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About the Book
"The Books of Acts" by Rick Joyner provides a deep dive into the biblical Book of Acts, highlighting the key lessons and principles for modern-day Christians to apply in their daily lives. Joyner's engaging writing style and insightful commentary make this book a valuable resource for those seeking to deepen their understanding of the early church and their own faith journey.
Keith Green
Born on October 21, 1953, in Sheepshead Bay, NY; died on July 28, 1982, in Lindale, TX; married Melody Steiner, 1973; children: Josiah (deceased), Keith, Bethany (deceased), Rebekah. Addresses: Record company--Sparrow Records, P.O. Box 5085, Brentwood, TN 37024. Website--Keith Green Official Website: http://www.lastdaysministries.org.
Known for his uncompromising approach to both his faith and his music, Keith Green has become a legendary figure in Contemporary Christian music since his death in 1982. Taking on the role of a modern-day prophet, he earned a fervent following thanks to his explicit evangelical message and buoyant brand of pop-rock. Green was a critic both of secular society and of commercial tendencies within the Christian community. Since his passing, he has been the subject of several tribute albums and was inducted into the Gospel Music Hall of Fame in 2001.
From early childhood onward, it seemed certain that Green would become a musician. Born in New York, he relocated to the San Fernando Valley area of California with his family not long after. At age eight, he began to perform in stage musicals, appearing in such notable roles as Kurt Von Trapp in a local production of The Sound of Music. In 1965 he published his first song, "The Way I Used to Be," and became the youngest member of the American Society of Composers, Authors, and Publishers. That same year he signed a five-year recording contract with Decca Records and released his first single, "Cheese and Crackers."
Though Green was groomed to be a teenage idol, he never quite achieved success. The late 1960s found him experimenting with drugs and dabbling in various Eastern religions. His life began to turn around after he met (and eventually married) songwriter Melody Steiner in the early 1970s. Under Steiner's guidance, Green began to explore fundamentalist Christianity. Before fully embracing the faith, he began keeping company with singer/songwriters Larry Norman and Randy Stonehill, two of Southern California's best-known Christian rock artists. His skills as a singer and composer began to develop as he edged closer to religious conversion. Finally, in 1975 he became a committed Christian after becoming involved with the Vineyard, a well-known San Fernando Valley church. With a convert's fervor, Green became involved in a series of Christian music projects, including the band Good News and the stage musical Firewind. He also began writing spiritually themed songs, among them "Your Love Broke Through," which went on to become a Christian pop standard recorded by Randy Stonehill, Phil Keaggy, and others.
Dedicating his reawakened creativity to glorifying God, Green founded Last Days Ministries in 1977. He and his followers evangelized to young rock music fans, street people, and others not being reached by conventional churches. At the same time, he made his debut as a Christian recording artist, signing with Sparrow Records and releasing the album For Him Who Has Ears to Hear. This song collection displays the essentials of Green's musical style: exuberant singing, piano-based melodies, and well-crafted pop/rock production. Among the best-known tracks on Green's first album are "You Put This Love in My Heart," "No One Believes Me Anymore," and "Your Love Broke Through." Balancing the warm-hearted testimony of these tunes are some humorous moments, including "No One Believes Me Anymore," a mock lament sung from the Devil's point of view. Overall, For Him Who Has Ears to Hear introduced Green to the Christian music market as a gifted musical evangelist of enormous potential.
As his audience grew, Green made clear that his focus was on spreading Christian teaching rather than providing entertainment. He sought to challenge the assumptions of his fellow believers, criticizing Christians who took their faith for granted. Some compared him with the Old Testament prophet Ezekiel, who decried the loose morals and weak faith of his generation. A number of the songs on Green's 1978 album No Compromise were addressed to the spiritually lazy. Most important among these is "Asleep at the Light," a ringing call for Christian activism sung by Green with palpable emotion. Less intense but still effective is the playful "Dear John (Letter to the Devil)" and the country-tinged "Soften Your Heart." All three of these songs received considerable airplay on Christian music stations.
Green was uneasy in his role as an emerging celebrity. He spoke out against the Christian music industry's increasing tendency to imitate secular show business ways. "Why do we idolize Christian singers and speakers?," he asked in a statement issued through Last Days Ministries. "We go from glorifying musicians in the world, to glorifying Christian musicians. It's all idolatry! ... It's true that there are many men and women of God who are greatly anointed to call down the Spirit of God on His people and the unsaved. But Satan is getting a great victory as we seem to worship these ministers on tapes and records...."
Turning away from the California Christian music scene, Green relocated to Lindale, a small east Texas community, in 1978. In addition to maintaining Last Days Ministries, he decided to launch his own record company, Pretty Good Records. Through this label, he released his next album, So You Wanna Go Back to Egypt, in 1980. This eclectic effort pokes fun at weak-spirited believers in its title track and offers a personal confession of need in "I Want to Be More Like Jesus." The most enduringly popular track proved to be "Oh Lord You're Beautiful," a powerful hymn that became a favorite at Christian worship services. In a bold move, Green announced that So You Wanna Go Back to Egypt would be sold for a variable price, even given away for free to those unable to pay. This decision sent shock waves through the Christian music industry, causing other artists to reconsider their album and concert pricing policies. An estimated 200,000 copies of the album were eventually distributed on a "pay what you can afford" basis.
Unlike some of his Christian music peers, Green showed little desire to dilute his message in hopes of reaching a wider audience. His 1982 album Songs to the Shepherd concentrates on worshipful material, praising the Lord in musical settings ranging from uplifting pop ("You Are the One") to blues-seasoned rock ("O God Our Lord") to old-fashioned country ("Draw Me"). While these songs were little-heard outside the Christian community, they helped fire Green's already-committed audience to a greater level of devotion. Fusing his work as a performer and evangelist, he toured actively during the early 1980s, mixing personal testimonials and heartfelt exhortations in between his musical numbers.
Green's life was cut short just as he began to hit his stride as a musician and minister. On July 28, 1982, he boarded a small Cessna aircraft for a brief sightseeing flight around his property in Lindale. Also on board were his son Josiah and daughter Bethany, along with the pilot and eight other passengers. Overloaded, the plane crashed shortly after takeoff, killing everyone on board. Recovering from her loss, Melody Green decided to carry on with Last Days Ministries and Pretty Good Records. Recordings of her husband's music were released posthumously, beginning with Prodigal Son and Jesus Commands Us to Go in 1983. Though lacking the cohesiveness of the albums released during his lifetime, both these song collections capture Green in strong creative moments. Prodigal Son's dramatic title track is a particular highpoint.
Melody Green continued to guide Last Days Ministries through the coming years and, in 1985, also took on the directorship of Americans against Abortion. Green's musical legacy remained vital as well, with many of his best-known recordings repackaged in compilation albums by Sparrow during the 1980s and 1990s. Multi-artist tribute albums also began to appear, starting with 1992's No Compromise: Remembering the Music of Keith Green. 2001 saw the release of Start Right Here: Remembering the Life of Keith Green, featuring spirited interpretations of his songs by such notable Christian rock acts as MxPx, Joy Electric, and Starflyer 59. Your Love Broke Through: The Worship Songs of Keith Greencontains covers of Green tunes by Michael W. Smith, Twila Paris, Rebecca St. James, and other top-rank Christian pop/rock talents.
On November 27, 2001, Green was inducted into the Gospel Music Hall of Fame. The honor served as an acknowledgment of his continuing influence in Contemporary Christian music some 20 years after his death. Green's intensity and dedication have continued to make him a role model for younger Christian performers, such as Rebecca St. James, who paid tribute to him in a Sparrow Records press biography. "I think what touches me most about him was that he was so committed to loving God and living for Him," she said of Green. "I know he was very strong-willed and people were sometimes offended at what he did and said, but it all came out of a pure motive of trying to be committed to Him in every part of his life. He wasn't going to back down just because of what people thought of him. That, to me, says that he was more focused on pleasing God than on pleasing man, something I think we should all try to focus on."
Keith Green's Career
Began career as child stage actor and composer, early 1960s; signed with Decca, released debut single, "Cheese and Crackers," 1965; began writing Christian songs, mid-1970s; founded Last Days Ministries, released first album, For Him Who Has Ears to Hear, 1977; founded Pretty Good Records, released album So You Wanna Go Back to Egypt, 1980.
Keith Green's Awards
Induction (posthumous), Gospel Music Hall of Fame, 2001.
Famous Works
For Him Who Has Ears To Hear , Sparrow, 1977.
No Compromise , Sparrow, 1978.
So You Wanna Go Back to Egypt , Pretty Good, 1980.
The Keith Green Collection , Sparrow, 1981.
Songs for the Shepherd , Pretty Good, 1982.
The Prodigal Son , Pretty Good, 1983.
Jesus Commands Us to Go , Pretty Good, 1984.
Because of You--Songs of Testimony , Sparrow, 1998.
Here I Am, Send Me--Songs of Evangelism , Sparrow, 1998.
Oh Lord, You're Beautiful--Songs of Worship , Sparrow, 1998.
Make My Life a Prayer to You--Songs of Devotion , Sparrow, 1998.
God, Make Us Bold About Jesus
Itâs been said that the content of a prayer shapes the one who prays it, because we tend to pray what we love, and what we love makes us who we are. And this is not only true of individuals, but of churches too. Like when the early church once prayed, Now, Lord, look upon their threats and grant to your servants to continue to speak your word with all boldness, while you stretch out your hand to heal, and signs and wonders are performed through the name of your holy servant Jesus. (Acts 4:29â30) Of all the things they might have prayed â and of all things churches should pray at various times â the fledging church in the early pages of Acts wanted God to give them boldness: âGrant to your servants to continue to speak your word with all boldness.â We as twenty-first-century pastors and churches can learn from this first-century prayer, but to do so, we need to first go back one chapter. Words Filled with Jesus The apostles Peter and John were walking to the temple one afternoon when they encountered a lame man. He had been lame from birth. The man was doing what he was always doing: asking for money from people passing by. But on this particular day, something unexpected happened. The man passing by responded, âI have no silver and gold, but what I do have I give to you. In the name of Jesus Christ of Nazareth, rise up and walk!â (Acts 3:6). In an instant, the man was healed. He leapt up and began to walk. He entered the temple âwalking, leaping, and praising Godâ (Acts 3:8). The scene drew a crowd, so Peter did what Peter was always doing. He preached. His sermon was full of crystal-clear witness to the person and purpose of Jesus. He is the Holy and Righteous One (verse 14), the Author of Life and the one whom God has raised from the dead (verse 15). Jesus is the reason, the only reason, why the lame man was healed (verse 17). Then Peter proceeds to show that the Hebrew Scriptures had long foretold Jesus, from Moses in Deuteronomy and Godâs promise to Abraham in Genesis, to all the prophets âfrom Samuel and those who came after himâ (Acts 3:24). It has always been about Jesus, and peopleâs response, now, must unequivocally be to repent (Acts 3:19, 26). New World Breaking In These Jewish leaders were âgreatly annoyed because [Peter and John] were teaching the people and proclaiming in Jesus the resurrection from the deadâ (Acts 4:2). The problem wasnât only that Peter and John were witnessing to Jesusâs own resurrection, but that they were saying Jesusâs resurrection has led to the inbreaking of the resurrection age. As Alan Thompson writes, âIn the context of Acts 3â4, Jesusâs resurrection anticipates the general resurrection at the end of the age and makes available now, for all those who place their faith in him, the blessings of the âlast daysââ (The Acts of the Risen Lord Jesus, 79). That, in fact, was what the healing of the lame man was declaring. The new creation had invaded the old. âJesus is the climax of all of Godâs saving purposes, and we cannot ignore this without eternal consequences.â In the resurrection of Jesus, everything has changed. He is the climax of all of Godâs saving purposes, and we cannot ignore this without eternal consequences. This message ruffled the feathers of the Jewish leaders, and so they arrested Peter and John and put them on trial for all that happened that day. âBy what power or by what name did you do this?â they demanded (Acts 4:7). Peter, filled with the Holy Spirit, and again with a crystal-clear witness, says the lame man was healed because of Jesus. Jesus is the Messiah who was crucified and raised, and who was foretold in the Hebrew Scriptures. Specifically, Peter says that Jesus is the stone mentioned in Psalm 118:22, the stone that would be rejected by the builders but then become the cornerstone. The stakes could not be higher. Only in Jesus could one be saved (Acts 4:12). Outdone by Fishermen The Jewish leaders were astonished. They could not reconcile Peter and Johnâs boldness with the fact that they were âuneducated, common menâ (Acts 4:13). These were neither teachers nor even pupils, but fishermen. Fishermen. That agitated the Jewish leaders all the more. These unskilled regular Joes, as it were, had been teaching the people! And now they ventured to interpret the Hebrew Scriptures before these skilled Jewish interpreters, telling them who Jesus was, according to the Scriptures, and who they were, according to the Scriptures. These Jewish leaders saw their âboldnessâ (Acts 4:13), but this wasnât merely a reference to their emotional tone. Peter and Johnâs boldness wasnât mainly about their zeal or behavior â it was about what they had to say. This kind of boldness is repeatedly connected to speech in Acts, so much so that another way to render âboldnessâ in many passages would be âto speak freely or openly.â Thatâs what Peter and John had done. They had spoken clearly, freely, openly, boldly about Jesus from the Hebrew Scriptures â and they had done so under intense intimidation. As they watched this unfold, even the Jewish leaders began to connect some dots. âThey recognized that they had been with Jesusâ (Acts 4:13). So how did these untrained fishermen learn to interpret the Scriptures like that? How could they speak so confidently about the meaning of Scripture when they had never been taught? Well, because they had been taught â by Jesus himself. They had been with Jesus, and so they were unusually bold. They spoke of Jesus clearly, both of his person and work, on the grounds of what the Scriptures say, even when it might have cost them their lives. Voices Lifted Together This is the boldness the church pleads for in Acts 4:29â30. The Jewish leaders had warned and threatened Peter and John to stop talking about Jesus, but eventually they had to release the men from custody. Peter and John went straight to their friends to report what happened. These friends of Peter and John, the nascent church in Jerusalem, âlifted their voices together to Godâ (Acts 4:24). Their corporate prayer was as rich with the Old Testamentâs witness to Jesus as Peterâs sermon was. They knew the person of Jesus. They knew why he had come. And they knew how unpopular this message would be. And what did they pray? They did not pray for articulate positions on the current cultural issues, nor for increased dialogue with those of other faiths, nor for the ability to refute this or that ism, nor for the development of a particularly Christian philosophy or culture (all things we might pray for at certain times in the church). None of these are part of the churchâs prayer in Acts 4. Rather, they prayed for boldness to speak the word of God. They asked God to give them the kind of speech Peter and John had modeled â to testify clearly about who Jesus is from the word of God, no matter the cost, as the new creation continues to invade the old. Do our churches ever pray like this today? Do we lack a similar heart? A similar perspective? Or both? And yet our cities need our boldness every bit as much as Jerusalem did in Peter and Johnâs day. They need the crystal-clear witness of who Jesus is and what he has come to do. Praying for Revival What if the church of Jesus Christ, in all her local manifestations, was marked by a singular passion to know Jesus and make him known? This is the true priority of the church in every age and culture. âThe best, most important thing we ever have to say is what we have to say about Jesus.â We are all about Jesus, and the best, most important thing we ever have to say is what we have to say about him. Our failures to live up to this calling are reminders of our need for revival â of our need to plead with God for boldness. Like the early church, may our heart continually beat to testify to Jesusâs glory and to what he demands of the world. Church, this is who we are. Recover it, as needed, and live it out â even though itâs the last thing our society wants to hear from us. Our society wants the church to be âhelpfulâ on societyâs terms â what J.I. Packer called the ânew gospel,â a substitute for the biblical gospel, in his introduction to Owenâs The Death of Death in the Death of Christ. Whereas the chief aim of the biblical gospel is to teach people to worship God, Packer explains, the concern of the substitute only wants to make people feel better. The subject of the biblical gospel is God and his ways; the subject of the substitute is man and the help God offers him. The market demands the substitute, and those who refuse to cater to it are at the risk of being considered irrelevant or worse. Against that mounting pressure, we should pray that we would speak clearly, freely, openly, boldly about Jesus from the Bible, no matter the cost. Would this not be the sign of revival? Would God not answer our prayers like he did for that first church? When they had prayed, the place in which they were gathered together was shaken, and they were all filled with the Holy Spirit and continued to speak the word of God with boldness. (Acts 4:31) Article by Jonathan Parnell Pastor, Minneapolis, Minnesota