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About the Book


"A Citizen of Two Worlds" is a spiritual autobiography of Gordon Lindsay, a prolific writer, preacher, and founder of Christ for the Nations Institute. The book documents Lindsay's journey from his early years as a skeptic to becoming a dedicated follower of Christ, and his experiences in ministry and missions around the world. Lindsay provides insights into living as a Christian in a secular society and the challenges of balancing his faith with his worldly responsibilities.

Keith Green

Keith Green Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org. Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001. From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers." Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others. Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential. As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations. Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...." Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis. Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers. Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint. Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents. On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on." Keith Green's Career Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980. Keith Green's Awards Induction (posthumous), Gospel Music Hall of Fame, 2001. Famous Works For Him Who Has Ears To Hear , Sparrow, 1977. No Compromise , Sparrow, 1978. So You Wanna Go Back to Egypt , Pretty Good, 1980. The Keith Green Collection , Sparrow, 1981. Songs for the Shepherd , Pretty Good, 1982. The Prodigal Son , Pretty Good, 1983. Jesus Commands Us to Go , Pretty Good, 1984. Because of You--Songs of Testimony , Sparrow, 1998. Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998. Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998. Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.

a place to eat, sleep, and watch: emptiness in the modern household

I wondered if the editors at  The New York Times  realized the irony in the title “The Pandemic Created a Child-Care Crisis. Mothers Bore the Burden.” Working mothers, who once bore their children in the womb, were forced by the pandemic to now bear what was called the burden of their children’s care. In response to this “child-care crisis,” the author writes, mothers “became the default solution.” Forced from work back into the home, “forgotten and shunted to the sidelines,” these women waited for their kids to get vaccinated before returning them to daycares and schools. The milestone reached in January 2019 — when women outnumbered men in the workforce for the first time in American history — crumbled before the triumph could be fully enjoyed: Men, once again, hold the majority. Only 56 percent of women are working for pay — the lowest since the mid-eighties. At stake for these working mothers, the author claims, is not simply a paycheck, but self-determination, self-reliance, and the survival of their complex selves. As this childcare crisis lingered over weeks and months, “the shock turned to despair at the drudgery of the days, the loss of their professional purpose, the lack of choice in it all.” Some of the women interviewed for the article expressed sentiments like, “I love everything about motherhood, and yet it doesn’t feel fair that I should have to sacrifice my career.” Others asked, “We think we’ve progressed so much, and then this pandemic happens and we all just revert back to these traditional behaviors. . . . And this is a good moment to reflect, why do we do that?” Have we arrived at the bottom when the  Times  sees nothing amiss in including the example of a mother who walks dogs professionally, wanting out of full-time mothering in preference to being “out and dirty with animals”? Rather outside with dogs than inside with her kids. Much is amiss in our society and our families, as the article displays without realizing it. But instead of criticizing the disagreeable, I would actually like to defend these women and some of their sense of misfortune. The loss is greater than they suppose, and it includes us all, for it includes the household. Productive Women Have you ever considered how industrious and productive the Proverbs 31 woman is — how much  work  she has accomplished? Over the course of a lifetime, this woman not only has raised admiring children in the instruction of the Lord, but has sought wool and flax, and worked with willing hands; brought her family food from afar; considered fields and bought them; planted a vineyard; dressed herself in strength; considered her merchandise with regard to profit; labored throughout the night; made bed coverings and clothes for winter; sold homemade garments and linens; contributed to the needs of the poor; labored such that her husband was respected in public; and not bowed to idleness or inactivity. Was she a stay-at-home mother or a working woman?  Yes. “The modern home, in many respects, is hollow.” Her duties toward the  people  of her home required  production  for her home. She was not forced to choose between them. Her ideal was to love her husband and children  and  to contribute her gifts and ingenuity to the production of the household. She did not replace Dad as primary worker, but she did work alongside him, in different ways in different seasons, to help build and manage their realm. When we read of women who express a distaste for confinement to the realm of the household, thinking of it as a sort of dungeon, we can hear in their complaint a groan that the household is not what it is supposed to be. The productivity, the ingenuity, the purposefulness — for mother and all members involved — no longer exists as it once did  within  the household. The modern home, in many respects, is hollow. Though filled with more goods than ever, it has been emptied of purpose. Place to Eat, Sleep, and Watch The modern family can be described, simplistically, in terms of the household after the Industrial Revolution. During the mechanization and technological advancement of the world, work left the home — and men with it. This transition dealt a severe blow to the household as containing family business, as a productive realm. C.R. Wiley writes, We don’t think of our households as centers of productive work. That’s because the economy has largely moved out of the house. During the industrial revolution steady work in factories replaced the home economy, and many people were forced to leave home to make a living. In the process the household was reduced to what we think of today — a haven in a heartless world — a place to sleep and eat and maybe watch television. ( Man of the House , 31) In the preface to Wiley’s book  The Household and the War for the Cosmos , Nancy Pearcey describes some of the effects that followed the exodus of men and work from the home: Education moved from the home to schools. Care of the elderly and sick went from the home to institutions. Grandparents and singles moved out to separate houses and apartments. Recreation allured beyond family bounds or became a privatized enjoyment. Family devotions, even, migrated from the home to churches and youth groups. The home grew thin. Its functions that tied members together were outsourced.  People  were emptied (extended family, singles, sick, and school-aged children),  productivity  left (home industry, education of children, good works in the community), and with it all, much of its  purpose  fled. What remained for mothers? Housework and early childcare. Of course, neither housework nor childcare is a small matter — especially not childcare. Chesterton was exactly right not to pity Mrs. Jones, the former teacher and now stay-at-home mother, for the “smallness” of taking care of her children: How can it be a large career to tell other people’s children about the Rule of Three, and a small career to tell one’s own children about the universe? How can it be broad to be the same thing to everyone, and narrow to be everything to someone? No; a woman’s function is laborious, but because it is gigantic, not because it is minute. I will pity Mrs. Jones for the hugeness of her task; I will never pity her for its smallness. ( What’s Wrong with the World?  95) Nevertheless, as production, people, and purpose have been outsourced to specialists — including ever-growing Father State — a loss has occurred. The modern mother has fallen from homeschool educator, industrious worker, healthcare provider, helper of the poor and elderly, and host to doing good for those in the community, to being tempted to insignificance and invited to send even her infant children out of the home and into daycare. Emptiness We All Feel Not just the mother has been affected. The father  went from the head leading a body, engaged in the education of children, the care of the elderly, the production of a family business, the passing on of a family trade, the shepherding of souls, the defense of the community, the regulating of relations between members, and the representation of the family in society, to the one who spends vast time away from his home, working for another’s household (a corporation or the government), giving what little he has left to his family when he returns. The son  went from heir of the family business, steward of the household responsibilities, co-laborer with his brothers, and recipient of discipleship from his father, to one who plays video games and charts his own path in his late teens. The daughter  went from early preparation for marriage, learning from a mother how to be self-controlled, pure, working at home, kind, strong in her various realms of competency, building the household with her mother and siblings, being what Chesterton called the great universalist, competent in many different things, to being trained as a specialist away from her mother. The elderly  went from honored and provided for to regularly forgotten.  Singles  went from their father’s house to their own, often greeted nightly by loneliness. The  orphan  and  widow  became dependent on the state. Learning from the Past I do not mean to idealize the ancient family or say that the modern family is in every way inferior. The pages of Scripture include records of deep brokenness in premodern families, even in families of great men and women of faith. Nor am I suggesting that a return to the past is possible (or even desirable). But I am suggesting that our frantic, detached, emptied, individualistic ideals of what a family should be stand to learn from times past. Ancient ideals can be reforged and remembered and reappropriated to match the new times and new challenges of today. The family can be bonded by more than mere sentiment and consumption, but by meaningful mission and output. One of the benefits of our modern situation, in fact, is how quickly reformation can happen. While a robust vision of reformation would require far more space, here are a few ways I’ve seen others (or tried myself) to bring people, production, and purpose back into the home. People.  Guard family rhythms like eating dinner together and going to church together. Schedule routine times to have neighbors, family, or church members in your home. For those who are able, consider living near (or with) your parents and extended family. Consider how you can be a blessing to them in their old age. Other ideas include inviting singles and widows over for family meals, trying homeschooling or hand-in-hand structures that leave responsibility with the parents as well as teachers, and having the father work some from home if possible. And of course, the most obvious way to fill your home with people is to have children. “Perhaps the pandemic didn’t so much create a childcare crisis as expose a household one.” Production.  Consider the talents and passions in the home (especially of the wife and young adults), and dream together about a family business. I know a family who has a T-shirt printing company in their garage, a family who does Airbnb, a family who gives music lessons, and a family who grows a vegetable garden and sells the produce. If you have sons, consider something like lawn mowing or snow shoveling. Consider bigger investments, such as real estate. Consider foremost how you can invest riches in heaven through creative ways of blessing your local church and those in your community. Purpose.  Consider developing a family creed to give direction to decisions. Consider family goals for now, later, and beyond. Establish the priorities of the home and how each member fits into them. Limit screen time and awaken the lost discipline of family worship. Envision how your family can strengthen your local church and serve missionaries overseas. New purpose can invigorate the Christian family to address the fact that perhaps the pandemic didn’t so much create a childcare crisis as expose a household one and gave us a fresh opportunity to find solutions.

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