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About the Book
In "The Roots of Endurance," John Piper explores the lives of eight Christian leaders who endured suffering and hardship with unwavering faith. Through their stories, Piper highlights the importance of trusting in God's sovereignty, finding joy in suffering, and persevering in the face of trials. This book serves as a powerful reminder of the strength and endurance that comes from a deep relationship with Christ.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
I Lay My Life in Your Hands
Down through church history, Christians have referred to the seven statements Jesus spoke from the cross as the âlast wordsâ of Christ. According to tradition, the very last of these last words, which Jesus cried out before giving himself over to death, were these: âFather, into your hands I commit my spiritâ (Luke 23:46). It was a powerful, heartbreaking, poetic moment. God prayed to his God by quoting God-breathed Scripture. The Word of God died with the word of God on his lips. And it was a word of poetry, the first half of Psalm 31:5. Most of those gathered on Golgotha that dark afternoon likely knew these words well. They were nearly a lullaby, a prayer Jewish parents taught their children to pray just before giving themselves over to sleep for the night. So, in Jesusâs cry, they likely heard a dying manâs last prayer of committal before his final âfalling asleep.â And, of course, it was that. But thatâs not all it was. And every Jewish religious leader present would have recognized this if he were paying attention. For these men would have known this psalm of David very well. All of it. They would have known this prayer was uttered by a persecuted king of the Jews, pleading with God for rescue from his enemies. They also would have known it as a declaration of faith-fueled confidence that God would, in fact, deliver him. For when Jesus had recited the first half of Psalm 31:5, they would have been able to finish the second half from memory: âYou have redeemed me, O Lord, faithful God.â What Was Jesus Thinking? The most maddening thing for the Jewish rulers had always been trying to get inside Jesusâs head. What was he thinking? Who was he making himself out to be (John 8:53)? âThe Word of God died with the word of God on his lips.â Well, he had finally confirmed their suspicions at his trial: he believed himself to be Israelâs long-awaited Messiah (Matthew 26:63â64). It was true: he really did see himself as âthe son of Davidâ (Matthew 22:41â45). Now here he was, brutalized beyond recognition, quoting David with his last breath â a quote that, in context, seemed to make no sense in this moment: You are my rock and my fortress; and for your nameâs sake you lead me and guide me; you take me out of the net they have hidden for me, for you are my refuge. Into your hand I commit my spirit; you have redeemed me, O Lord, faithful God. (Psalm 31:3â5) What had Jesus been thinking? This should have been a moment of utter despair for him. David had prayed, âLet me never be put to shameâ (Psalm 31:1), but there Jesus was, covered in nothing but shame. David had prayed, âIn your righteousness deliver me!â (Psalm 31:1) But Jesus was dying a brutal death. In what possible way could he have believed at that moment that God was his refuge? David proved to be the Lordâs anointed because God had delivered him âout of the netâ of death. David committed his spirit into Godâs hand, and God had been faithful to him by redeeming him. But this so-called âson of Davidâ received no such deliverance, no such redemption. King Who Became a Reproach Yet, as they looked at that wasted body hanging on the cross, with a sign posted above it that read, âThis is Jesus, the King of the Jewsâ (Matthew 27:37), and pondered his final words, might some of them have perceived possible foreshadows of messianic suffering in this song of David? Be gracious to me, O Lord, for I am in distress; my eye is wasted from grief; my soul and my body also. For my life is spent with sorrow, and my years with sighing; my strength fails because of my iniquity, and my bones waste away. Because of all my adversaries I have become a reproach, especially to my neighbors, and an object of dread to my acquaintances; those who see me in the street flee from me. (Psalm 31:9â11) This psalm recorded a moment when David, the most beloved king of the Jews in Israelâs history, had become a reproach. He had been accused, blamed, censured, charged. He had become an âobject of dreadâ to all who knew him; people had wanted nothing to do with him. He had âbeen forgotten like one who is deadâ; he had âbecome like a broken vesselâ (Psalm 31:12). Had this at all been in Jesusâs mind as he uttered his last prayer? David, of course, hadnât died. God delivered him and honored him. Surely he would do the same, and more, for the Messiah! After Death, Life Yet, there were those haunting words of the prophet Isaiah: âWe esteemed him stricken, smitten by God, and afflicted. But he was pierced for our transgressions; he was crushed for our iniquitiesâ (Isaiah 53:4â5). Pierced. Crushed. Indeed, It was the will of the Lord to crush him; he has put him to grief; when his soul makes an offering for guilt, he shall see his offspring; he shall prolong his days; the will of the Lord shall prosper in his hand. (Isaiah 53:10) It would have been unnerving to recall that Isaiahâs âsuffering servantâ is first âslaughteredâ like a sacrificial lamb (Isaiah 53:7) and then afterward âprolong[s] his days.â After death, life. Not only that, but God himself commends and promises to glorify him for his sacrifice: âBehold, my servant shall act wisely; he shall be high and lifted up, and shall be exaltedâ (Isaiah 52:13). Had Jesus really believed, even as his life drained away, that he was the King of the Jews bearing reproach, the Suffering Servant? Was this woven into the fabric of his final cry? âMy Times Are in Your Handâ This self-understanding would make sense of Jesusâs physically agonizing yet spiritually peaceful resignation to the will of God as he died. Even more, it also would fit with his previous foretelling of his death and resurrection â something these leaders were quite cognizant of at that moment (Matthew 27:62â64). All this again aligned with the childlike faith and hope David had expressed in Psalm 31: I trust in you, O Lord; I say, âYou are my God.â My times are in your hand; rescue me from the hand of my enemies and from my persecutors! Make your face shine on your servant; save me in your steadfast love! Oh, how abundant is your goodness, which you have stored up for those who fear you and worked for those who take refuge in you, in the sight of the children of mankind! (Psalm 31:14â16, 19) If any of the Jewish leaders (and others) had been paying careful attention to where Jesusâs words were drawn from, they would have heard more than a desperate manâs prayer before falling into deathly sleep. They also would have heard a faithful manâs expression of trust that his God held all his times in his hands, including that most terrible of times, and that his God had stored up abundant goodness for him, despite how circumstances appeared in the moment. Let Your Heart Take Courage I can only speculate what may have passed through the minds of the Jewish leaders as they heard the very last of Jesusâs last words. But I have no doubt that the words, âFather, into your hands I commit my spirit,â were pregnant with meaning from the entire psalm when the Word cried them out. âGod can be acting most faithfully in the very moments when it appears heâs not being faithful at all.â Which makes Jesusâs quotation of half of Psalm 31:5 the most profound and powerful commentary on this psalm ever made. We now read it through the lens of the crucified and risen Christ. And one crucial dimension we must not miss is this: at that moment of his death, no one but Jesus perceived the faithfulness of God at work. He shows us that God can be acting most faithfully in the very moments when it appears heâs not being faithful at all. We all experience such moments when we must, like Jesus, sit in the first half of Psalm 31:5 (âInto your hand I commit my spiritâ). As we sit, we can lean into the faithfulness of God to keep his word, trusting that he who holds all our times will bring to pass the second half of the verse when the time is right (âYou have redeemed me, O Lord, faithful Godâ). We can also, with David, sing the psalm all the way to the end: Love the Lord, all you his saints! The Lord preserves the faithful but abundantly repays the one who acts in pride. Be strong, and let your heart take courage, all you who wait for the Lord! (Psalm 31:23â24) Article by Jon Bloom