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"The Lotus and the Cross" by Ravi Zacharias compares and contrasts the teachings of Christianity and Eastern religions, particularly Buddhism. Zacharias explores the fundamental differences between the two worldviews and offers a thoughtful analysis of their beliefs. The book provides insights into how Christianity and Eastern religions view suffering, grace, and salvation, ultimately encouraging readers to consider the unique claims of Christ.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

he carried a cross through the empire - ignatius of antioch (35–107)

Shaded from the heat of a Syrian summer, an old man sits in shackles, speaking earnestly to a secretary. His words mingle conviction and compassion, like a father to his children. In the next room, ten of emperor Trajan’s legionaries drink off another day’s pay. For them, the road from Antioch to the Roman Colosseum will be long, but it is better than being sent a second time into the Dacian wars. It is August, AD 107. The prisoner’s name is Ignatius. Before his arrest just weeks ago, he was the bishop of Antioch. After the Apostles As Ignatius travels to the Colosseum, the church sits in a precarious spot. Ignatius’s mentor, the apostle John, has recently died. For the first time, there is no living witness to the resurrected Jesus. No leader who can comfort or correct the course of the church with apostolic authority. And yet the need for both comfort and correction is great. From outside the church, Roman society marginalizes Christians as “atheists” (those who do not acknowledge the Roman gods), and the authorities respond to rumors of strange rites in Christian worship with intensifying cycles of persecution. External pressure exposes internal fault lines among those claiming to follow in The Way. Doctrinal deviation creeps in, questioning the truth of the incarnation (Docetism) or requiring adherence to the law of Moses (Ebionism). Behavioral aberration crops up, as some take the name of  Christian  but remain complacent in patterns in sin. Errors in both doctrine and practice multiply as the church continues to expand across the reaches of the Roman Empire. All of which serves to highlight the question of authority. The old ways of answering this question are gone: Christ has ascended, and his apostles have been martyred. The new and perpetual authorities are not yet in place: a creedal consensus on the faith, a recognition of the canon of Scripture, and the biblical structure of the church all remain undetermined. Seven Last Letters At just over seventy years old, Ignatius steps into this crucial moment in the life of the church by writing letters addressed to seven congregations along his route to Rome. His public ministry through these seven letters has been compared to a meteor, his brightest moment coming as he “blazes briefly through our atmosphere before dying in a shower of fire” ( Apostolic Fathers , 166). But Ignatius is much more concerned about his role as a pastor than as a martyr. As he writes, he cares more about the churches’ discipleship than his own death. He may, therefore, be better pictured like a weaver’s shuttle, carrying the thread of Christlikeness from east to west behind him as he passes through the empire, binding the churches together in the beautiful truths of the Christian life. The pattern he weaves, from the threads of his concern for the church as well as reflection on his own situation, is centered on the cross of Christ in at least five ways. 1. Branches of the Cross First, and foundationally, the cross was central to the earthly ministry of the Lord Jesus. Ignatius presented the cross as capturing the essence of Jesus’s life in this world. This acute moment of passive obedience was the consummation of lifelong humiliation. Jesus was, from first to last, “a man of sorrows and acquainted with grief” (Isaiah 53:3). This broad view of the sufferings Jesus endured — “in every respect” (Hebrews 4:15) — opens wide the door for Ignatius, as well as those to whom he writes, to share in the sufferings of Christ. In a stunning adaptation of Jesus’s words from John 15, Ignatius writes, “If anyone is the Father’s planting, they appear as branches of the cross.” To be branches in the vine, to have his life in us, means that we must “die into his sufferings,” not only as martyrs but in our mundane life as disciples (3.1). 2. Foolishly Different Hope Second, the cross is central to the Christian proclamation of the gospel. In the gospel announcement of “Christ for us,” the “passion has been made clear to us,” and we, in turn, must make it clear to others (6.7). Ignatius celebrates the saving power that was released at Calvary: we escape death in Christ’s death; we receive the new birth only because he died on our behalf. Furthermore, as a community of the redeemed, the ministry life of the church is shaped by the crucifixion. Ignatius pictures the cross as a crane lifting living stones into the temple of God (1.9). It is this cross-shaped congregation that is regularly re-formed around the broken body and spilled blood at the Lord’s Table (1.20), proclaiming the Lord’s death until he comes. This is why the church must reject those who soften the weak and foolish offense of the cross. “[Be] deaf whenever anyone speaks to you apart from Jesus Christ — really born, really persecuted, really crucified, really raised” (3.9). Otherwise — if our hope is not evidently and “foolishly” different than that of this world — someone “might praise me but blaspheme my Lord” by denying that he was God in the flesh (6.5). 3. Greatest When Most Hated Third, the cross is central to Christian discipleship. This is true for Ignatius as he is on the way to Rome to “die for [Christ] as he died for us” (4.6). His caravan has become a classroom — “I am just now learning to be a true disciple” (1.3). But Christian discipleship is deeper and wider than the spiritual gift of martyrdom. It is wider because it applies to every believer — we are all to bear “the stamp of God” rather than “the stamp of the world” (2.5). And it is deeper because the cross places a claim on the whole of our life; once we have “taken on new life through the blood of God,” our new and “righteous nature” delights to reflect the cruciform character of God in Christ. The Spirit of Christ within us enables us to imitate him rather than the world. In response to their anger, be gentle; in response to their boasts, be humble; in response to their slander, offer prayers; in response to their errors, be steadfast in the faith; in response to their cruelty, be civilized; do not be eager to imitate them . . . [instead] let us be eager to be imitators of the Lord, to see who can be the more wronged, who the more cheated, who the more rejected, in order that no weed of the devil may be found among you. (1.10) As he wrote to the church in Rome, “Christianity is greatest [most like Jesus] when it is hated by the world” (4.3). 4. Doorway to God Fourth, the cross is central to Ignatius’s longing to commune with Christ. One of the most striking aspects of these letters is the way Ignatius pleads with the believers in Rome not to interfere with his impending martyrdom out of misplaced concern. Reflecting the way Christ has turned life and death upside down, he writes, “do not hinder me from entering into life, and do not desire my death” (4.6). Ignatius’s journey to the Colosseum is, in a tangible way, a journey into the presence of God. “To be nearer to the sword is to be nearer to God” (4.2). Yet even on the way, communion with Christ in his sufferings has turned the chains draping his body into “spiritual pearls” carried “in Christ” (1.11). In this, Ignatius sets himself as an example for us to imitate. We too must “stand firm, like an anvil being struck by a hammer” (7.3). We too are storm-tossed ships still on the way to the harbor. We too “lack many things so that we may not lack God” (3.5). And yet we do not lose heart because, as the persecuted church gathers together, Christ himself is present among his people. And Christ is he “than whom nothing is better” (2.6). Indeed, “nothing is better than him” (7.1). Because of his cross, we die into his sufferings. But because of his resurrection, suffering has turned into birth pangs, the grave has been turned into a womb, and death is a doorway into life full and everlasting. 5. Scripture Unlocked Fifth, and perhaps most immediately relevant for twenty-first-century disciples who seek to follow Ignatius as he follows Christ, the cross is central to his interpretation of Scripture. Rejecting the accusation that a crucified Messiah is unknown in Israel’s Scripture, Ignatius installs the Christ of the Gospels as the “unalterable archives” out of which the wisdom of God is to be read. The lens through which the Old Testament can be rightly understood must be the person and work of Christ (5.9). For the church in the first century and the twenty-first century, Christ is known, proclaimed, worshiped, and followed as he stands forth from the Book of God, unlocked by the key of his cross and resurrection. Christ of His Cross In considering the example of Ignatius, we can receive encouragement from his faithful witness. The testimony of his life did not seep into the sand of the Colosseum to be lost but, spread through his seven letters, watered the church. We can rejoice in the Spirit-led process by which the canon of Scripture was not only recognized but was faithfully summarized in the creeds of the church, providing us with firm ground on which to stand. Most of all, however, our attention must be drawn to the cross Ignatius carried across the empire, and to which he called the church. In many ways beyond those few listed here, the Christ of this cross is our hope, our joy, and our life.

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