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- raymond velez (4 months ago)

About the Book


The book "THE BLOOD OF JESUS: BLOOD POWER" by Dag Heward-Mills explores the significance and power of the blood of Jesus in the lives of believers. It discusses the spiritual implications of the blood shed by Jesus Christ and how it can bring victory, protection, and forgiveness to those who believe in it. The book emphasizes the importance of understanding and applying the blood of Jesus in daily living as a source of strength and salvation.

Johnny Cash

Johnny Cash Johnny Cash, the Man in Black, was a singer, guitarist and songwriter whose music innovatively mixed country, rock, blues and gospel influences. Who Was Johnny Cash? Johnny Cash grew up in a poor farming community and joined the Air Force in 1950. He co-founded a band following his discharge, and within a few years Johnny Cash and the Tennessee Two had scored hits with songs like "Walk the Line." Cash's career was nearly derailed in the 1960s by a serious substance-abuse problem, but his marriage to June Carter and acclaimed album Johnny Cash at Folsom Prison (1968) put him back on track. In later years, Cash joined the country supergroup the Highwaymen and released a series of recordings with producer Rick Rubin. Early Life Cash was born on February 26, 1932, in Kingsland, Arkansas. The son of poor Southern Baptist sharecroppers, Cash, one of seven children born to Ray and Carrie Rivers Cash, moved with his family at the age of 3 to Dyess, Arkansas, so that his father could take advantage of the New Deal farming programs instituted by President Franklin Roosevelt. There, the Cash clan lived in a five-room house and farmed 20 acres of cotton and other seasonal crops. Cash spent much of the next 15 years out in the fields, working alongside his parents and siblings to help pay off their debts. It wasn't an easy life, and music was one of the ways the Cash family found escape from some of the hardships. Songs surrounded the young Cash, be it his mother's folk and hymn ballads, or the working music people sang out in the fields. From an early age Cash, who began writing songs at age 12, showed a love for the music that enveloped his life. Sensing her boy's gift for song, Carrie scraped together enough money so that he could take singing lessons. However, after just three lessons his teacher, enthralled with Cash's already unique singing style, told him to stop taking lessons and to never deviate from his natural voice. Religion, too, had a strong impact on Cash's childhood. His mother was a devout member of the Pentecostal Church of God, and his older brother Jack seemed committed to joining the priesthood until his tragic death in 1944 in an electric-saw accident. The experiences of his early farming life and religion became recurring themes in Cash's career. Military Service and Musical Aspirations In 1950, Cash graduated high school and left Dyess to seek employment, venturing to Pontiac, Michigan, for a brief stint at an auto body plant. That summer he enlisted in the U.S. Air Force as "John R. Cash"—military regulations required a full first name—and he was sent for training at Lackland Air Force Base in San Antonio, Texas, where he met future wife Vivian Liberto. For the bulk of his four years in the Air Force, Cash was stationed in Landsberg, West Germany, where he worked as a radio intercept officer, eavesdropping on Soviet radio traffic. It was also in Germany that Cash began to turn more of his attention toward music. With a few of his Air Force buddies, he formed the Landsberg Barbarians, giving Cash a chance to play live shows, teach himself more of the guitar and take a shot at songwriting. "We were terrible," he said later, "but that Lowenbrau beer will make you feel like you're great. We'd take our instruments to these honky-tonks and play until they threw us out or a fight started." After his discharge in July 1954, Cash married Vivian and settled with her in Memphis, Tennessee, where he worked, as best he could, as an appliance salesman. Pursuing music on the side, Cash teamed up with a couple of mechanics, Marshall Grant and Luther Perkins, who worked with Cash's older brother Roy. The young musicians soon formed a tight bond, with the crew and their wives often heading over to one of their houses to play music, much of it gospel. Cash, who banged away on an old $5 guitar he'd purchased in Germany, became the frontman for the group, and they honed their unique synthesis of blues and country-and-western music through live performances. "He was a decent singer, not a great one," wrote Marshall Grant, in his 2006 autobiography, I Was There When it Happened: My Life with Johnny Cash. "But there was power and presence in his voice." Johnny Cash and the Tennessee Two In July 1954, another Memphis musician, Elvis Presley, cut his first record, sparking a wave of Elvis-mania as well as an interest in the local producer, Sun Records owner Sam Phillips, who had issued the record. Later that year Cash, Grant and Perkins made an unannounced visit to Sun to ask Phillips for an audition. The Sun Records owner gave in and Cash and the boys soon returned to show off their skills. Phillips liked their sound but not their gospel-driven song choices, which he felt would have a limited market, and asked them to return with an original song. The trio did just that, beginning work on the Cash-written "Hey Porter," shortly that first Sun session. Phillips liked that song, as well as the group's follow-up effort, "Cry, Cry, Cry," and signed the newly branded Johnny Cash and the Tennessee Two. "Hey Porter" was released in May 1955 and later that year "Cry, Cry, Cry" peaked at No. 14 on the Billboard charts. Other hits followed, including the Top 10 tracks "So Doggone Lonesome" and "Folsom Prison Blues." But true fame arrived in 1956 when Cash wrote and released "I Walk The Line," which catapulted to No. 1 on the country music charts and sold 2 million copies. He released his debut album, Johnny Cash with His Hot & Blue Guitar in 1957, and cemented his fame with chart-toppers like "Ballad of a Teenage Queen" and "Don't Take Your Guns to Town." Drugs and Divorce By the early 1960s, Cash, who had relocated his family to California and left Sun for Columbia Records, was a musical superstar. On the road for 300 nights a year with the group now known as the Tennessee Three, he was often accompanied by June Carter, who co-wrote what became one of the Man in Black's signature songs, "Ring of Fire" (1963). Cash also sought to establish himself as an actor, starring in the movie Five Minutes to Live (1961) and a few Western-themed TV programs. But the schedule and the pressures that faced him took a toll on his personal life. Drugs and alcohol were frequent tour companions while Vivian, left home to take care of their family, which now included daughters Rosanne (b. 1955), Kathy (b. 1956), Cindy (b. 1959) and Tara (b. 1961) grew increasingly frustrated with her husband's absence. In 1966, she finally filed for divorce. Cash's personal life continued to spiral out of control. The following year, after a serious drug binge, Cash was discovered in a near-death state by a policeman in a small village in Georgia. There were other incidents, too, including an arrest for smuggling amphetamines into the United States across the Mexican border, and for starting a forest fire in a California park. "I took all the drugs there are to take, and I drank," Cash recalled. "Everybody said that Johnny Cash was through 'cause I was walkin' around town 150 pounds. I looked like walking death." Remarriage and Revival Cash got the lifeline he needed from his old touring companion, June Carter, who helped him refocus on his Christian faith and get the drug addiction treatment he needed. The two were married on March 1, 1968. With his new wife, Cash embarked on a remarkable turnaround. In 1969, he began hosting The Johnny Cash Show, a TV variety series that showcased contemporary musicians ranging from Bob Dylan to Louis Armstrong. It also provided a forum for Cash to explore a number of social issues, tackling discussions that ranged from the war in Vietnam to prison reform to the rights of Native Americans. The same year his show debuted, Cash also took home two Grammy Awards for the live album Johnny Cash at Folsom Prison (1968). A critical and commercial success, the album was credited with helping to revive the artist's popularity. In early 1970, Cash and Carter experienced more joy with the birth of their first and only child, John Carter Cash. The ensuing decade offered up more success for the artist, as Cash's music career flourished with the release of hit singles like "A Thing Called Love" (1972) and "One Piece at a Time" (1976). He also co-starred with Kirk Douglas in A Gunfight (1970), wrote music for the feature Little Fauss and Big Halsy (1970) and published a best-selling autobiography, Man in Black (1975). In 1980, he became the youngest living person to be elected to the Country Music Hall of Fame. Cash continued to maintain a busy schedule, and he increasingly teamed up with other musicians. In 1986, he banded with old Sun Records colleagues Carl Perkins, Jerry Lee Lewis and Roy Orbison to record the widely popular compilation The Class Of '55. Meanwhile, he joined forces with fellow country stalwarts Kris Kristofferson, Willie Nelson and Waylon Jennings to form the Highwaymen, which released three studio albums between 1985 and 1995. In the early 1990s, Cash stepped into the studio with U2 to record The Wanderer, a track that would appear on the group's 1993 release, Zooropa. Throughout this time, though, Cash's health problems and his continued battles with addiction were nearby. After undergoing abdominal surgery in 1983, he checked himself into the Betty Ford Clinic. In 1988, Cash again went under the knife, this time for double-bypass heart surgery. But, like always, Cash pushed on. He was inducted into the Rock and Roll Hall of Fame in 1992, and in 1994 he teamed with music producer Rick Rubin to release American Recordings. A 13-track acoustic album that mixed traditional ballads with modern compositions, American Recordings earned Cash a new audience and a 1995 Grammy Award for Best Contemporary Folk Album. He followed with another Rubin-produced album, Unchained (1996), and in 1997 he published his second memoir, Cash: The Autobiography. Final Years, Death and Legacy Cash's physical health became more of an issue in the late 1990s. He was diagnosed with the neurodegenerative disease Shy-Drager syndrome—a misdiagnosis that was later corrected to autonomic neuropathy—and was hospitalized for pneumonia in 1998. Still, the artist continued making music. In 2002, he released American IV: The Man Comes Around, a mix of originals and covers, including songs from the Beatles to Trent Reznor of Nine Inch Nails. The album, recorded at the Cash Cabin Studio in Hendersonville, Tennessee, was the fourth Cash-Rubin compilation. Over the next year, Cash's health continued to decline. He was devastated when his longtime love, June Carter, died in May 2003, but he continued to work. With Rubin at his side, the singer recorded what would become American V: A Hundred Highways. Just a week before his death on September 12, 2003, from complications associated with diabetes, Cash wrapped up his final track. "Once June passed, he had the will to live long enough to record, but that was pretty much all," Rubin later recalled. "A day after June passed, he said, 'I need to have something to do every day. Otherwise, there's no reason for me to be here.'" That November, Cash was posthumously honored at the CMA annual awards, winning best album for American IV, best single and best video. In 2005, the story of his life and career through the late 1960s was made into a feature film, Walk the Line, starring Joaquin Phoenix as Cash and Reese Witherspoon as Carter. In 2006, fans were treated to new music from the late artist. May brought Personal File, a two-CD set of unreleased material recorded decades earlier. In July, American V: A Hundred Highways was unveiled. Starkly arranged and sometimes mournful, the songs highlighted Cash's older and rougher sounding voice, which seared with a raw honesty. Not surprisingly, Cash's influence continued to resonate. In 2007, the community of Starkville, Mississippi, paid honor to the performer and his arrest there in 1965 for public intoxication with the Johnny Cash Flower Pickin' Festival. The following year, the late artist won another Grammy, for Best Short Form Music Video for God's Gonna Cut You Down. "I think he'll be remembered for the way he grew as a person and an artist," wrote Kris Kristofferson in 2010, upon Cash's selection by Rolling Stone magazine as the 31st greatest artist of all time. "He went from being this guy who was as wild as Hank Williams to being almost as respected as one of the fathers of our country. He was friends with presidents and with Billy Graham. You felt like he should've had his face on Mount Rushmore." In 2010, additional material from recording sessions with Rubin were released as American VI: Ain't No Grave. In December 2013, it was revealed that another album from Cash had been unearthed. Out Among the Stars, which had been recorded in the early 1980s but never released by Columbia Records, was discovered by John Carter Cash in his father's archives. Underscoring the singer's sustained popularity, the album became a chart-topper following its release in March 2014.

Death Is Not the End

“And they lived happily ever after. The end.” That’s a common way to end a story that begins “Once upon a time.” We call those stories fairy tales. Fairy tales are imaginary stories for children, filled with magic and with fanciful people and places. We love a good fairy tale because it echoes the real story of the Bible. God has wired us to love stories that resolve — stories that end with not only justice but with exuberant joy. “God will transform your natural, earthly body into a supernatural, heavenly body.” This conviction was held by two friends who wrote some of the most iconic fiction of the twentieth century: C.S. Lewis and J.R.R. Tolkien. After the great battle at the end of Lewis’s Chronicles of Narnia, the characters discover that the new Narnia has been their real country the whole time, and they have nothing left now but to travel further up and further in. Tolkien, in Lord of the Rings, enlists Sam Gamgee to ask, after the ring has been destroyed, whether everything sad would come untrue. Tolkien even coined a term for a sudden happy turn in the story toward this blissful resolve: eucatastrophe. We can summarize the story line of the Bible as “Kill the dragon, and get the girl.” That joyful resolution is what the final two phrases of the Apostles’ Creed capture: “the resurrection of the body” and “the life everlasting.” Resurrection of the Body God will raise the corpses of Christians. That is the main point of 1 Corinthians 15, the Bible’s most famous passage on the resurrection of believers. “How can some of you say,” Paul asks the Corinthians, “that there is no resurrection of the dead?” (1 Corinthians 15:12). The Corinthians believed that God resurrected Christ (1 Corinthians 15:1–2, 4, 11), but some of them denied that God will resurrect the corpses of Christians. “Resurrection” translates the Greek word anastasis (1 Corinthians 15:12–13, 21, 42), which does not ambiguously refer to “life after death,” as if it could be a non-bodily existence. It specifically refers to bodily life after a person has died. The idea that God would resurrect a human corpse revolted Greco-Roman pagans (Acts 17:32). They believed that the material body has no future beyond the grave and that only the immaterial soul is immortal. They valued the soul over the physical body. Consequently, some applied that philosophy to ethics — namely, that what you do now in your physical body does not matter (1 Corinthians 15:32–34). So, Paul corrects the Corinthians who had adopted worldly assumptions about resurrection from their pagan culture. He asserts that God will certainly resurrect the corpses of believers (1 Corinthians 15:12–34). Such a belief is reasonable given two analogies from nature: seeds that die and rise to life, and different kinds of bodies, like the sun and the moon, heavenly and earthly (1 Corinthians 15:35–44). He argues that the analogy of Adam and Christ proves that resurrecting the corpses of believers is certain (1 Corinthians 15:45–49). Finally, he writes that God must transform the perishable, mortal bodies of dead and living believers into imperishable, immortal bodies to triumphantly defeat death (1 Corinthians 15:50–58). God created a material universe. He created humans with physical bodies. Jesus took on flesh and will have his physical, resurrected body forever. God will transform the current physical earth into a new and better one. And God will transform your natural, earthly body into a supernatural, heavenly body. “‘The life everlasting’ is so glorious and satisfying because we get to enjoy the triune God more and more. Forever!” That is wonderful news for us believers in earthly bodies, because our bodies are deteriorating and groaning (1 Corinthians 15:42–44; Romans 8:18–25). Your earthly body is perishable, but your heavenly body will be “imperishable” (1 Corinthians 15:42, 50, 52–54). Christ’s resurrection guarantees that death will die. So, we look forward to enjoying a supernatural body like Christ’s resurrected body: “Our citizenship is in heaven, and from it we await a Savior, the Lord Jesus Christ, who will transform our lowly body to be like his glorious body, by the power that enables him even to subject all things to himself” (Philippians 3:20–21). Life Everlasting All humans will exist forever, but only some will enjoy what the Apostles’ Creed calls “the life everlasting.” That refers specifically to the resurrection life of the age to come, which believers experience in some measure now (John 3:15; 17:3). We will fully experience “the life everlasting” after Jesus says to each of us, “Well done, good and faithful servant. . . . Enter into the joy of your master” (Matthew 25:23). In his book God Is the Gospel, John Piper asks a piercing question, If you could have heaven, with no sickness, and with all the friends you ever had on earth, and all the food you ever liked, and all the leisure activities you ever enjoyed, and all the natural beauties you ever saw, all the physical pleasures you ever tasted, and no human conflict or any natural disasters, could you be satisfied with heaven, if Christ were not there? (15) The gospel is good news not merely because God will rescue us from hell and because we can enjoy the pleasures of heaven. It is good news ultimately because we can enjoy God himself like we never could in our shackles of sin. “The life everlasting” is so glorious and satisfying because we get to enjoy the triune God more and more. Forever! We can experience now what David wrote in Psalm 16:11, You make known to me the path of life; in your presence there is fullness of joy; at your right hand are pleasures forevermore. We long for the resurrection of the body and the life everlasting because then we will eternally and increasingly experience Psalm 16:11 like never before. Only the Beginning In C.S. Lewis’s The Last Battle (the seventh and final book of The Chronicles of Narnia), Aslan explains, “The term is over: the holidays have begun. The dream is ended: this is the morning.” Lewis continues, And as He spoke He no longer looked to them like a lion; but the things that began to happen after that were so great and beautiful that I cannot write them. And for us this is the end of all the stories, and we can most truly say that they all lived happily ever after. But for them it was only the beginning of the real story. All their life in this world and all their adventures in Narnia had only been the cover and the title page: now at last they were beginning Chapter One of the Great Story which no one on earth has read: which goes on forever: in which every chapter is better than the one before. (210–11) “The end” of the story of the Bible is “the beginning of a never-ending, ever-increasing happiness in the hearts of the redeemed, as God displays more and more of his infinite and inexhaustible greatness and glory for the enjoyment of his people” (Desiring God: An Affirmation of Faith 14.3). For now, we need not fear death. Indeed, we should be able to say with the apostle Paul, “My desire is to depart and be with Christ, for that is far better” (Philippians 1:23). And if it is far better even now than remaining in a natural, earthly, non-glorified body, it will be far better still to experience the resurrection of the body and the life everlasting with Christ in the new heavens and new earth. So, we pray, “Now to him who is able to keep [us] from stumbling and to present [us] blameless before the presence of his glory with great joy, to the only God, our Savior, through Jesus Christ our Lord, be glory, majesty, dominion, and authority, before all time and now and forever. Amen” (Jude 24–25). Article by Andy Naselli Professor, Bethlehem College & Seminary

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