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About the Book
"The Strange Woman" by Dag Heward-Mills is a Christian self-help book that explores the dangers of falling for the seductive charms of a deceitful woman. The author warns readers about the consequences of getting entangled with such women and provides guidance on how to overcome temptation and stay faithful to God. The book also emphasizes the importance of maintaining a strong relationship with God and following His teachings to avoid falling into sin.
A.W. Tozer (Aiden Wilson Tozer)
Early life
Tozer hailed from a tiny farming community in western La Jose, Pennsylvania. He was converted to Christianity as a teenager in Akron, Ohio: While on his way home from work at a tire company, he overheard a street preacher say, "If you don't know how to be saved ... just call on God, saying, 'Lord, be merciful to me a sinner.'" Upon returning home, he climbed into the attic and heeded the preacher's advice.
Pastor
In 1919, five years after his conversion and without formal education in Christian theology, Tozer accepted an offer to serve as pastor of his first church. That began 44 years of ministry associated with the Christian and Missionary Alliance (C&MA), a Protestant Evangelical denomination, 33 of them serving as a pastor in several different congregations (his first, a small storefront church in Nutter Fort, West Virginia). Later, he served thirty years (1928 to 1959) as the pastor of Southside Alliance Church in Chicago; the final years of his life he spent as pastor of Avenue Road Church in Toronto, Ontario, Canada. Observing contemporary Christian living, Tozer felt that the church was on a dangerous course toward compromising with "worldly" concerns.
Born into poverty, Tozer was self-educated and taught himself what he missed in high school and university.
Author
Tozer began writing in 1931 for the denominational magazine of the Christian and Missionary Alliance, Alliance Weekly (now Alliance Life), which became the platform from which his writing career emerged. He later wrote the monthly column “There’s Truth in It” (1936–37) and “A Word in Season” (1944–46). In May 1950, he became the editor of the Alliance Weekly, a position he filled until his death in 1963.
At the urging of David W. Fant, publications secretary of the C&MA, Tozer wrote biographies of A. B. Simpson (1943) and Robert A. Jaffray (1947). It was the publication of his third book, The Pursuit of God (1948), that made Tozer a household name among evangelicals. In addition to the 12 books he published in his lifetime, more than 40 other books have been compiled from his magazine features, editorials, and transcribed sermons.
During his lifetime, Tozer’s works were published by Christian Publications, Inc., the denominational press operated by the C&MA. The publishing house declared bankruptcy in 2006 and was purchased by WingSpread Publishers of Camp Hill, Pennsylvania.[8] In November 2013, Moody Publishers acquired Wingspread from parent company Zur Ltd., a transaction that included more than 60 Tozer books and pamphlets. Some of Tozer’s works are now in the public domain and have been issued by multiple publishers.
Personal life
Tozer had seven children, six sons and a daughter. Living a simple and non-materialistic lifestyle, he and his wife, Ada Cecelia Pfautz, never owned a car, preferring bus and train travel. Even after becoming a well-known Christian author, Tozer signed away much of his royalties to those who were in need.
Prayer was of vital personal importance for Tozer. "His preaching as well as his writings were but extensions of his prayer life," comments his biographer, James L. Snyder, in the book In Pursuit of God: The Life Of A.W. Tozer. "He had the ability to make his listeners face themselves in the light of what God was saying to them," writes Snyder.
Death and legacy
Tozer died on May 13, 1963, after suffering a heart attack. He was buried in Chicago, and later the family had his remains reinterred at Ellet Cemetery, Akron, Ohio. A simple marker reads: A. W. Tozer—A Man of God. The Alliance Weekly ran a memorial issue with numerous tributes and excerpts. The same issue also featured “God’s Greatest Gift to Man," a transcription of his final sermon. A few months prior to his death, Tozer had submitted the manuscript to The Christian Book of Mystical Verse, which was released in 1964 as his final book. His official publisher, Christian Publications, released many titles after his death, based on his magazine articles and sermon transcriptions. These continue in print with Moody Publishers. Several other publishers have released his public domain works.
In 2000, The Pursuit of God was named to Christianity Today’s list of 100 “Books of the Century.” In 2006, Knowledge of the Holy was named in “The Top 50 Books That Have Shaped Evangelicals.” Contemporary Christian music artist Lauren Barlow of BarlowGirl later published a compilation of stories told by 59 artists, writers, and leaders about A.W. Tozer’s personal inspiration.
The Blissful and Trivial Life - How Entertainment Deprives a Soul
When we, as a society, stopped reading and started watching, we began thinking and talking less — at least with the same substance or effectiveness. That was the bright red flag Neil Postman began waving in the sixties, captured for future generations in his classic work, Amusing Ourselves to Death. The book was published in 1985, the year before I was born. With the introduction of the television, Postman observed, entertainment did not merely become a bigger and bigger part of our lives — it became our lives. And everything else in our lives — news, politics, education, even religion — was increasingly forced to perform on its stage. Suddenly, everything had to be entertaining. Newspapers gave way to “the nightly news”; classroom lessons made their way to Sesame Street; worship services transformed into televised concerts with TED talks. “The television slowly taught us that nothing was worth our time unless it was entertaining.” The television slowly taught us that nothing was worth our time unless it was entertaining. And anything entertaining, almost by definition, requires less of us — less thinking, less study, less work. Entertainment, after all, isn’t meant to be taken seriously. But when everything is entertainment, doesn’t that mean little, if anything, can be taken seriously? For those who take the glory of God seriously, and our joy in him seriously, that becomes a very serious question. What Will Ruin Society? Postman warned about this devolution long before others noticed what was happening. He writes, [George] Orwell warns that we will be overcome by an externally imposed oppression. But in [Aldous] Huxley’s vision, no Big Brother is required to deprive people of their autonomy, maturity, and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think. What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. . . . In short, Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us. This book is about the possibility that Huxley, not Orwell, was right. (Amusing Ourselves to Death, xix) When he wrote those words, television had only been around for thirty years (invented much earlier, but not common in households until the fifties). The internet would not become publicly available until the 90s. Social media didn’t come along for another fifteen years (and really didn’t become widespread until the iPhone in 2007, several years after Postman died). If Postman was right about the early years of television, how much more today — a day when we no longer have to schedule time to sit and watch our favorite shows, but carry our entertainment with us literally everywhere we go? If entertainment could control our lives from a small box in the living room, how much more so when it’s nearly surgically attached to us on our phones? Postman, I believe, was more correct than even he realized — and the implications are not just social or cultural, but spiritual. Irrelevance Binds Us What makes television such a terror to the collective mind of a culture? Postman begins by arguing that the “medium is the metaphor.” Meaning, any given medium — whether text, television, or social media — doesn’t only distribute content, but unavoidably shapes the content. How we consume, he argues, is as important as what we consume. Mediums determine how we take in information. For instance, over time typography (despite its own limitations) generally taught us to follow arguments, test conclusions, and expose contradiction. Television, by contrast, consistently does away with arguments, strips away context, and darts from one image to the next. Television, however, not only teaches us a new way to process information, but it also floods us with information and from far beyond our everyday lives. The telegraph, of course, had begun doing this with words long before the television, but notice what was happening then, even with the telegraph: In the information world created by telegraphy, everything became everyone’s business. For the first time, we were sent information which answered no question we had asked, and which, in any case, did not permit the right of reply. We may say then that the contribution of the telegraph to public discourse was to dignify irrelevance and amplify impotence. (68–69) For the most part, the kind of information that would interest people in both Los Angeles and Minneapolis, would need to be nonessential to life in either place (irrelevance), and all the more so with news from around the globe. Stories had to transcend ordinary life in a real place (part of the appeal for people looking to escape the malaise of ordinary life). And, for the most part, the information had to be the kind of information neither could do anything about (impotence). Postman asks a pointed question of all our media consumption: “How often does it occur that information provided you on morning radio or television, or in the morning newspaper, causes you to alter your plans for the day, or to take some action you would not otherwise have taken, or provides insight into some problem you are required to solve?” (68). Television only made the irrelevance that much more accessible and that much more appealing (actual images and videos of celebrities doing everyday activities as opposed to the short descriptions the telegraph could produce). And how much more is this the case through social media? We know more and more about our favorite athletes, actors, and musicians and yet often less and less about our neighbors and the places where we might actually make a difference. Worth a Thousand Images But isn’t a picture worth a thousand words? In 1921, the marketer Fred Bernard famously said so, promoting the use of images for advertising on the side of streetcars. He was probably right as far as streetcars go. If you want to make a memorable impression on someone in a couple seconds, by all means use a picture — but is this effective communication or just effective marketing? Maybe it’s more accurate to say a picture is worth a thousand more sales, or clicks, or likes. Even then, though, can a picture really convey what a consumer needs to know about a new phone, or clothing line, or dish soap? For serious shoppers, haven’t we learned that one coherent sentence of honest description might be worth a thousand pictures? Postman saw that as images overtake words as the dominant form of communication in a society, communication invariably suffers. “I will try to demonstrate that as typography move to the periphery of our culture and television takes to place at the center, the seriousness, clarity and, above all, value of public discourse dangerously declines” (29). We descend into “a vast triviality,” he says. We get sillier. As he attempts to summarize his warning to the ever-entertained, he says, “Our Ministry of Culture is Huxleyan, not Orwellian. It does everything possible to encourage us to watch continuously. But what we watch is a medium which presented information in a form that renders it simplistic, nonsubstantive, nonhistorical, and noncontextual; That is to say, information packaged as entertainment. In America, we are never denied the opportunity to amuse ourselves” (141). In the Beginning Was the Word According to Neil Postman, America (and much of the modern world) has laid our collective minds on the altar of entertainment. But why should followers of Christ care about television (or websites or social media)? Should we spend much time worrying about how much we watch and how little we read? Yes, because the fullest Christian life is firmly anchored in words and sentences and paragraphs. When God revealed himself to his chosen people, of all the infinite ways he could have done so, he chose to unveil himself with words. “Long ago, at many times and in many ways, God spoke to our fathers by the prophets, but in these last days he has spoken to us by his Son” (Hebrews 1:1–2). God didn’t build a gallery or start a YouTube channel, he wrote a Book (2 Timothy 3:16). “In the beginning was the Word. . . . And the Word became flesh and dwelt among us, and we have seen his glory, glory as of the only Son from the Father, full of grace and truth” (John 1:1, 14). From the beginning, God has put the Word, his Son, at the center of reality, and, in doing so, he has given words unusual power and importance in anticipating, explaining, and celebrating him. Yes, the heavens are declaring the glory of God (Psalm 19:1). Yes, his eternal power and divine nature have been seen, from the beginning, in the things that have been made (Romans 1:20). But “faith comes from hearing, and hearing through the word of Christ” (Romans 10:17). For now, faith looks “not to the things that are seen but to the things that are unseen. For the things that are seen are transient, but the things that are unseen are eternal” (2 Corinthians 4:18). And we look to the unseen through words. We may see God in mountains and oceans and galaxies, but we only know him savingly through sentences. He wrote the story that way. Serious Joy in Silly Days If the way we’re using entertainment erodes our ability to reflect, reason, and savor truth, it erodes our ability to know and enjoy Jesus. “Blessed is the man . . . [whose] delight is in the law of the Lord, and on his law he meditates day and night” (Psalm 1:1–2). If we lose the ability to think, we lose the ability to meditate. And if we lose the ability to meditate, we lose our path to meaningful happiness. The life of the mind, and heart, is a pivotal battleground in the pursuit of real and abundant life. “The life of the mind is a pivotal battleground in the pursuit of real and abundant life.” The medium is not the enemy — television and YouTube and Instagram are not the enemy. But if Postman was right, the medium can be wielded by our world, our flesh, and our enemy when we soak up entertainment and ignore the consequences. What, if any, of your entertainment habits need to be curbed or redirected for the sake of your soul? What are ways you are seeking to cultivate the spiritual gift of your mind — slower Bible study or memorization, reading substantive books, meaningful conversation with friends, more time in unhurried reflection and meditation? As we learn to guard and nurture our minds as our God-given pathways to God, the kinds of mindless entertainment that are undoing millions today will be far less appealing and far less dangerous. And we will find pleasures deeper, and far more enduring, than what we see on our screens. Article by Marshall Segal Staff writer, desiringGod.org