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About the Book
"The Man in the Mirror" by Patrick Morley is a spiritual guide that encourages men to take a closer look at themselves and live a more fulfilling life. Morley discusses the importance of self-reflection, purpose, relationships, and faith, offering practical advice and insights for personal growth and spiritual development. The book challenges men to align their lives with their deepest values and beliefs, seeking to become the best version of themselves.
Johnny Cash
Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences.
Who Was Johnny Cash?
Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin.
Early Life
Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops.
Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields.
From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice.
Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career.
Military Service and Musical Aspirations
In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic.
It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started."
After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel.
Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice."
Johnny Cash and the Tennessee Two
In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song.
The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts.
Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town."
Drugs and Divorce
By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs.
But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce.
Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death."
Remarriage and Revival
Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968.
With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans.
The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash.
The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame.
Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa.
Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery.
But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography.
Final Years, Death and Legacy
Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998.
Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation.
Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track.
"Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'"
That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter.
In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty.
Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down.
"I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore."
In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.
Closeness Comes Through Fire - How Suffering Conforms Us to Christ
Ignatius of Loyola (1491–1556) believed the cannonball that broke his leg was essential to his spiritual awakening. For Martin Luther, it was the threat of lightning. What unites them is that they are part of a common Christian tradition that teaches an uncomfortable lesson: suffering sanctifies. The stories can be found throughout Scripture and in every church on almost any day. We might wish that faith grew especially during prosperity, but the voice of faith says, “Jesus, help!” And those words come most naturally when we are weak and unable to manage on our own. Growth can be judged, in part, by the number of words we speak to our Lord, and we tend to speak more words when we are at the end of ourselves. Suffering sanctifies. God tests us in order to refine us. This is true, and knowing this might help us face the inconveniences and challenges of everyday life. But this knowledge feels less satisfying in the face of the death of a child, betrayal by a loved one, or victimization that leaves you undone. Then the nexus between trouble and God’s sanctifying goodness can gradually give way to a relationship in which you and God seem to live in the same house, but you rarely acknowledge him. We expect some types of sanctifying suffering, but not those sufferings that border on the unspeakable. When these come, the idea that they sanctify us may feel unhelpful. Though we might say to a friend who had a flat tire, “How is God growing you through that?” we know that we should never ask such a question to someone when “the waters have come up to my neck” (Psalm 69:1). The basic principle is true — God sanctifies us through suffering — but there are more elegant and personal ways to talk about it. Sanctification Is Closeness A more helpful approach first refreshes our understanding of sanctification. Let’s begin with a common definition: sanctification is growth in obedience. The problem is when this definition drifts from its intensely personal moorings. As it does, suffering becomes God’s plan to make us better people — stronger, seasoned soldiers who don’t retreat after a mere flesh wound. All of this, of course, sounds suspiciously like a father who is preparing his children to move out and become independent, which is the exact opposite of what God desires for us. Left in this form, the principle that “suffering sanctifies” will erode faith. Sanctification, of course, is much more intimate. “Christ also suffered once for sins, the righteous for the unrighteous, that he might bring us to God” (1 Peter 3:18). Jesus died to draw us near to God, and our obedience serves that closeness. From this perspective, sin and any form of uncleanness distance us from God. Holiness, or sanctification, brings us closer. Progressive Nearness Think of the Old Testament tabernacle. The unclean, which included the foreign nations and those contaminated by the sins of others, were farthest from the place of God’s presence in the Most Holy Place. The clean were closer. They camped around God’s house and could freely come near to worship and offer sacrifices. The priests, however — the ones made holy — were closer still. They were invited daily, in turn, into the Holy Place, and, once a year, on the Day of Atonement, the high priest dared to enter the Most Holy Place. The high priest offers a picture of humanity as God intended — purified and close to him. For us, we have been sanctified once for all by the obedience of Jesus Christ (Hebrews 10:10) and our faith in him. We now are holy ones. From that place, in the Most Holy Place, God invites us closer still, and our obedience and love for him are means by which we draw nearer. In his book on Leviticus, Michael Morales helpfully suggests progressive nearness as an alternative to progressive sanctification (Who Shall Ascend the Mountain of the Lord?, 18). This heavenly pattern of nearness through obedience overflows into the very fabric of marriage: a married couple has been brought near in their declarations of commitment to each other, and then, for the rest of their lives, they draw nearer still through their growth in covenant love. Sovereignty Has Mysteries With sanctification understood more personally, we turn to our understanding of God’s sovereignty. “Suffering sanctifies” suggests that God purposely brings suffering into our lives. He ordains every detail. This is true, but some ways of talking about God’s sovereignty can be misleading and miss the emphasis of Scripture. “God’s sovereignty invites us to trust in our Father who will make everything right, even in creation itself.” God’s sovereignty is not an invitation to make perfect sense of how his power and love coexist with every detail of our suffering. Instead, his sovereignty reminds us to approach him as children who trust their Father and his love. A child understands love, and God’s love is, indeed, a fathomless expanse that he welcomes us to explore. He gives help and wisdom as we consider, “He who did not spare his own Son but gave him up for us all, how will he not also with him graciously give us all things?” (Romans 8:32). The most shameful abuse will not separate us from God, which is certainly counterintuitive when we feel like an outcast who is among the unclean. When we see him face-to-face, we will rest in (and even rejoice in) his righteous judgement against oppressors, and we will be thoroughly cleansed from the wicked acts done against us. In other words, God’s sovereignty invites us to trust in our Father who will make everything right, even in creation itself. How Suffering Draws Us So, how does suffering sanctify? How does God sanctify us in the midst of suffering? In this way: with boundless compassion, God rushes to us. He comes close and enters into our burdens. He hears the cries of his people, which means that he will take action (Psalm 10:14). This is all true. Satan would have you think otherwise, but this is true. “I am the suffering servant. Talk to me.” The Spirit invites you to see and hear Jesus, the suffering servant. The misery of a mysterious servant in Isaiah 52–53 foretells his story. The last week of Jesus’s life in John 10–21 reveals him most fully. In Jesus, you find a kindred spirit who knows your experience through his own. He understands you without you explaining the details. As you watch him, you will notice how the list of abuses against him gathered momentum every day. Perhaps you will be stunned by his universal rejection and shame. “In Jesus, you find a kindred spirit who knows your experience through his own.” Next, there is an unexpected turn. “He was pierced for our transgressions” (Isaiah 53:5), which is to say, for your transgressions. What does your sin have to do with your suffering? When Jesus took your sin, he assured you that nothing can separate you from the love of God, and he breached the wall of pain in which Satan, death, shame, sin, and misery dwelt. To this stronghold, Jesus announced their demise. Then Jesus makes all this even more personal. He brings you closer. He invites you to speak to him. “Pour out your heart” (Psalm 62:8), he says. Prayer, of course, can be much more difficult than it sounds, so he gives you words to replace those unspeakable silences. When you read the Psalms, you can almost overhear Jesus ask you, “Is this how you feel?” His request that you speak to him is a sincere request, and he patiently waits for your words. In response, you break your silence. Perhaps your words jar you, not because of their honesty but simply because your recent words to him have been so few. “But how could evil have been given such liberty in my life? Why did you hide your face from me? How could you have allowed . . .” With these words, he has drawn you closer. They are expressions of your faith in God. You are being sanctified. You have listened to him. Unbelief turns away or simply rages; faith responds to God, presses in, and inquires, with words shaped by Scripture. Jesus himself has asked these very questions to his Father. After more words back-and-forth, God invites you to grow as his child. “I am your God and Father. You can trust me.” He has given you evidence that he is trustworthy. He certainly will not forget you or the acts done against you (Isaiah 49:16). Do you believe? This is the truth. He says, “Come closer, as my child, and trust me.” You respond, “Yes, I believe; help my unbelief. I trust you, but please give me more faith.” This is one way suffering sanctifies: it brings us closer to God. Article by Ed Welch Counselor, CCEF