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About the Book
"The Marriage Builder" by Dr. Larry Crabb explores the foundational principles for building healthy and fulfilling marriages. The book discusses how to cultivate emotional intimacy, resolve conflicts, and deepen spiritual connections in marriage. Dr. Crabb emphasizes the importance of understanding one's own needs and desires, as well as those of their partner, in order to create a strong and lasting marital relationship.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
God So Loved the World, He Sent You
Long before he made the world, God the Father prepared to send his one and only Son to earth. He loved him “before the foundation of the world” (John 17:24), and yet even then he knew how much the baby born in Bethlehem would suffer. We know the Father knew because our names were “written before the foundation of the world in the book of life of the Lamb who was slain” (Revelation 13:8). Before God planted the first pine tree, the Christmas story had already been planned. Before he lit the sun with fire, he had already begun digging the ground where the cross would one day stand. He always knew that Jesus would one day take on flesh and, eventually, shed his own blood. Can you imagine the all-wise, all-powerful author of life and history preparing his Son to live as one of us — and to die a uniquely horrible death? Even our wildest dreams would look like scratch drawings on a napkin compared with the intimacy they shared in divinity for an eternity before history — before there was even time to count. God So Loved His Son But the sent one himself gives us stunning glimpses into how the Father had prepared him: “I lay down my life for the sheep. And I have other sheep that are not of this fold. I must bring them also, and they will listen to my voice. . . . For this reason the Father loves me, because I lay down my life that I may take it up again. No one takes it from me, but I lay it down of my own accord. I have authority to lay it down, and I have authority to take it up again. This charge I have received from my Father.” (John 10:15–18) When the Son came to earth, he came covered in his Father’s love. When the Father set his love on us, at the excruciating expense of his Son, he did not love his Son less. He loved him more for his sacrifice. Jesus says, “For this reason the Father loves me, because I lay down my life that I may take it up again” (John 10:17). God’s love for his Son didn’t keep him from sending his Son to save us. Love for his Son prompted God to send him. The Father sent Jesus with unparalleled love, and with unrivaled authority. Jesus says, “No one takes it from me, but I lay it down of my own accord. I have authority to lay it down, and I have authority to take it up again” (John 10:18). The Father harnessed all the power of heaven for this mission, and entrusted it to the humble child from Nazareth. He held nothing back. Jesus, who was human in every way that we are, could say the scandalous and unfathomable: “All that the Father has is mine” (John 16:15). As much as he suffered as man, he did not come to earth empty-handed; he came bearing the universe. He came as God. But with the limitless love and unassailable authority of his Father, he was sent to die. Feel the awful heaviness of the full meaning of Christmas in his words: “I lay down my life for the sheep. . . . I lay down my life. . . . This charge I have received from my Father” (John 10:15, 17–18). The Father did not merely send Jesus to take on flesh, but to lay it down. The Spirit conceived a Christ to be crucified. For lost and wandering and helpless sheep — for you and me. Jesus was sent to lose everything that we might gain everything. He became poor — in birth, in life, and in death — that we might inherit his heavenly wealth (2 Corinthians 8:9). Sent in love, sent with authority, sent to die — and to save. As the Father Sent Me The wonder and weight of Christmas — a sending conceived in the mind of God before the foundation of the world, a sending on which every event in history turns and hangs — fills one sentence from Jesus with staggering significance. He prays to the Father, “As you sent me into the world, so I have sent them into the world.” (John 17:18) Nothing compares to the Creator of the universe sending the radiance of his own glory, the exact imprint of his nature into his creation. Until Jesus sends you. After he rises from the dead, he says it again, before he ascends into heaven, “Peace be with you. As the Father has sent me, even so I am sending you” (John 20:21). As the Father sent the Son — planned before the foundation of the world, demonstrating God’s infinite beauty, strength, and worth, paying for the sins of people from every tribe, tongue, people, and nation, with billions and billions of destinies hanging in the balance — so the Son now sends us. As the Father sent his Son on a specific and spectacular mission, so the Son has set us loose on a world in need of hope (John 17:21, 23). As the Father sent his Son with precious words to proclaim, so the Son has given us something to say, a Lord to adore, and a commission to obey (John 17:14; Matthew 28:19–20). As the Father sent the Son to suffer for love, so the Son sends his sheep into the wolf pack (Matthew 10:16). As the Father set joy before his Son, so the Son has promised us his very own joy (John 17:13), now in part, forever in full. As the Father sent his Son with love, so the Son has loved us (John 15:13). And so he has sent us into the world. God So Loved the World We have not descended from heaven, but in Christ we are not of this world. Jesus says of you and me, “They are not of the world, just as I am not of the world” (John 17:16). But while neither he nor we are of this world, he has stationed us here for now. Jesus prays, “I am no longer in the world, but they are in the world” (John 17:11). He is not in the world anymore, but we are. Instead of staying to bring in by himself all the sheep who are not yet of this fold, he ascended to mission control — the throne of the universe — and sent us in after him. Having completed his once-for-all mission of securing redemption — the work only he could do — he entrusted us with telling the whole world what he had done. He says to his disciples, “All authority in heaven and on earth has been given to me. Go therefore and make disciples of all nations” (Matthew 28:18–19). As he had heard the Father say, “Go,” he now sends us into the world — with his authority, his words, his help, his joy, and his own presence: “Behold, I am with you always, to the end of the age” (Matthew 28:20). To whom has God sent you? The people in your family, on your street, near your office are not the offspring of chance. God lovingly placed them within arm’s reach of forgiveness, hope, and joy — by placing you near them. They were not alive a hundred years ago, but they are now. They will not live where they do in a hundred years, but they do now. God arranged and orchestrated every person in your life for his glory (Acts 17:26–27), just as he guided all of human history for thousands of years before Christ came — and then he sent you precisely where you are — with words and joy, in love, to suffer and say and save. As you celebrate the greatest sending again this Christmas, remember God so loved the world, that he also sent you. Article by Marshall Segal