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How God Makes Men How God Makes Men

How God Makes Men Order Printed Copy

  • Author: Patrick Morley
  • Size: 1.13MB | 218 pages
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About the Book


"How God Makes Men" by Patrick Morley explores the spiritual and practical aspects of manhood, drawing on biblical principles and personal experiences to guide men on their journey towards becoming the men God intended them to be. With a focus on character development, leadership, and relationships, Morley offers insights and challenges to help men grow in their faith and fulfill their God-given purpose.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

Some Wounds Never Heal

I didn’t realize how disorienting grief can be. In the aftermath of a dearly loved one’s death, I felt like I was living two worlds at once: one with him, and one without. My grandfather, more like a father, died on a Tuesday this past December. He “died on a Tuesday” summarizes the concussion.  He died  — no longer will I see him poke his head up from his garden, or sit in the living room as he drinks in classical music. No longer will we go see movies together, study the Bible together, or go hiking up north. Death has hidden his face. And yet, it was  a Tuesday . An hour after weeping with family at his side as he took his last breaths, I remember the profane intrusion:  What would be for dinner?  Life, in one form or fashion, would continue without him. Tuesdays always hurry towards Wednesday. Time does not pay its respects for anyone. Our loved ones, when they die, die on Tuesdays. We Are Not the Same Their deaths, on their Tuesdays, affect our remaining Tuesdays after. Life has changed. We are changed. The death of a loved one is a blade that pierces beneath the armor, an arrow that lodges down in the soul. It brings a hurt we cannot defend, a pain we cannot forget, an injury which will never fully heal. “Alas! there are some wounds that cannot be wholly cured,” said Gandalf. “I fear it may be so with mine,” said Frodo. “There is no real going back. Though I may come to the Shire, it will not seem the same; for I shall not be the same. I am wounded with knife, sting, and tooth, and a long burden. Where shall I find rest?” Gandalf did not answer. “That old wound may never heal in this life, but Jesus will comfort us day by day and glorify our scars in the next.” Though life goes on without noticing our loss — daily broadcasts continue, people shop at grocery stores, buses come and go —  we  are no longer the same. The ache will not finally leave, the groan not silence, the limp not amend until we remove the tattered garments of this life.  They  are no longer with us. The loveliness of their memory is a beautiful, but long, burden cast over our remaining days. The streets we walked are haunted with laughter. We glance at their empty-chair out of habit. Though life for us has not ended, it has changed. There is no real going back. Death’s Prolonged Victims Death, I realize, often inflicts its greatest havoc upon its survivors; its primary victims do not yet lie in the grave. When my grandfather departed in the Lord, he went to a place where pain and suffering are forbidden, while our grief, on that same day, deepened. His tears finally wiped away as ours sprung forth. He is healed. Our bleeding goes on. We, not the departed, are left to wonder with the prophet, “Why is my pain unceasing, my wound incurable, refusing to be healed?” (Jeremiah 15:18). Our grief refuses to be healed, as C.S. Lewis describes, after the death of his wife, in  A Grief Observed : Tonight all the hells of young grief have opened again. . . . In grief nothing “stays put.” One keeps on emerging from a phase, but it always recurs. Round and round. Everything repeats. . . . How often . . . will vast emptiness astonish me like a complete novelty and make me say, “I never realized my loss till this moment”? The same leg is cut off time after time. The first plunge of the knife into the flesh is felt again and again. Dying can be an ugly thing. But for many, the knife enters once and releases its victim. But for those left behind, the stab is repetitive. Death not only claims its victims but torments their loved ones. Where, if anywhere, shall we find rest? Pierced with Mary This heart-stabbing we feel is owned, not avoided, in the Scriptures. For one, this blade was foretold to pierce Mary decades before its advent. As Mary marveled at the prophesy given by Simeon concerning her newborn son — that he would be a light for the Gentiles and glory for Israel (Luke 2:29–32) — her wonder was interrupted by a prophesy concerning her as well: Behold, this child is appointed for the fall and rising of many in Israel, and for a sign that is opposed (and a sword will pierce through your own soul also), so that thoughts from many hearts may be revealed. (Luke 2:34–35) A sword will pierce through your own soul also. Jesus would be pierced,  and Mary also . The blade entered later in the Gospels, “standing by the cross of Jesus were his mother and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene” (John 19:25). She stood with her son and watched the horrible sight — she stood valiantly as the blade went in. Her beloved son, crucified upon a Roman tree in infamy and shame. The child to whom she spoke baby talk now groaned in unforgettable anguish. The child she swaddled, nursed, and held, now wrapped in death, nursed by anguish, and held up by nails which stapled his flesh to wood. “Death brings a hurt we cannot defend, a pain we cannot forget, an injury which will never fully heal.” How far through did it run when she heard him gasp through suffocation one last time on her behalf, “Woman, behold, your son!” Then he said to the disciple, “Behold, your mother!” (John 19:26–27). In his dying breath, under the wrath of men and the wrath of God, he considered  her  well-being. Nails had pierced his hands and feet, and a spear now pierced his side, while a sword pierced her soul. Where Can We Find Rest? I do not mean to normalize the death of God’s own Son — it has no rival. His death is more horrific, more unthinkable, more grievous than the summation of every other death in history. But we know the soul-piercing effect of this blade when others have died as well. We see its sharpness pierce speech for seven days in the ash heap with Job and climb into the tears of Jesus at the tomb of Lazarus. And yet, while the death of our loved ones in the Lord constitute a heavy blow, it is  precious  in the eyes of our Father. “Precious in the sight of the Lord is the death of his saints” (Psalm 116:15). And the reason for the preciousness is also foretold in the same verse as the piercing of soul. “Behold, this child is appointed for the fall and  rising  of many in Israel” (Luke 2:34). The  anastasis , the  resurrection  of many. Death for God’s people is precious only because Mary’s son was appointed for their resurrection. He is the Resurrection and the Life. Death will not hide faces for long. Life After the Sword We may never return to life as it once was. That’s okay. But we must never let the old ache stop us from living. Wednesday must follow Tuesday. Here, John Piper’s counsel is timeless: “Occasionally, weep deeply over the life you hoped would be. Grieve the losses. Then wash your face. Trust God. And embrace the life you have.” Frodo asked what so many of us with missing loved ones do:  Where can I find rest?  Gandalf did not answer. Jesus does: “Come to me, all who labor and are heavy laden, and  I will give you rest.  Take my yoke upon you, and learn from me, for I am gentle and lowly in heart, and you will find  rest for your souls ” (Matthew 11:28–29). We must go to him moment by moment, groan by groan, tear by tear. That old wound may never heal in this life, but Jesus will comfort us day by day and glorify our scars in the next.

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