About the Book
"The Good General" by Dag Heward-Mills is a book that explores the qualities and characteristics of a good leader based on the biblical teachings of Jesus Christ. The author emphasizes the importance of love, humility, integrity, and selflessness in leadership, drawing examples from both the Bible and real-life situations. The book aims to inspire and equip readers to become better leaders in their personal and professional lives.
Johnny Cash
Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences.
Who Was Johnny Cash?
Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin.
Early Life
Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops.
Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields.
From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice.
Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career.
Military Service and Musical Aspirations
In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"âmilitary regulations required a full first nameâand he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic.
It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started."
After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel.
Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice."
Johnny Cash and the Tennessee Two
In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song.
The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts.
Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town."
Drugs and Divorce
By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs.
But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce.
Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death."
Remarriage and Revival
Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968.
With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans.
The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash.
The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame.
Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa.
Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery.
But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography.
Final Years, Death and Legacy
Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndromeâa misdiagnosis that was later corrected to autonomic neuropathyâand was hospitalized for pneumonia in 1998.
Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation.
Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track.
"Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'"
That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter.
In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty.
Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down.
"I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore."
In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.
how to find joy in your work
âIn the beginning, God created the heavens and the earthâ (Genesis 1:1). One of the sadder experiences in our fallen states is so easily losing our sense of wonder in the most familiar things â like the first verse in the Bible, as laden with glory as it is. We easily stop pondering it because we think we understand it, even though we may have only scratched the surface of its meaning. Has it ever hit you that the first verse in the Bible is about work  â what God calls his creative activity (Genesis 2:2)? Or that the very first work undertaken is described as creative  â not drudgery to avoid? Or that God really enjoyed  his work? The more we think about the whole first chapter of Genesis, the more glorious things we see regarding how God views his  work, and the wonderful, liberating implications it has on how we are to view our  work. God Works for Joy So where do we get the idea that God enjoys his work? From the last verse of the first chapter in the Bible: And God saw everything that he had made, and behold, it was very good. (Genesis 1:31) No, the word âjoyâ isnât explicitly there, but itâs there. God doesnât have sin-disordered affections and emotions like we do. God always experiences the appropriate joy from good work (Philippians 2:13) â even his brutal work on the cross (Hebrews 12:2). And being made in his image, we also receive joy from his work (Psalm 92:4). Itâs amazing to think about: the very first thing the Bible teaches us about God is that he engaged in incredibly vigorous, prolonged, creative work, and he enjoyed  itâ both the work itself and the fruit of his work. God never works just to get a paycheck. God never works to prove himself out of some kind of internal insecurity. He never works to get something he needs, for he provides everything for his creation out of his abundance (Acts 17:25). Godâs work is always the overflow of his joy in being the triune God. And as Jonathan Edwards said, âIt is no argument of the emptiness or deficiency of a fountain that it is inclined to overflowâ (Godâs Passion for His Glory, 165). God works for the immediate and ultimate joy of it! Weâre Designed to Work for Joy And hereâs where the wonderful, liberating implications for us come in. God made us in his image and gives us work to do â work thatâs like his: So God created man in his own image, in the image of God he created him; male and female he created them. And God blessed them. And God said to them, âBe fruitful and multiply and fill the earth and subdue it, and have dominion over the fish of the sea and over the birds of the heavens and over every living thing that moves on the earth.â (Genesis 1:27â28) God created us to do work similar to his work and to experience from work similar benefits, appropriate to our capacities. Our work is to be creative  (âbe fruitful and multiplyâ), vigorous  (âhave dominion . . . subdueâ), and give us joy  (God âblessedâ us with his mandate). God always meant for our work to be sharing with him in his work, and sharing his joy. We arenât meant to work just to get a paycheck, or to prove our worth, or to gain our identity because weâre insecure or prideful. God didnât design work to be a drudgery, or a necessary evil. That disease infected our work when we fell from grace. What Destroys Our Joy in Work A curse infected our work the day our original forebears trusted the viperâs promise over Godâs: âBecause you have . . . eaten of the tree of which I commanded you, âYou shall not eat of it,â cursed is the ground because of you; in pain you shall eat of it all the days of your life; thorns and thistles it shall bring forth for you; and you shall eat the plants of the field. By the sweat of your face you shall eat bread, till you return to the ground, for out of it you were taken; for you are dust, and to dust you shall return.â (Genesis 3:17â19) This is work as we experience it in this age: lots of sweat-producing effort yielding lots of thorns and thistles. The ground (or its equivalent for us) fights us, our tools fail us, our indwelling, prideful or slothful sin inhibits us, our frail bodies weaken us, other sinners impede us, demons assail us. Like all of creation, our work is subjected to futility by God (Romans 8:20). This is why we often resent or even hate work: our sin and the curse make it so hard. So we avoid work, or we turn it into a pragmatic, mercenary enterprise to buy something or to give us an identity we believe will bring us joy. But thatâs not what work is for. We are not meant to prostitute our work to get money or status. God meant our work to creatively and vigorously steward some part of his creation, to be a means of providing for our needs and serve others, and to bring us joy. And God has made that possible, even in this futile age, no matter our circumstances. What Restores Our Joy in Work Here is stunning good news, which brings unconquerable hope, for every worker who will believe it: Therefore, my beloved brothers, be steadfast, immovable, always abounding in the work of the Lord, knowing that in the Lord your labor is not in vain. (1 Corinthians 15:58) Wait, our labor is not  in vain? Isnât that what futility is? Yes! And part of the gospel is that labor done âin the Lordâ is not in vain because it cannot ultimately be derailed by the curse of sin. What is labor done âin the Lordâ? Does that only apply to âkingdom workâ? Yes. But âkingdom workâ encompasses everything  Christians do: Whatever you do , work heartily, as for the Lord and not for men, knowing that from the Lord you will receive the inheritance as your reward. You are serving the Lord Christ. (Colossians 3:23â24) This means God wants every  work we undertake, no matter who we are or what we do, to be a âwork of faithâ (2 Thessalonians 1:11), done in the strength he supplies (1 Peter 4:11). We give ourselves wholly to God, knowing he bought us with a price (1 Corinthians 6:20), and we do the work he gives our hands to do for his sake. For we serve the Lord Christ, not men and not money. Wherever You Work Even though we still suffer the effects of the curse, the death and resurrection of Jesus, which redeems all things for Christians, liberates our faith-fueled labors from being in vain, and causes them to work for our eternal good and joy (Romans 8:28). He  restores our joy in our work. Therefore, my beloved brothers and sisters, whatever  God gives your hands to do today, be steadfast, immovable, always abounding in the creative, vigorous, joy-producing work of the Lord.