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About the Book
"52 Ways To Wow Your Husband" by Pam Farrel is a practical guide for wives to deepen their connection with their husbands and strengthen their marriage. The book offers 52 simple and practical tips for showing love, respect, and appreciation to your spouse in daily life. Each tip is designed to help wives understand and meet their husband's needs, and ultimately create a happier and more fulfilling marriage.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
What Does It Mean to Be Real
Nobody likes a fake. Even in our airbrush culture, we despise counterfeits and crave authenticity. Everyone wants to be real. But what does it mean to be real? No one really knows. Or so it seems. Try an experiment. Listen to people talk about what it means to be a Christian. Do you know what you will hear? Lots of competing answers and plenty of confusion. Perhaps you recall when 2012 presidential hopeful, Senator Rick Santorum, claimed that President Barack Obama’s policies were based on “a different theology.” Reporters, of course, pounced on this juicy piece of journalist red meat. “Did Senator Santorum,” they asked, “have the audacity, not of hope, but political incorrectness, to call into question the president’s claim to be a Christian?” When Senator Santorum was pressed, he gave a politically savvy response: “If the president says he’s a Christian, he’s a Christian.” End of story. Next question, please. His answer satisfied reporters, and thousands of others following the story. It was as if he said, “To profess faith is to possess faith.” And what could be less objectionable, or more American, than that? But one wonders what Jesus thinks of what Santorum said. More Than Mere Talk Is it enough simply to say  we’re real, or should we be able to see  we’re real? And if so, what should we see? Are there marks of authentic faith we should see in our lives, or in the lives of others? And what about the watching world? What should they see in the lives of real Christians? Now, more than a decade into the twenty-first century, the evangelical church faces huge challenges to its ministry and mission — radical pluralism, aggressive secularism, political polarization, skepticism about religion, revisionist sexual ethics, postmodern conceptions of truth. But perhaps the greatest threat to the church’s witness is one of our own making — an image problem.  Many outside the church view Christians as unchristian  in their attitudes and actions — bigoted, homophobic, hypocritical, materialistic, judgmental, self-serving, overly political. Several years ago, David Kinnaman and Gabe Lyons showed this in their book Unchristian , which landed like a bombshell on a happy-go-lucky evangelicalism, causing many of us to do some serious soul-searching. The evangelical church’s image problem doesn’t bode well for its future. In fact, the data suggests that evangelical Christianity is declining in North America. Despite the church’s best efforts to appeal to the disillusioned, we continue to see alarming trends. Droves of people, especially from younger generations, are leaving the church and don’t plan to return. This has driven some to even predict the end of evangelicalism (See David Fitch, The End of Evangelicalism? ). One True Soil The reasons for this discouraging state of affairs are complex, not cookie-cutter. But we know one thing is certain: When Christians are confused about what it means to be real, the spiritual decline of the church will follow. In our increasingly post-Christian culture, where confusion about what it means to be real abounds, and where distrust of organized religion has reached an all-time high, the church needs to get real . We must clarify for ourselves, and for a watching world, what it means to live a life of authentic faith. While Christians are confused about what it means to be real, Jesus is not. “Thus you will recognize them by their fruits,” he says (Matthew 7:20). You know you’re real if you bear fruit, he tells us. Fruit is the telltale sign of authentic faith because fruit doesn’t lie. “For no good tree bears bad fruit, nor again does a bad tree bear good fruit, for each tree is known by its own fruit. For figs are not gathered from thornbushes, nor are grapes picked from a bramble bush” (Luke 6:43–44). Jesus underscores this point in his famous parable about the sower (Matthew 13:1–23). The parable itself is straightforward. A farmer sows seed in a field, and the seed represents the good news of the kingdom. It is sown on four different kinds of soil, each representing a different response to the message of the kingdom. Simple enough, right? But here’s the punch line: Only one type of soil bears fruit. Counterfeits Exposed The seed sown on the first soil hardly gets started. Satan comes and snatches it away. But what’s even more troubling is the outcome of the seed sown on the second and third soils. Why? Because both respond positively  to the message, at least initially. These seeds appear to take root and begin growing into something real. Yet as the story continues, we learn that neither seed bears fruit. Neither lasts to the end, and thus neither seed is real. Some of the seeds fail to develop roots, and they don’t persevere when life gets hard and their faith is tested. All we see from this seed is a burst of enthusiasm, but no staying power. Perhaps this is someone who got excited about fellowship or forgiveness, but lacked love for Christ. They only have the appearance  of being real. Over time, their faith proved counterfeit. We assume the third seed had a similarly joyful response to the message. Yet this soon dissipates because of revived interest in the things of the world — a career promotion, a new vacation home, saving toward their 401(k) plan. These concerns choke any fledgling faith, and the person falls away. New People with New Lives Why does Jesus tell his disciples this sobering parable? Why such a blunt story about the distinction between authentic and inauthentic responses to his message? Evidently, Jesus doesn’t equate professing faith with possessing faith, as we so often do. Instead, he warns his disciples that only one things matters — bearing fruit Although provocative, I think Jesus’s point is simple. Real is something you can see.  There is a visible difference  between real and not-real Christians. It’s not enough to say  you’re real; you should be able to see  you’re real. Real faith is something you can see. Being real is more than regularly attending church, feeling good about God, or “accepting” Jesus as your Savior; it goes beyond being baptized, receiving Communion, reciting the creed, or joining in church membership. As important as these things are, being real runs deeper than these things. Real Christians are new creatures. Physically, they won’t look different than others, at least not in the way they dress or keep their hair. Yet real Christians are radically changed — they’ve experienced a new birth, received a new heart, and enjoy new desires. Which makes them altogether new people who live new lives. And it shows. If you’re real, it will reveal itself in your life. Real Christians bear the marks of authentic faith in ways that can be seen, heard, and felt. When you know what you’re looking for, you can see the marks of real in their lives — and in your own.
