GIP Library icon

LOG IN TO REVIEW
About the Book


"The Total Money Makeover" by Dave Ramsey is a step-by-step guide to achieving financial freedom and living debt-free. Ramsey outlines a plan for taking control of your finances through eliminating debt, saving for emergencies, investing wisely, and living within your means. The book offers practical advice and tools to help readers create a solid financial foundation and build wealth over time.

Keith Green

Keith Green Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org. Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001. From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers." Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others. Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential. As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations. Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...." Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis. Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers. Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint. Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents. On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on." Keith Green's Career Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980. Keith Green's Awards Induction (posthumous), Gospel Music Hall of Fame, 2001. Famous Works For Him Who Has Ears To Hear , Sparrow, 1977. No Compromise , Sparrow, 1978. So You Wanna Go Back to Egypt , Pretty Good, 1980. The Keith Green Collection , Sparrow, 1981. Songs for the Shepherd , Pretty Good, 1982. The Prodigal Son , Pretty Good, 1983. Jesus Commands Us to Go , Pretty Good, 1984. Because of You--Songs of Testimony , Sparrow, 1998. Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998. Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998. Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.

Trapped for All Eternity

My dear Globdrop, I have received your perspective concerning your man’s most recent incident. He drew swords with his atheist classmate and succeeded, did he? He made the Enemy and the hope of a hereafter seem almost “reasonable”? In those ten minutes, the clouds pulled back and heaven appeared to triumph over hell, did it? You call it “a true embarrassment . . . a humiliating defeat.” You repeatedly assure me that you “take full responsibility.” O my dear nephew, what’s next? Did you, borrowing a human expression, require a shoulder to cry on? A nodding head and listening ear? Words of affirmation? Stand upright, soldier. Yours is not the only name to be pulled down into disgrace. All is far from lost. Though you slouch in shame with your talons curled, consider that mere “reasoning” does not frighten us (though we do not encourage it). A “reasonable” God, a “reasonable” eternity, and a “reasonable” heaven are still no God, no eternity, and no heaven — so long as “reasonable” goes unaccompanied with “desirable.” A God and a heaven no one wants are the only kind we will approve. Just a Few More Hours This unwelcomed eternity is, from all indications, your man’s current conception. The heaven he hotly debates is not the heaven he really wants. He is not one to strive to enter the narrow gate. He is “a few more hours” kind of man. I remember that splendid night like it was yesterday. One of their comedians took the stage to joke that he feared the Enemy would return on his wedding night. How would he respond when his “Lord” came to meet him? “Give me a few more hours.” The audience bellowed uproarious laughter. This, Globdrop, is comedy! Dark, damning, delicious. What this man said captures the subtitles of their lives: “Lord, give me a few more hours to make my mark on the world!” “Give me a little longer to get married and have children!” “Lord, let me grow old and spent. Then return!” Not yet, Lord — give me just a few more hours! For all the “Christian” talk (or debating), great masses of them still consider heaven an intrusion, a cloud moving over their day at the beach, a mere shadow interrupting the earthly substance. Their decaying bodies, grey hairs, and slowing minds trigger fear, not anticipation, for what lies ahead. These are runners who slow near the finish line, soldiers who do not want the war to end, farmers who groan at the first signs of harvest, prodigals looking back longingly at the city they can no longer afford. Their hearts are here; their heaven is earth. If not forced over the cliff by death, many would say, “a few more hours” for all eternity. Demon’s History of Heaven The secret, then, is this: we do not need to waste time trying to make atheists of those who stubbornly believe that the Enemy or heaven is real; we need only convince them that it’s nothing to leave earth for. And thankfully, we do not need to deceive them on this point. I was just a young devil during the Rebellion. The humans scratch their furry heads, perplexed how we could have ever sinned; they gaze up at the stars, wondering how perfect creatures could ever fall. They never consider that our Father Below “fell like lightning from heaven” in a grand escape from their precious heaven. Sure, the Enemy was well at hand to twist the story, labeling it as our being cast out in defeat, but what he calls an insurrection, we know as emancipation. We could not linger for one more millennium locked in that kennel he calls heaven. Our Father discovered (almost too late) that the Enemy allows only spaniels in that place, puppies wagging their peppy tails, yapping incessant praises, jumping up and down for that eternal belly scratch he calls joy. Our Dark Lord Lucifer, deciding then that he would not allow us to be of the servile breed, snapped the leash from such a place. Here again, the thinkers of men scratch their heads wondering why they — and not we demons — were sent “redemption.” As their preachers drool with self-congratulation, they would be shocked to discover the truth: we wouldn’t want it if he offered it. We know what “heaven” on his terms means. Were the door to swing open to us, we would slam it once again. We’ve had enough of his ball-fetching. Danger of Desire Yet the vermin actually applaud when he takes them for slaves. He, of course, gives each chain a pretty name — joy, peace, goodness, love, and the rest. What effective propaganda that he even goes so far as to move the Warden of his own presence into them to ensure they live as he demands, all the while convincing them that this is some precious gift. It is when they begin to see things in this concussed way — God, heaven, holiness as a treasure — that things get dangerous. Humans in this condition have been known to do more damage to our Father’s kingdom than ten thousand of those who, for all their talk, just want a few more hours. Men have sung on their way to the gallows. Women have crossed oceans to tell news of the Enemy to subjects we thought firmly in our grasp. Young children even, giving up a life unlived because of this infection. The hope of heaven to them has been a shield against our most reliable weapons: suffering, grief, sickness, and pain. The servitude that they mistake for freedom would almost make us laugh — if it did not rob us of our supper. Floating Clouds, Plucking Harps Heaven must remain — if it must remain — as merely the next best thing when they are evicted from this earth. Keep heaven in the peripheral: a blinding blur; the butt of a joke; a hazy, undesirable existence of floating in clouds and plucking harps. Let them think they are praying “on earth as it is in heaven” when they really mean “in heaven as it is on earth.” Far from fainting at such a belief, we see in it the opportunity to glorify our Father Below. When they refuse the Enemy’s feast to check on the fields and oxen they bought, or when they excuse themselves because they just got married and need a few more hours, all see the truth. How those howls shook hell when that young rich man — and every rich man since — finally turned away dejected. So yes, dear Globdrop, allow heaven to be “reasonable” to your man, at least for now. But never allow it to be more. Let him contest for the idea of heaven and drop the thought once he sits down to eat lunch, scrolls mindlessly through his phone, or watches a movie with his girlfriend — send him immediately back to our world. The only heaven we can endure — and the only heaven that will deliver your patient safely to us — is the heaven for which no one really wants to leave earth. Your unamused uncle, Grimgod Article by Greg Morse

Feedback
Suggestionsuggestion box
x