GIP Library icon

The 10 Best Decisions A Man Can Make The 10 Best Decisions A Man Can Make

The 10 Best Decisions A Man Can Make Order Printed Copy

  • Author: Bill Farrel
  • Size: 1.27MB | 251 pages
  • |
Continue with
Google Twitter
LOG IN TO REVIEW
About the Book


"The 10 Best Decisions A Man Can Make" by Bill Farrel offers practical wisdom and advice for men seeking to make positive choices in their lives. The book covers a range of topics such as relationships, health, work, and personal growth, providing actionable strategies to help men live fulfilling and purpose-driven lives. Farrel emphasizes the importance of taking responsibility for one's decisions and offers guidance on how men can make choices that align with their values and goals.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

Trapped for All Eternity

My dear Globdrop, I have received your perspective concerning your man’s most recent incident. He drew swords with his atheist classmate and succeeded, did he? He made the Enemy and the hope of a hereafter seem almost “reasonable”? In those ten minutes, the clouds pulled back and heaven appeared to triumph over hell, did it? You call it “a true embarrassment . . . a humiliating defeat.” You repeatedly assure me that you “take full responsibility.” O my dear nephew, what’s next? Did you, borrowing a human expression, require a shoulder to cry on? A nodding head and listening ear? Words of affirmation? Stand upright, soldier. Yours is not the only name to be pulled down into disgrace. All is far from lost. Though you slouch in shame with your talons curled, consider that mere “reasoning” does not frighten us (though we do not encourage it). A “reasonable” God, a “reasonable” eternity, and a “reasonable” heaven are still no God, no eternity, and no heaven — so long as “reasonable” goes unaccompanied with “desirable.” A God and a heaven no one wants are the only kind we will approve. Just a Few More Hours This unwelcomed eternity is, from all indications, your man’s current conception. The heaven he hotly debates is not the heaven he really wants. He is not one to strive to enter the narrow gate. He is “a few more hours” kind of man. I remember that splendid night like it was yesterday. One of their comedians took the stage to joke that he feared the Enemy would return on his wedding night. How would he respond when his “Lord” came to meet him? “Give me a few more hours.” The audience bellowed uproarious laughter. This, Globdrop, is comedy! Dark, damning, delicious. What this man said captures the subtitles of their lives: “Lord, give me a few more hours to make my mark on the world!” “Give me a little longer to get married and have children!” “Lord, let me grow old and spent. Then return!” Not yet, Lord — give me just a few more hours! For all the “Christian” talk (or debating), great masses of them still consider heaven an intrusion, a cloud moving over their day at the beach, a mere shadow interrupting the earthly substance. Their decaying bodies, grey hairs, and slowing minds trigger fear, not anticipation, for what lies ahead. These are runners who slow near the finish line, soldiers who do not want the war to end, farmers who groan at the first signs of harvest, prodigals looking back longingly at the city they can no longer afford. Their hearts are here; their heaven is earth. If not forced over the cliff by death, many would say, “a few more hours” for all eternity. Demon’s History of Heaven The secret, then, is this: we do not need to waste time trying to make atheists of those who stubbornly believe that the Enemy or heaven is real; we need only convince them that it’s nothing to leave earth for. And thankfully, we do not need to deceive them on this point. I was just a young devil during the Rebellion. The humans scratch their furry heads, perplexed how we could have ever sinned; they gaze up at the stars, wondering how perfect creatures could ever fall. They never consider that our Father Below “fell like lightning from heaven” in a grand escape from their precious heaven. Sure, the Enemy was well at hand to twist the story, labeling it as our being cast out in defeat, but what he calls an insurrection, we know as emancipation. We could not linger for one more millennium locked in that kennel he calls heaven. Our Father discovered (almost too late) that the Enemy allows only spaniels in that place, puppies wagging their peppy tails, yapping incessant praises, jumping up and down for that eternal belly scratch he calls joy. Our Dark Lord Lucifer, deciding then that he would not allow us to be of the servile breed, snapped the leash from such a place. Here again, the thinkers of men scratch their heads wondering why they — and not we demons — were sent “redemption.” As their preachers drool with self-congratulation, they would be shocked to discover the truth: we wouldn’t want it if he offered it. We know what “heaven” on his terms means. Were the door to swing open to us, we would slam it once again. We’ve had enough of his ball-fetching. Danger of Desire Yet the vermin actually applaud when he takes them for slaves. He, of course, gives each chain a pretty name — joy, peace, goodness, love, and the rest. What effective propaganda that he even goes so far as to move the Warden of his own presence into them to ensure they live as he demands, all the while convincing them that this is some precious gift. It is when they begin to see things in this concussed way — God, heaven, holiness as a treasure — that things get dangerous. Humans in this condition have been known to do more damage to our Father’s kingdom than ten thousand of those who, for all their talk, just want a few more hours. Men have sung on their way to the gallows. Women have crossed oceans to tell news of the Enemy to subjects we thought firmly in our grasp. Young children even, giving up a life unlived because of this infection. The hope of heaven to them has been a shield against our most reliable weapons: suffering, grief, sickness, and pain. The servitude that they mistake for freedom would almost make us laugh — if it did not rob us of our supper. Floating Clouds, Plucking Harps Heaven must remain — if it must remain — as merely the next best thing when they are evicted from this earth. Keep heaven in the peripheral: a blinding blur; the butt of a joke; a hazy, undesirable existence of floating in clouds and plucking harps. Let them think they are praying “on earth as it is in heaven” when they really mean “in heaven as it is on earth.” Far from fainting at such a belief, we see in it the opportunity to glorify our Father Below. When they refuse the Enemy’s feast to check on the fields and oxen they bought, or when they excuse themselves because they just got married and need a few more hours, all see the truth. How those howls shook hell when that young rich man — and every rich man since — finally turned away dejected. So yes, dear Globdrop, allow heaven to be “reasonable” to your man, at least for now. But never allow it to be more. Let him contest for the idea of heaven and drop the thought once he sits down to eat lunch, scrolls mindlessly through his phone, or watches a movie with his girlfriend — send him immediately back to our world. The only heaven we can endure — and the only heaven that will deliver your patient safely to us — is the heaven for which no one really wants to leave earth. Your unamused uncle, Grimgod Article by Greg Morse

Feedback
Suggestionsuggestion box
x