Things I Wish I'd Known Before We Got Married Order Printed Copy
- Author: Gary Chapman
- Size: 1.32MB | 164 pages
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About the Book
"Things I Wish I'd Known Before We Got Married" by Gary Chapman is a practical and insightful guide for couples preparing to tie the knot. Chapman offers valuable advice on communication, conflict resolution, and understanding each other's love languages. The book encourages couples to discuss important topics and work together to build a strong foundation for a successful marriage.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
âobedience will make you miserableâ - the tired lie satan loves to tell
There are at least two ways to please the devil when it comes to the pursuit of holiness. The first way, of course, is to run from holiness altogether â to flee, with the prodigal, to the far country of this world, away from the Fatherâs home (Luke 15:11â13). The second way, perhaps even more dangerous than the first, is to pursue holiness (or what we imagine holiness to be), and yet not be happy about it. We may call this second way older-brother Christianity. Like the elder son in Jesusâs parable, such people follow the Fatherâs rules with a sigh (Luke 15:29). Their holiness is all pursed lips and sober glances. âSuch is the cost of righteousness,â they remind themselves. âWe must relinquish pleasure on the path to heaven, you know. Holiness, not happiness, is the true good.â âWhat virtue!â some may exclaim. âWhat uprightness! What self-denial!â What a sham.  Older brothers, for all their outward purity, are still in the grip of the serpentâs ancient lie. They have been deceived, along with our first parents, to live in a world of the devilâs own making: a world where our Father wears a frown, where heaven has no laughter, and where holiness is ultimately a sacrifice. As long as we live in such a world, we will miss the feast that our Father has prepared (Luke 15:22â28). If we want to rid ourselves of older-brother instincts, and pursue holiness in a way that shames the devil, we would do well to return to the garden and listen again to that first lie. Song of the Morning Stars When the serpent approached Adam and Eve in the garden, he knew that only a lie could put the forbidden fruit into their hands. Only a lie could somehow convince them that they were the slaves of a stingy God. Only a lie could do the trick because reality, as always, was not on Satanâs side. For when God first breathed the oceans into being, and lit the stars like candles, and filled mountain fields with wildflowers, no sigh could be heard in all heaven and earth. Rather, all creation joined to praise their glorious Maker. From heavenâs lofty balconies, the morning stars raised their song, the sons of God shouted for joy, and Wisdom delighted in Godâs handiwork (Job 38:7; Proverbs 8:30â31). From âLet there be lightâ onward, the heavens have declared his glory (Psalm 19:1). And how shall we hear their declaration? As an apathetic exhale? As a monotonous lecture? As a distracted recitation? No, as the very pitch of delight: âYou make the going out of the morning and the evening to shout for joyâ (Psalm 65:8). Adam and Eve, upon hearing the melody of creation, could not help but join the song. As they gazed across Godâs handiwork, they trusted the goodness of their Father. They admired the beauty of their Creator. They enjoyed the fellowship of their Friend. They obeyed the counsel of their King. They had no higher happiness. Life in the Serpentâs World No, the devil knew Adam and Eve would never eat the fruit as long as they worshiped the glorious God in his marvelous world. So what did he do? He invited the couple to imagine a different world and a different god. He shuttered their eyes to sunsets and tulips, blocked their ears to the chirping of the robins, and calloused their skin to spring breezes. In short, he shrunk creation to the size of an apple, and gave them eyes for Edenâs only âNo.â In the world of the serpent, the morning stars sing a dirge, the hosts of heaven murmur, and creation only groans beneath the dictatorship of the Almighty Ruler. In such a world, Adam and Eve had only two options. They could, like the prodigal, disobey their God and run from their Fatherâs garden. Or they could, like the older brother, sacrifice their pleasure on the noble altar of obedience. âEither rebel and be happy â or obey and be miserable.â This was the serpentâs offer (Genesis 3:4â5). Adam and Eve took the fruit and fled into the far country. Many today do the same. Many others, however, refuse the fruit â but only on the serpentâs terms. Like older brothers, we aim to keep our Fatherâs rules. We do so, however, not because his rules are satisfying, but only because theyâre right; not because holiness is glorious, but only because itâs obedient; not because fellowship with God is happifying (as Jonathan Edwards used to say), but just because he says so. Which brother we become matters little to the devil. As long as we live within his world â a world where the gifts are scarce and the God is stingy â he is happy whether we rebel or âobey.â As long as we cease to hear and sing creationâs song of praise, the serpent is pleased. Deeper Than Self-Denial If humanityâs first sin arose when we believed the serpentâs lie, then our repentance must go deeper than rule-keeping or self-denial. After all, some of this worldâs most marvelous rule-keepers are still tenants in the serpentâs world. No, our repentance requires more: we must break free from his spell altogether, and return to the real God in the real world. We must bend our ears upward once again to hear the heavens sing, âGlory!â We must feel again that heaven and earth, though fallen now, still pulse with Godâs pleasure (Psalm 104:31). We must wade again in this delicious stream called creation, remembering that God himself is the fountain (James 1:17). In other words, we must step past the ancient lie and believe once again that God created us to be happy in him. As soon as we âtaste and see that the Lord is goodâ (Psalm 34:8), and that he himself is our âexceeding joyâ (Psalm 43:4), everything about our pursuit of holiness will change. We will still deny ourselves, practice obedience, and kill our sin, to be sure. But we will not dare for a moment to think that we are exchanging happiness for holiness. We will trade away our sin because we have seen the treasure to be found (Matthew 13:44). We will forsake the lusts of our flesh because, as Jesus promised, âwhoever loses his life for my sake will find itâ (Matthew 16:25). And even when we must sacrifice something precious to follow Christ, we trust that we will âreceive a hundredfold now in this time . . . and in the age to come, eternal lifeâ (Mark 10:30). The Holy Spirit teaches us not only to obey God, but to enjoy him â indeed, to obey him by  enjoying him. He teaches us not only to withstand the devilâs temptations, but as Martin Luther put it, to laugh our adversary to scorn. He teaches us not only to wonder at the mercy of Christ, but to breathe a grand sigh of relief, amazed that joy has been so near at hand all this time. Discipline does not defeat the devil â happiness does. Join the Fatherâs Feast From where we stand now, of course, we can look to more than creation to see the happiness of God, and to nurture our happiness in him. We now have seen wonders that the morning stars could never have imagined. We have seen a God so happy that he could bear up under a world of sorrows without breaking (Isaiah 53:3). A God who recognized the joy set before him so luminously that he could endure the darkest shame (Hebrews 12:2). A God who runs to meet his prodigal children, too delighted to be dignified (Luke 15:20). A God who even now holds out his own joy to every older brother who will come in from the cold and join the celebration (Luke 15:31â32). Come now, older brother, put up your ear to the door. Can you hear the saintsâ laughter? Can you hear the angelsâ praise? Can you hear the Father singing over his children whoâve returned? Whatever we must forsake to walk inside this door, there is always more ahead of us than what we leave behind. So go ahead: Turn again to that serpent in the darkness, and laugh his bruised head to scorn. And then open up the door, and join your Fatherâs feast.