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The Two Convenants The Two Convenants

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  • Author: Andrew Murray
  • Size: 314KB | 74 pages
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Inspiring, I was much impacted.

- saartjie anderson (6 months ago)

About the Book


"The Two Covenants" by Andrew Murray explores the differences between the Old Covenant of law and the New Covenant of grace. Murray contrasts the legalistic approach of the Old Covenant with the freedom and power found in the New Covenant through faith in Jesus Christ. The book emphasizes the importance of living in the grace of the New Covenant and experiencing the fullness of God's love and blessings.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

If God Approves, Let Men Condemn

It may appear, at first glance, to be an odd text to hang in your bedroom: Blessed are ye, when men shall revile you, and persecute you, and shall say all manner of evil against you falsely, for my sake. Rejoice, and be exceeding glad: for great is your reward in heaven: for so persecuted they the prophets which were before you. (Matthew 5:11–12 KJV) Whereas others might draw from a thousand wells before this one, Susannah Spurgeon framed Jesus’s words to remind her husband, Charles, of Jesus’s upside-down perspective. When his disciples face bitter opposition for his name’s sake, the proper response should be joy. “Spurgeon was slandered in the newspapers, ridiculed by his opponents, and censured by many evangelical ministers.” When we consider this Baptist giant, when we read his stirring sermons, when we remember that his life’s work rivaled that of one hundred men, when we read of the revival and the winning of countless souls to Christ, we can imagine the Prince of Preachers encountering little but unbroken success. Compared with so many of our ministries, his seemed to soar high in the clouds. We rarely consider, as Iain Murray contends, The Forgotten Spurgeon — the Spurgeon who needed Matthew 5:11–12 hanging on his wall. Forgotten Prince The forgotten Spurgeon stood among the tornadoes of several great controversies in his day. His protestation against Arminianism, his disgust at baptismal regeneration, and his resistance to an evangelical unity founded upon fragments of Christian doctrine (known as the Downgrade Controversy) made him the target for many arrows. This Spurgeon, especially at the beginning and end of his ministry, had reason to reckon himself as “the scum of the earth” (24–25). The name Spurgeon, which we regard fondly, was, by estimation of its owner, “kicked about the street like a football” (28). He had occasion to remark in a sermon, “Scarce a day rolls over my head in which the most villainous abuse, the most fearful slander is not uttered against me both privately and by the public press; every engine is employed to put down God’s minister — every lie that man can invent is hurled at me” (63). This Spurgeon was slandered in the newspapers, ridiculed by his opponents, and censured by many evangelical ministers who he anticipated would be his allies. This Spurgeon was a living example of the happy — but often hated — man of God to whom Jesus spoke in the Sermon on the Mount. Fleeing Compromise What can we learn from this forgotten Spurgeon? This Spurgeon can teach us to handle controversy manfully and without compromising. His convictions, which he held to his dying day, cost him dearly. He did not practice that vice he so clearly preached against: “I think there is scarcely a Christian man or woman that has been able to go all the way to heaven and yet quietly hide himself and run from bush to bush, skulking into glory. Christianity and cowardice? What a contradiction in terms!” (“Speak for Yourself — a Challenge”). If we would cast away the temptation to tiptoe into glory, and be of real benefit for Christ’s name in this world, Spurgeon teaches us that we would do well to resist loving our own names, be comfortable in the minority, and recognize (and reject) false unity. 1. Don’t fall in love with your own name. “Let my name perish, but let Christ’s name last forever! Jesus! Jesus! Jesus! Crown him Lord of all!” (43) Spurgeon warns us of falling in love with our own reputations and influence. This self-love, he identified, is a main ingredient in the undoing of the best of us. He exposes the steps to compromise of the person initially used by God: The temptation comes to be careful of the position he has gained, and to do nothing to endanger it. The man, so lately a faithful man of God, compromises with worldlings, and to quiet his own conscience invents a theory by which such compromises are justified and even commended. He receives the praises of “the judicious”; he has, in truth, gone over to the enemy. The whole force of his former life now tells upon the wrong side. (170) How many times have we seen or experienced this drift? First, we are somehow exalted for special use. Then we quietly begin to notice it and relish the attention. Falling in love with recognition, we tighten our grip around our platforms in fear of losing them. We then calculate what we say, filtering out anything that may weaken our influence — including the unfavorable truths of Scripture. And finally, faced with the thing we used to call compromise, we invent reasons to support what we’ve become — why we’ve beaten the sword into a plowshare. “When we begin sharing truth based on how well that truth will be received, we are halfway to compromise.” Fierce loves fixed on unworthy objects mold Christians into cowards. If we have begun to love the music of our own name, manage our brand, or consider our popularity as necessary to the advancement of Christ’s kingdom, we have begun building our own kingdoms. May we say with Spurgeon, “I count my own character, popularity, and usefulness to be as the small dust of the balance compared with fidelity to the Lord Jesus” (219). It is Christ we proclaim, not ourselves (2 Corinthians 4:5). 2. Be comfortable in the minority. “Long ago I ceased to count heads. Truth is usually in the minority in this evil world. I have faith in the Lord Jesus for myself, a faith burned into me as with a hot iron. I thank God, what I believe I shall believe, even if I believe it alone.” (146) Have you ever felt the temptation to count heads — or followers, likes, and shares — to see what you should or should not say? I have. When we begin sharing truth based on how well that truth will be received, we are halfway to compromise. Spurgeon counsels us to consider the cost beforehand: truth is often in the minority; to stand with it means you may stand alone. Yet those who stand for Christ’s truth never truly stand alone. You may go as Esther before the king without kin beside you, resolved that if you perish, you perish; you may preach like Stephen, as crowds press in around you, shutting their ears and hurling stones; you may rebuke King Herod’s adultery alone or say with Paul, “At my first defense no one came to stand by me” (2 Timothy 4:16) — but Christ shall be with you, even until the end of the age (Matthew 28:20). And if your cause is true, you will find, like Elijah, you are not the only one not to bow the knee to Baal (1 Kings 19:14, 18). 3. Recognize false unity. “It is, of course, the most easy to flesh and blood to deal in generalities, to denounce sectarianism, and claim to be of an ultra-catholic spirit; but though rough and rugged, it is required of the loyal servant of King Jesus to maintain all his crown rights and stand up for every word of his laws. Friends chide us and foes abhor us when we are very jealous for the Lord God of Israel, but what do these things matter if the Master approves?” (18) Error loves vagueness. As in Spurgeon’s day, the temptation to tolerate all positions and accept all perspectives on truth is strong in ours. We are told it is prejudiced, narrow, and even unchristian to draw lines. But to Spurgeon, promoting a type of “Christian unity” whose common denominator sinks lower than genuine Christianity in the first place is unacceptable. Unity of Jew and Gentile into one new man is bought with the blood of Christ; unity of gospel truth and gospel untruth is unity brought about by Satan. Orthodox Christianity, he argued, is distinct. Not all views can be true. When the only standard left is for all in the flock to have four legs, wolves and goats stand at ease among us. The trend toward an undoctrinal, atheological, shapeless evangelicalism, beginning in Spurgeon’s day and seemingly ripening in ours, is one of the quickest ways to compromise our fidelity to Christ and witness in the world. “Truth is often in the minority; to stand with it means you may stand alone.” In saying this, Spurgeon did not intend to divide over every possible theological difference — lest every man be an island unto himself. But Spurgeon chafed at minimizing Christian zeal and truth in order to bring together contrasting theologies and to mix liberalism with historic Christianity. We may be called particular or dogmatic, but what do we care if what we promote is the Master’s truth? Though the Heavens Fall “It is yours and mine to do the right though the heavens fall, and follow the command of Christ whatever the consequence may be. “That is strong meat,” do you say? Be strong men, then, and feed thereon.” (171) His beloved wife, who hung Matthew 5:11–12 in their bedroom, said after his death at the age of 57, “His fight for the faith . . . cost him his life.” He fought the good fight of faith, he kept the faith, he finished the race (2 Timothy 4:7), claiming before his death, “My work is done” (173). He lived for his Lord, and now he basks in his presence. To those of us who lag behind him, traversing our own times with all of their challenges and opportunities, temptations and labors, take up his oft-quoted hymn as we continue on in our race of faith: Must I be carried to the skies On flowery beds of ease, While others fought to win the prize And sailed through bloody seas? Since I must fight if I would reign, Increase my courage, Lord! I’ll bear the toil, endure the pain, Supported by thy word. Though the heavens fall, though the earth gives way, though controversy and temptations of spiritual compromise stand before us, may we heed this forgotten Spurgeon, hang Matthew 5:11–12 in our hearts, and live before men and devils with the courage and hope that only Christ supplies. Article by Greg Morse

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