering through the gate of dreams, Mr. Hawthorne arrives at the famous City of Destruction. Having read Mr. Bunyan on the place, he is rather taken aback, and pleasantly surprised, to find that hostilities between this city and the Celestial City have all but vanished. Former foes shake hands. A pact built on âmutual compromiseâ has made allies from enemies. Enmity between the two lands is water under the bridge â or rather, a shining railroad over it. The Wicket Gate, that narrow and impossibly awkward entryway, as Bunyanâs readers will recall, has been replaced by the railroad station itself. Mr. Smooth-it-away â a distinguished gentleman in the enterprise who guides Mr. Hawthorne on his journey â ensures us all that this large building is much better suited to include the broadminded travelers of modernity. And the effect cannot be overstated, as Mr. Hawthorne relays: It would have done Bunyanâs heart good to see it. Instead of a lonely and ragged man, with a huge burden on his back, plodding along sorrowfully on foot, while the whole city hooted after him, here were parties of the first gentry and most respectable people in the neighborhood, setting forth towards the Celestial City, as cheerfully as if the pilgrimage were merely a summer tour. (199) The Celestial Railroad now transports would-be travelers â comfortably and safely â to the renowned City of Light. Individuals from Christianâs birthplace saw to it that no good-hearted pilgrim would ever again leave the city in derision or vulnerable to unsavory conditions and smiling foes. Nor would any carry that dreadful burden upon his back for miles on end â no, as Hawthorne gladly reports, One great convenience of the new method of going on pilgrimage, I must not forget to mention. Our enormous burdens, instead of being carried on our shoulders, as had been the custom of old, were all snugly deposited in the baggage-car, and, as I was assured, would be delivered to their respective owners at the journeyâs end. (200) The travelers are sent off with their backpacks snugly tucked away, âto be delivered to their respective owners at the journeyâs end.â Genius. But this, dear reader, is but the start to the innovations of the Celestial Railroad. Let me relay but a few more to you. Old Sites, New Conveniences Lengthy scrolls and books are not needed as tiresome maps along this journey; only a ticket is required. Such is very reasonable and expedient. To begin the journey, the dreadful Slough of Despond â that bog full of past sins and lusts and fears and temptations and doubts, in which Christian sank and at which Pliable flustered, only to return home â has a new sparkling bridge erected overhead. While wholesome teaching could not fill Bunyanâs slough, Hawthorne tells us, books of morality, German rationalism, modern sermons, and extracts of Plato, combined with a few innovative commentaries on Scripture, sufficed to lay the sturdy foundations to erect the bridge upon (198). Traveling farther, one discovers that the Interpreterâs House, while still receiving the occasional pilgrim of the old method, was no stop of the Celestial Railroad. Regretfully, Mr. Smooth-it-away remarks, that grand Interpreter grew rather sour, prudish, and prejudiced in his old age (a similar theme for the likes of Evangelist and Great-heart, the latter even âperpetually at blowsâ with his new collaborators). He could not keep with the times and got left behind. Hurried Cross Yes, dear reader, I can hear your question: What has become of the cross  where the burden fell from Christianâs back? Let me cite the firsthand account: We were rushing by the place where Christianâs burden fell from his shoulders, [the] sight of the Cross. This served as a theme for Mr. Smooth-it-away, Mr. Live-for-the-world, Mr. Hide-sin-in-the-heart, Mr. Scaly-conscience, and a knot of gentlemen from the town of Shun-repentance, to descant upon the inestimable advantages resulting from the safety of our baggage. (203) âCrosses must be carried in every age, and the costs must be considered.â Rushing past the cross, the passengers revel in their good fortune at finding a way to travel to the Celestial City without leaving behind their precious habits and secret delights. It would be a shame, after all, to lose such desirable pastimes if they could help it. Yet there are still more improvements upon the old way to display. A tunnel now conveniently travels through Hill Difficult â the excavated ground then used to fill in the Valley of Humiliation. That dreary and gloomy Valley of the Shadow of Death now glows with gas lamps. And should you, with Mr. Hawthorne, regret missing the chance to visit Palace Beautiful â where live the young and fair Piety, Prudence, and Charity â ease your disappointed mind by overhearing, âYoung ladies!â cried Mr. Smooth-it-away, as soon as he could speak for laughing. âAnd charming young ladies! Why, my dear fellow, they are old maids, every soul of them â prim, starched, dry, and angular â and not one of them, I will venture to say, has altered so much as the fashion of her gown, since the days of Christianâs pilgrimage.â (203â204) These fair maidens of yesterday, again, resisted the hard-won improvements, cherishing ancient, rough, and inefficient paths. Vanity Fair What can be said of Vanity Fair? Hear it from Mr. Hawthorne: this wonder of a place has the power to make anyone feel at home. The âgreat capital of human business and pleasureâ stands as the epitome of everything âfascinating beneath the sun.â The people, Hawthorne finds, are most interesting and agreeable. Concerning the hostility that once led to the unfortunate execution of Faithful, Christianâs beloved companion, theyâve come to see the misstep. These noble and charming and wise people now enter into great camaraderie and trade with the passengers of the Celestial Railroad; indeed, many of them have taken to the railway themselves. But of all the wonders of the metropolis, Hawthorne relates one that might outshine them all: The Christian reader, if he had no accounts of the city later than Bunyanâs time, will be surprised to hear that almost every street has its church, and that the reverend clergy are nowhere held in higher respect than at Vanity Fair. (209) Indeed, few places could boast so much religiosity. Hawthorne continues, In justification of this high praise, I need only mention the names of the Rev. Mr. Shallow-deep; the Rev. Mr. Stumble-at-Truth; that fine old clerical character, the Rev. Mr. This-to-day, who expects shortly to resign his pulpit to the Rev. Mr. That-to-morrow; together with the Rev. Mr. Bewilderment; the Rev. Mr. Clog-the-spirit; and, last and greatest, the Rev. Dr. Wind-of-doctrine. (209) Filled with fine-dressing, stimulating people, and endless pleasures to buy, sell, and enjoy â mind you, in such a fine Christian place  â the only curiosity was that people would just disappear. So common was the occurrence, Hawthorne relates, that the citizens learned to continue on as if nothing had happened. Todayâs Celestial Railroad Now, Nathaniel Hawthorne was no Christian, and he wrote antagonistically about the Puritans in other stories (in part due to an infamous family history). But here, he casts stones â almost in sympathy with Bunyan â against the modern religiosity he viewed as shallow, smooth, and deceptive. Any reader of the story sees parallels today. They had Mr. Smooth-it-away; so have we. They had trains leaving every day to what is thought the Celestial City; so have we. They had people tucking their sins under the caboose, deploring the hard way, wanting merely a ticket to heaven; so have we. They hurried past the cross of Christ; so do many who claim to be his followers today. How many sermons, small groups, Christian ministries escape this description? There was much pleasant conversation about the news of the day, topics of business, politics, or the lighter matters of amusement while religion, though indubitably the main thing at heart, was thrown tastefully into the background. Even an infidel would have heard little or nothing to shock his sensibility. (200) âFalse paths, sliding downward, are smoothest.â Teachers and preachers, once found in the Interpreterâs house, wooing pilgrims with golden crowns and warning them against smooth paths, now create them. Done with the cautions and commands, they converse among friends. His name is not Pastor; it is Jake â just Jake. He does not tell you what God has said; he is there to listen, just another broken sheep like everyone else. He gives comforting homilies and entertaining stories, but the utterance âThus says the Lordâ is far from his lips. And I fear that, just as in the end of Hawthorneâs dream before he awakes, so in our world, Mr. Smooth-it-away leaves many on steam ferryboats traveling to Tophet (hell). False paths, sliding downward, are smoothest. The true path is not easy or broad â even for societies without much physical intimidation. Our Christ, who carried his own cross, leaves his church crosses to be carried in every age, and costs to be considered. This earth will pass away, but Jesusâs word shall not: âThe gate is narrow and the way is hard that leads to life, and those who find it are fewâ (Matthew 7:13â14).